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The Decay of the Angel - Yukio Mishima

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Harbor, in a pale grove <strong>of</strong> pines, and Ochō, his lady<br />

friend. Jirōchō’s name was on <strong>the</strong> triangle <strong>of</strong> <strong>the</strong><br />

umbrella he cradled in his arm. He was in travel<br />

dress, with a walking stick, light-blue mittens and<br />

leggings, and a hitched-up kimono in narrow blue and<br />

white stripes. Ochō had a high chignon, and wore a<br />

black satin kimono and an obi <strong>of</strong> yellow Hachijō plaid.<br />

Honda urged Keiko on toward <strong>the</strong> grove, but she<br />

was entranced by <strong>the</strong> dummies. She repeated<br />

Jirōchō’s name over and over to herself. She knew<br />

nothing about him except his name, not even <strong>the</strong><br />

elementary fact that he was a famous gambler; and<br />

Honda’s lecture on <strong>the</strong> subject left her yet more<br />

entranced.<br />

<strong>The</strong> nostalgic hues, <strong>the</strong> fresh, wild vulgarity, quite<br />

enthralled her. Wherever she might search in her own<br />

life with its distant harvest <strong>of</strong> <strong>the</strong> carnal, she could<br />

catch no sound so wild and sad in its vulgarity. Her<br />

great virtue was that she was without preconceptions.<br />

What she had never seen and never heard <strong>of</strong> was, <strong>the</strong><br />

last bit <strong>of</strong> it, “Japanese.”<br />

Almost angrily, Honda sought to break up her love<br />

affair with <strong>the</strong> dummy.<br />

“Oh, stop it. You’re making a fool <strong>of</strong> yourself.”<br />

“You think <strong>the</strong> two <strong>of</strong> us still have <strong>the</strong> luxury <strong>of</strong> being<br />

fools?”

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