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The Decay of the Angel - Yukio Mishima

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attract a certain sort <strong>of</strong> woman with <strong>the</strong>ir inexperience<br />

—not after all a very attractive trait. And so I assumed<br />

a delicate arrogance, which was nothing but shyness<br />

cloaking itself in vanity.<br />

<strong>The</strong> woman seemed torn between a desire to put<br />

me at my ease and a desire to excite me; but she<br />

was really thinking <strong>of</strong> herself. She knew from<br />

experience that over-ardent instruction can make <strong>the</strong><br />

young person stumble. That was <strong>the</strong> reason for her<br />

sweet reserve. It was <strong>the</strong> perfume with which she had<br />

carefully touched herself. I could see a little gauge<br />

wavering in her eyes.<br />

Since it was quite obvious that she was using my<br />

eagerness and curiosity to arouse herself, I was<br />

reluctant to have her look at me. It was not that I was<br />

feeling particularly shy; but I made <strong>the</strong> gesture as I<br />

brushed her eyes shut seem like a demand <strong>of</strong><br />

shyness. I suppose that thus rolling in <strong>the</strong> dark a<br />

woman feels only <strong>the</strong> wheel that runs over her.<br />

It goes without saying that my feelings <strong>of</strong> pleasure<br />

were over as soon as <strong>the</strong>y began. I was much<br />

relieved. Only with <strong>the</strong> third try did I feel anything like<br />

real pleasure.<br />

And so I saw: pleasure has an intellectual element<br />

in it from <strong>the</strong> start.<br />

Which is to say: a certain distance is established, a

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