Apollo Software Manual v7.0 - zZounds.com

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Insert EffectsOverviewConsole’s primary function is to control Apollo’s input monitoring features. Using Console,Apollo’s inputs can be recorded without signal processing (dry) or with RealtimeUAD processing (wet) via the Insert Effects switch.By using Console to monitor live audio, the engineer can record the Realtime UAD Processingeither dry or wet without any I/O buffering and the latencies associated withsoftware monitoring via the DAW.Function of the Insert Effects SwitchThe Insert Effects switch determines if the DAW records Console’s inputs with or withoutRealtime UAD Processing, regardless of the actual wet or dry state of the monitor mix.This is accomplished by routing Console’s inputs into the DAW from before the plug-ininserts (dry recording) or after the plug-in inserts (wet recording).Note: Recording into a DAW with or without Realtime UAD Processing via theInsert Effects switch is a global function. The function cannot be individuallyenabled per input.Record With EffectsWhen Record With Effects is active, Apollo’s hardware inputsignals are processed by Console’s UAD plug-in insertsbefore routing into the DAW.In this mode, the post-insert (wet) state of all Consoleinputs with Realtime UAD Processing is routed to the DAWinputs.Record With Effects is active when the Insert Effects REC button pulses red.Note: This setting is used to record wet with Realtime UAD Processing.Monitor With EffectsWhen Monitor With Effects is active, Apollo’s hardwareinput signals are routed directly into the DAW before beingprocessed by Console’s UAD plug-in inserts.In this mode, the pre-insert (dry) state of all Console inputsis routed to the DAW inputs, even if Realtime UAD Processingis occurring in the monitor mix.Record With Effects is off when the Insert Effects MON button is green.Note: This setting is used to record dry when Realtime UAD Processing is active.Important: To eliminate doubled signals, software monitoring in the DAW shouldbe disabled when Console is used to monitor Apollo’s inputs. Refer to the DAWdocumentation for specific instructions on how to defeat software monitoring inthe DAW.Apollo Software Manual46Chapter 3: Console Application
Headphone Source (Apollo only)OverviewApollo has two stereo headphone outputs on its frontpanel. Each headphone output is individually addressablein Console, or the DAW via Apollo’s device drivers.Because their signal paths are separate from the monitoroutputs, the headphone outputs can be configured to containunique mixes that are completely independent fromother Apollo hardware outputs.Both headphone outputs mirror Apollo’s stereo monitoroutputs by default, but each headphone output can beconfigured have its own unique mix via Console’s dedicatedheadphone mix buses.Any DAW outputs can also be routed into the headphone mix buses via Apollo’s devicedrivers (see “Virtual I/O” on page 79 for more info).Headphone Source 1, 2This button determines the source of the headphone bus mix. Note that a headphoneoutput can only use its own mix bus (or the monitor mix) as its source. For example, youcan’t select HP 2 as the source for HP 1, and vice versa.HP 1, 2When set to HP, the headphone source is the dedicated headphone mix bus, summedwith all DAW outputs that are routed to Apollo’s headphone outputs (if applicable). Inthis mode, the mix of the this bus is determined by the Headphone Send controls in theinput channel strips and the aux return strips.Console’s faders, mutes, and solos are not reflected in the headphone output in HP mode(Console’s headphone sends are pre-fader).Important: When Headphone Source 1, 2 is set to HP, aux returns must be sent tothe headphone mix bus (via the aux headphone sends) for the aux to be heard inthe headphones.MON 1, 2When set to MON, the headphone source is Console’s main monitor mix, summed withall DAW buses that are routed to Apollo’s monitor outs (if applicable). Console’s faders,mutes and solos are reflected in the headphone output in this mode.Headphone Mono 1, 2This button sums the left and right channels of the stereo headphone output into amonophonic signal. The headphone output is stereo when the button is white and monowhen the button is yellow.Apollo Software Manual47Chapter 3: Console Application
Page 1 and 2: H I GH- R ESO L U T I O N I N TER F
Page 6 and 7: Chapter 5: Working With Apollo.....
Page 8 and 9: Software FeaturesNote: For a list o
Page 10 and 11: Documentation OverviewDocumentation
Page 12 and 13: Apollo Software OverviewApollo has
Page 14 and 15: Technical SupportUniversal Audio pr
Page 16 and 17: Software InstallationImportant: If
Page 18 and 19: 4. Click the “Authorize Plug-Ins
Page 20: To change the UAD Bandwidth Allocat
Page 25 and 26: The Console Mixer WindowControl Gro
Page 27 and 28: Channel Input StripsEach Console in
Page 29: Channel Input ControlsPreamp Contro
Page 32 and 33: Insert MenuClicking the insert menu
Page 34 and 35: Copy “Plug-In Name” -Copies the
Page 36 and 37: Send MenuThe currently displayed bu
Page 38 and 39: Input PanThis control adjusts the i
Page 40 and 41: Input MeterThe Input Meter displays
Page 42 and 43: Auxiliary SectionAux InsertControls
Page 44 and 45: Aux Cue Controls (Apollo 16 only)Au
Page 48 and 49: Cue Returns (Apollo 16 only)The fou
Page 50 and 51: MonitorWhen MON is selected, the ma
Page 52 and 53: Session NameThe name of the current
Page 54 and 55: SubfoldersSession files can be disp
Page 56 and 57: Interface Settings PanelThe Interfa
Page 58 and 59: Input Delay CompensationInput Delay
Page 60 and 61: Window Title BarThe Window Title Ba
Page 62 and 63: Edit MenuUndoWhen a parameter value
Page 64 and 65: Chapter 4: Console Recall Plug-InCo
Page 66 and 67: SYNCThe Console Recall plug-in has
Page 68 and 69: Chapter 5: Working With ApolloApoll
Page 70 and 71: DAW Processing MethodWhen UAD Power
Page 72 and 73: Setting the I/O in the Operating Sy
Page 74 and 75: Using Apollo Without A ComputerStan
Page 76 and 77: Selecting Apollo’s Inputs and Out
Page 78 and 79: Console with the Console Recall Plu
Page 80 and 81: How To Route Any DAW Output Into Co
Page 82 and 83: Chapter 6: Multi-Unit CascadingMult
Page 84 and 85: WORDCLOCKWORDCLOCKWORDCLOCKWORDCLOC
Page 86 and 87: Thunderbolt Host Connection (Apollo
Page 88 and 89: Multi-Unit FireWire BandwidthBandwi
Page 90 and 91: ConstraintsCertain features and/or
Page 92 and 93: When to use Console IDCConsole IDC
Page 94 and 95: Latency BasicsLatency (delay) is an
Page 96 and 97:
UAD-2 DSP LatencyWhen UAD Powered P
Page 98 and 99:
Driver I/O TablesTables in this sec
Page 100 and 101:
Apollo I/O, Single Unit, PT Mode On
Page 102 and 103:
Apollo I/O, Single Unit, PT Mode On
Page 104 and 105:
Apollo I/O, Multi-Unit, PT Mode OnI
Page 106 and 107:
Apollo 16 I/O, Single Unit, PT Mode
Page 108 and 109:
Apollo 16 I/O, Single Unit, PT Mode
Page 110 and 111:
Apollo 16 I/O, Multi-Unit, PT Mode
Page 112 and 113:
Bit Resolution Often used interchan
Page 114 and 115:
FPGA Acronym for “Field Programma
Page 116 and 117:
Ribbon Microphone A type of microph
Page 118 and 119:
Chapter 10: IndexSymbols48V 29AAcce
Page 120 and 121:
RREC 46Recall Menu 52Record With FX
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