Have a Happy & Healthy New Year! - the Parklander
Have a Happy & Healthy New Year! - the Parklander
Have a Happy & Healthy New Year! - the Parklander
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ARTS& ENTERTAINMENT<br />
Greetings, readers of <strong>the</strong> <strong>Parklander</strong>.<br />
This is, hopefully, <strong>the</strong> first in a series of<br />
many articles that I will be writing for<br />
this magazine. I have been given <strong>the</strong><br />
opportunity to regale you with news,<br />
information, background and opinions<br />
about what is going on in South Florida<br />
Theatre (Broward, Miami-Dade, Palm<br />
Beach and maybe even Monroe counties).<br />
The alliterative title is a salute to<br />
<strong>the</strong> late, great Fred Diekmann. A lover<br />
of alliteration, Fred was a fixture in<br />
South Florida Theatre. He was a producer,<br />
wrote for Hot Spots and <strong>the</strong><br />
<strong>Parklander</strong>, co-founded, with Dave<br />
Knight (publisher of Buzz Magazine), The Curtain Up Awards. Fred was<br />
much loved and will be sorely missed (as I do), by many in <strong>the</strong> South Florida<br />
Theatre community.<br />
I am always taken aback when I see a new byline. Almost inevitably, <strong>the</strong><br />
first column makes no mention of <strong>the</strong> writer’s qualifications to pontificate<br />
from a podium in a periodical (That’s for you, Fred). I am reminded of <strong>the</strong><br />
time, 28 years ago, when I offered my services as <strong>the</strong>ater critic, to <strong>the</strong> daily<br />
newspaper at The University of Pennsylvania. “What is your major?” asked<br />
<strong>the</strong> young man behind <strong>the</strong> desk. “I’m a <strong>the</strong>ater major,” I replied, knowing<br />
that no one on <strong>the</strong> staff of <strong>the</strong> paper currently had that credential (In fact, I<br />
was a member of, what would be, <strong>the</strong> first graduating class of Theatre<br />
Majors in Penn’s 200+ year history). “Oh,” he said with a yawn, “<strong>the</strong>n we<br />
wouldn’t be interested in you.” My jaw dropped. “There are many people<br />
waiting to review, and besides, we don’t want anyone who knows anything<br />
about <strong>the</strong>ater. We want <strong>the</strong> opinion of <strong>the</strong> man on <strong>the</strong> street.” I wandered<br />
out of <strong>the</strong> office, into <strong>the</strong> gray Philadelphia afternoon, wondering why, if it<br />
was <strong>the</strong> opinion of those who know nothing that mattered, I was bo<strong>the</strong>ring<br />
to get an education. Ever since, I have always appreciated knowing <strong>the</strong><br />
background of those audacious enough to place <strong>the</strong>ir punditry in print.<br />
72<br />
BACKSTAGE BROWARD<br />
with Bernstein<br />
By David Bernstein<br />
So, allow me to introduce myself. My name is David Jay Bernstein. I hold<br />
a BA in Theatre from U of P; a JD (yes, I’m a lawyer) and MS in Mass<br />
Communication from Boston University and an MFA in Directing from<br />
FAU. As a playwright, I’ve had a number of my plays produced and won<br />
several awards and contests. I’ve taught acting on <strong>the</strong> university level and,<br />
since 2000, been Executive Artistic Director of The Public Theatre of<br />
South Florida. I have directed better than twenty shows and produced<br />
twenty-eight (I tell you this simply to let you know that I have some familiarity<br />
with <strong>the</strong> world about which I will be writing).<br />
And why, you may ask, have you not heard of The Public Theatre (currently<br />
in its 18th season)? Part of our mission has always been to maintain<br />
prices that everyone can afford. Thus, we don’t have much money for<br />
advertising. However, <strong>New</strong> Times (<strong>the</strong> local arts magazine owned by The<br />
Village Voice), recently dubbed The Public Theatre “<strong>the</strong> best <strong>the</strong>ater for<br />
drama in Broward and The Palm Beaches for 2006.” They wrote as follows:<br />
“The Public Theatre sometimes seems more like a concept than a <strong>the</strong>ater.<br />
Give it a room with rows of collapsible chairs and <strong>the</strong> Public Theatre will<br />
provide an evening of searching <strong>the</strong> darkest corners of American society<br />
that always keeps its audience on <strong>the</strong> edge of its seat. In <strong>the</strong> past year, Public<br />
Theatre’s artistic director and fa<strong>the</strong>r confessor, David Jay Bernstein, focused<br />
on <strong>the</strong> politics of disease and sexual identity (The Normal Heart), ethnic<br />
conflict and urban youth disenfranchisement (Barefoot Boy With Shoes<br />
On), and domestic abuse and <strong>the</strong> insanity of war (And Then She Moved <strong>the</strong><br />
Furniture). Public Theatre does more with less than any company around,<br />
fully knowing that elaborate sets and fancy playbills have less to do with <strong>the</strong><br />
<strong>the</strong>ater of social conflict than do sharp plays with superior casts that include<br />
some of <strong>the</strong> most talented actors in South Florida, both well-known and<br />
up-and-coming.”<br />
When you read this, as 2007 begins, we will be just about to open Manuel<br />
Puig’s KISS OF THE SPIDER WOMAN, starring Michael McKeever and<br />
David Perez-Ribada. And <strong>the</strong>n. THE FANTASTICKS. Learn more about<br />
The Public Theater at www.PublicTheatre.com. And all of <strong>the</strong> South<br />
Florida Theatre scene at www.SouthFloridaTheatre.com. See you next<br />
month…AND GO SEE SOME LIVE THEATER!!<br />
JANUARY 2007<br />
Photos of Public<br />
Theatre performances<br />
from 2005 and 2006.