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The Decay of the Angel - Yukio Mishima

The Decay of the Angel - Yukio Mishima

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Tōru sent out three hallos. Dot-dot-dot-dash-dot. ∗<br />

Dot-dot-dot-dash-dot. Dot-dot-dot-dash-dot.<br />

<strong>The</strong>re was no response.<br />

He again signaled three times.<br />

A dash. It was like an oozing from beside <strong>the</strong><br />

bridge.<br />

He could feel <strong>the</strong> resistance <strong>of</strong> <strong>the</strong> distant shutter.<br />

“Your name?”<br />

Dot-dash-dash-dot, dot-dash-dot-dash-dot, dashdot-dot-dot-dash,<br />

dot-dash, dash-dot-dot-dot.<br />

After that initial dash, <strong>the</strong> name <strong>of</strong> <strong>the</strong> ship,<br />

phantom-like.<br />

Dash-dot-dash-dot, dot-dash-dash-dot, dot-dotdash-dot,<br />

dash-dash, dot-dot-dash, dash-dot-dotdash,<br />

dash-dot-dash-dash-dot.<br />

It was <strong>the</strong> Nitchō-maru, without question.<br />

<strong>The</strong>re was a wild restlessness in <strong>the</strong> long and short<br />

lights, as if in among <strong>the</strong> clusters <strong>of</strong> solid lights a<br />

single light were mad with joy. <strong>The</strong> voice calling out<br />

from afar over <strong>the</strong> dark sea was like <strong>the</strong> voice <strong>of</strong> <strong>the</strong><br />

madwoman. A metal voice crying out sadly though not<br />

sad, pleading an agony <strong>of</strong> joy. It only reported <strong>the</strong><br />

name <strong>of</strong> a ship, but <strong>the</strong> infinitely disturbed voice <strong>of</strong><br />

light also conveyed in each fragment <strong>the</strong> irregularity <strong>of</strong><br />

an overexcited pulse.<br />

<strong>The</strong> signals would probably be from <strong>the</strong> hand <strong>of</strong> <strong>the</strong>

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