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The Decay of the Angel - Yukio Mishima

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humanity. His unhappiness she made her happiness,<br />

and she immediately saw what was behind an<br />

occasional show <strong>of</strong> gentleness and affection. Even<br />

farmers were taking <strong>the</strong>ir wives abroad <strong>the</strong>se days.<br />

Given Honda’s affluence, his proposal was a very<br />

modest one. Her refusal was extraordinarily stubborn.<br />

Sometimes she even shouted at him.<br />

“What are London and Venice and Paris to me? I’m<br />

an old woman, and what do you expect me to get out<br />

<strong>of</strong> it, being dragged around to places like that?”<br />

A young Honda would probably have been put <strong>of</strong>f<br />

by such brusqueness; but <strong>the</strong> old Honda wondered<br />

whe<strong>the</strong>r his proposal to take his wife abroad had<br />

really had in it any sort <strong>of</strong> affectionate solicitude at all.<br />

Rié had become accustomed to look with suspicion<br />

upon evidences <strong>of</strong> affection, and Honda had fallen<br />

into a similar habit. Perhaps his travel plans had<br />

embodied an urge to play <strong>the</strong> role <strong>of</strong> <strong>the</strong> virtuous<br />

husband. Making everything its opposite, making his<br />

wife’s resistance into womanly diffidence, her<br />

coldness into concealed ardor, he had sought<br />

evidence <strong>of</strong> his own benevolence. And perhaps he<br />

wanted to turn <strong>the</strong> whole voyage into a celebration<br />

marking <strong>the</strong> passage <strong>of</strong> some stage or o<strong>the</strong>r in life.<br />

Rié immediately picked out <strong>the</strong> vulgar motives behind<br />

his fabricated benevolence. She pleaded illness, and

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