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The Decay of the Angel - Yukio Mishima

The Decay of the Angel - Yukio Mishima

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have looked for a reason. I have found <strong>the</strong> most<br />

plausible one. It is <strong>the</strong> love born in me.<br />

I almost burst out laughing. For I had become<br />

aware <strong>of</strong> <strong>the</strong> significance <strong>of</strong> lovelessness as a selfevident<br />

premise. It is in <strong>the</strong> freedom to love<br />

indiscriminately at any time. Like a truck driver<br />

napping in <strong>the</strong> summer shade, certain that <strong>the</strong><br />

moment he awakens he can drive <strong>of</strong>f again. If<br />

freedom is not <strong>the</strong> essence <strong>of</strong> love but its enemy, <strong>the</strong>n<br />

I have friend and enemy in hand at once.<br />

My sulkiness seems to have been convincing. That<br />

is most natural, for it is <strong>the</strong> form taken by love that is<br />

free, asking while denying.<br />

Momoko promptly lost her appetite. She looked at<br />

me with a worried face, as she might look at a pet<br />

bird. She had <strong>the</strong> vulgar notion that happiness is to be<br />

apportioned to all, like a big loaf <strong>of</strong> French bread. She<br />

did not understand <strong>the</strong> ma<strong>the</strong>matical principle that<br />

happiness for one must be unhappiness for ano<strong>the</strong>r.<br />

“Has something happened?” It was an<br />

inappropriate question coming from those elegant<br />

lips, on that face shaded over with quiet tragedy.<br />

I laughed vacantly and did not answer.<br />

It was <strong>the</strong> only time she asked <strong>the</strong> question. She<br />

was soon lost in her own talk. It was <strong>the</strong> part <strong>of</strong> <strong>the</strong><br />

faithful listener to be silent.

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