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The Decay of the Angel - Yukio Mishima

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after each player had received eleven cards, and a<br />

single card was left face up beside <strong>the</strong>m. It was <strong>the</strong><br />

three <strong>of</strong> diamonds, a sort <strong>of</strong> lunatic freshness in its<br />

red. Honda caught his breath. He saw three moles,<br />

stained in blood.<br />

<strong>The</strong> special sounds <strong>of</strong> a card game: laughter as <strong>of</strong><br />

a table fountain, sighs, little cries <strong>of</strong> astonishment. It<br />

was a zone where <strong>the</strong>re need be no inhibitions in<br />

such matters as chuckling, uncertainty and unease,<br />

<strong>the</strong> craftiness <strong>of</strong> old age. It was like night in a zoo <strong>of</strong><br />

emotions. Cries and laughter came from all <strong>the</strong> pens<br />

and all <strong>the</strong> cages.<br />

“It’s your turn.”<br />

“No, it’s yours.”<br />

“Doesn’t anyone have a canasta yet?”<br />

“But I’ll be scolded if I play out <strong>of</strong> turn.”<br />

“She’s a very good dancer. Go-go too.”<br />

“I’ve never been to a go-go hall.”<br />

“I have. Just once. Like an insane asylum. Have a<br />

look at an African dance some time. It’s <strong>the</strong> same<br />

thing.”<br />

“I like to tango.”<br />

“I like <strong>the</strong> old dances.”<br />

“<strong>The</strong> waltz and <strong>the</strong> tango.”<br />

“<strong>The</strong> old dances are so graceful. <strong>The</strong>se new ones<br />

are like spooks. <strong>The</strong> men and <strong>the</strong> women all dressed

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