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The Decay of the Angel - Yukio Mishima

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Our afternoon at <strong>the</strong> Kōrakuen brought me to a<br />

decision.<br />

It was a trivial decision. If I was to wound Momoko<br />

not in <strong>the</strong> flesh but in <strong>the</strong> spirit, <strong>the</strong>n <strong>the</strong>re was an<br />

urgent need for ano<strong>the</strong>r woman.<br />

To make Momoko taboo was at <strong>the</strong> same time a<br />

responsibility and a logical contradiction. And if my<br />

carnal interest in her was <strong>the</strong> hidden source <strong>of</strong> my<br />

rational interest, <strong>the</strong>n my dignity was left with nothing<br />

to stand on. I must wound her with <strong>the</strong> shining scepter<br />

<strong>of</strong> “love that is free.”<br />

To have ano<strong>the</strong>r woman did not seem difficult. I<br />

went to a go-go hall on my way home from school. All I<br />

had to do was dance as I had learned to at <strong>the</strong><br />

houses <strong>of</strong> friends, whe<strong>the</strong>r skillfully or not did not<br />

matter. I had several friends who had a healthy<br />

routine. Each day after school <strong>the</strong>y would spend an<br />

hour or so alone at a go-go house before settling<br />

down after dinner to studies for entrance<br />

examinations. I went with one <strong>of</strong> <strong>the</strong>m, and<br />

persevered over Coca-Cola after <strong>the</strong> hour had<br />

passed. A countrified girl with thick makeup spoke to<br />

me, and I danced with her. She was not, however,<br />

what I was after.<br />

I had heard from my friend that <strong>the</strong>re were certain to<br />

be “chastity eaters” at such a place. One would

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