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The Decay of the Angel - Yukio Mishima

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treated <strong>the</strong> man, asserting mistaken identity.<br />

“You needn’t worry. Here is here and <strong>the</strong>re is <strong>the</strong>re.<br />

Let’s let bygones be bygones.” This way <strong>of</strong><br />

forestalling Honda’s thoughts added to <strong>the</strong><br />

uneasiness. “But you’ll have to stop that coughing.” He<br />

turned to look busily <strong>of</strong>f beyond <strong>the</strong> tree trunks.<br />

Breathing more easily as <strong>the</strong> man moved some<br />

distance away, Honda looked into <strong>the</strong> grasses<br />

beyond <strong>the</strong> tree. <strong>The</strong> throbbing had departed,<br />

however. It had been replaced by uneasiness and,<br />

again, anger and sadness. Self-forgetfulness<br />

withdrew as he pursued it. Though <strong>the</strong> spot was well<br />

suited for viewing <strong>the</strong> man and woman on <strong>the</strong> grass,<br />

<strong>the</strong>re was a false quality about <strong>the</strong>m, as if <strong>the</strong>y knew<br />

<strong>the</strong>y were being watched and were acting parts.<br />

<strong>The</strong>re was none <strong>of</strong> <strong>the</strong> joy in seeing, <strong>the</strong>re was nei<strong>the</strong>r<br />

<strong>the</strong> sweet pressure from <strong>the</strong> recesses <strong>of</strong> scrutiny nor<br />

drunkenness <strong>of</strong> clarity itself.<br />

Though <strong>the</strong>y were only a yard or two away, <strong>the</strong> light<br />

was too dim for him to make out details or <strong>the</strong><br />

expressions on <strong>the</strong> faces. <strong>The</strong>re seemed to be no<br />

screen between him and <strong>the</strong>m, and he could<br />

approach no nearer. He hoped that if he went on<br />

looking <strong>the</strong> old throb would return. One hand against<br />

<strong>the</strong> trunk <strong>of</strong> <strong>the</strong> tree, one hand on his stick, he looked<br />

down at <strong>the</strong> couple.

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