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The Decay of the Angel - Yukio Mishima

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could hear <strong>the</strong> insects in <strong>the</strong> clump <strong>of</strong> agaves. As if it<br />

had been yesterday, he remembered <strong>the</strong> ferocity <strong>of</strong><br />

<strong>the</strong> mosquitoes in <strong>the</strong> thickets and <strong>the</strong> sound <strong>of</strong><br />

slapping against naked skin.<br />

He dismissed <strong>the</strong> car at <strong>the</strong> parking lot by <strong>the</strong> art<br />

gallery. <strong>The</strong> driver glanced at him from under a narrow<br />

forehead. It was <strong>the</strong> sort <strong>of</strong> glance that can sometimes<br />

work collapse. You may go, Honda said again, more<br />

strongly. Pushing his stick out on <strong>the</strong> sidewalk ahead<br />

<strong>of</strong> him, he climbed from <strong>the</strong> car.<br />

<strong>The</strong> parking lot was closed at night. A sign said that<br />

access was forbidden. A barricade blocked <strong>of</strong>f <strong>the</strong><br />

entrance. <strong>The</strong>re was no light in <strong>the</strong> attendant’s shelter,<br />

and no sign <strong>of</strong> life.<br />

Looking after <strong>the</strong> car, Honda walked down <strong>the</strong><br />

sidewalk past <strong>the</strong> agaves. <strong>The</strong>y flung out harsh<br />

leaves, a pale green in <strong>the</strong> darkness, quiet, like a<br />

clump <strong>of</strong> malice. <strong>The</strong>re were few passers-by, only a<br />

man and woman on <strong>the</strong> sidewalk opposite.<br />

Having come as far as <strong>the</strong> façade <strong>of</strong> <strong>the</strong> art gallery,<br />

Honda stopped and looked at <strong>the</strong> great empty<br />

scheme in which he found himself. <strong>The</strong> dome and <strong>the</strong><br />

two wings rose powerfully into <strong>the</strong> moonless night.<br />

<strong>The</strong> rectangular pond and <strong>the</strong> white gravel <strong>of</strong> <strong>the</strong><br />

terrace, long streaks <strong>of</strong> light from <strong>the</strong> lamps cutting <strong>of</strong>f<br />

<strong>the</strong> dim white <strong>of</strong> <strong>the</strong> gravel like <strong>the</strong> line <strong>of</strong> <strong>the</strong> tide. To

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