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P R E M I O P R E S T I G I O - T O R S A N L O R E N Z O P E R L’ A M B I E N T E<br />

13<br />

On the basis of the experience acquired through the bird-garden project, in addition to the garden’s historical<br />

and aesthetic heritage he introduced a third element, “the natural garden”, promoting the natural reintroduction<br />

of new ornithological and entomological species by means of specifically conceived stratagems. He is especially<br />

committed to the study of the compatibility between historic monument and garden heritage, the results<br />

of which have been absorbed and used in similar cases by the University of Rome La Sapienza, faculty of architecture<br />

and restoration, and by other institutions.<br />

In 1999 on behalf of the Caetani Foundation he supervised the monumental and botanic restoration of the Ninfa<br />

Renaissance Garden, next to the one in the romantic style, abandoned for centuries and created in 1621 by Duke<br />

Francesco Caetani. Now it is open to the public.<br />

He is in contact with British, American and French botanical institutes and has frequently been a judge in various<br />

international gardening events: at Courson, Cologne and, in Italy, Masino (Piedmont), Colorno (Emilia), Le Corti<br />

(Florence), Salsomaggiore, La Landriana (Rome).<br />

For years he was a judge at the International Rose Prize held in the Aventino rose garden by the Cioty of Rome.<br />

He has held conferences on gardens in Paris, Cologne, the University of Florence, Turin, Genoa, Naples, the British<br />

Institute in Rome, the Abruzzo National Park, the Circeo National Park, the American Academy and the Botanical<br />

Gardens in Rome for the faculty of Botany, especially on the subject of the romantic garden.<br />

Invited by the Dean, for the last eight years he has been working with the faculty of architecture and the environment<br />

of Aachen, where he has also held lessons on the conservation of protected areas. He has promoted postgraduate<br />

courses at the Castle of Sermoneta organised by the German university.<br />

He is often invited to speak about environmental issues at training courses organised by the regional authorities<br />

and to address students of various schools with regard to the conservation of the natural heritage.<br />

In the context of the management of protected areas, his specialisation is the best way to combine public fruition<br />

and protection of the natural heritage and the environment through methodologies adopted for the first time<br />

in Italy (1966) and later followed by the principal national parks and gardens.<br />

From 1991 to 1996 he personally supervised the restoration of the medieval village of Torrecchia vecchia, between<br />

Cisterna and Cori, and has helped to create a garden in the romantic style within the village, introducing 12,000<br />

plants on behalf of Torrecchia s.r.l.<br />

From 1991 to 1993 he was director of the gardens of the American Academy in Rome. D<br />

He is a voluntary advisor for various new parks and botanical gardens. He supervised the restoration of the coastal<br />

gardens of Messina for the WWF.<br />

He has collaborated with the Abruzzo National Park on various conservation and promotional initiatives, including<br />

the “Il parco in fiore” event.<br />

He has collaborated with RAITV for several programmes on the protection of the environment: Geo and Geo, Made<br />

in Italy, Sereno variabile, Uno Mattina etc.<br />

He has written many articles on the subject of nature conservation and promotion for newspapers and specialised<br />

reviews.<br />

He is the author of a book published in New York by Vendome Press titled “Ninfa, a Roman enchantment” and of<br />

introductions for catalogues of exhibitions on environmental and literary subjects.<br />

He has participated in the compilation and research of Italy’s monumental trees registered in the Official Italian<br />

Botanical List drawn up by the Ministry of the Environment.<br />

A member of the WWF since it was founded in 1967, he continues to be active at a local, regional and national<br />

level. He is a member of Italia Nostra and FAI (Italian Environmental Foundation).<br />

In 1998 he received the honorary title of Cavaliere from the Italian President for his work in favour of the environment.<br />

For the last eighteen years he has made regular trips to Africa, where he is helping to draw up an ornithological<br />

and endemic plant check-list of the biggest African park, the Selous Game Reserve (50,000 km2) near Dar Es<br />

Saalam in Tanzania. His great wish is to take part in the foundation of the Lepini Mountains Regional Park, to bridge<br />

the area between the Abruzzo parks and the Circeo and Pontine Islands National Park<br />

From “Giardini Italiani” by Marella Agnelli:<br />

“……and the Garden of Ninfa completely expresses the balance between history and nature, medieval architecture<br />

and marvellous vegetation – a perfect union. A multitude of old roses, irises and magnolias was planted<br />

amongst the ruins, around the towers and along the embattled walls, a choice marked by the same poetic intuition<br />

we find in the romantic tales by twentieth-century authors who came to Ninfa in search of inspiration. Ninfa<br />

is protected by the Lepini mountains and the pure, clear waters of the stream that run through it ensure maximum<br />

fertility: the trees, cypresses, oaks and maples above all, are young but seem centuries old, while the roses<br />

cover the ruins like garments, their flowering boughs falling to the transparent waters of the stream, banksiae<br />

roses cover the ruins of the great churches, others envelop the cypresses in an embrace and flower among the<br />

branches, colourful patches of aquilegias and peonies create an impressionistic background for the ancient<br />

towers covered in moss and clematis.<br />

From the evocative past to the enchanted present. At Ninfa it is not a question of restoring what time has<br />

destroyed, but of preserving what it has left. The ruins are often unrecognisable, hardly historic remains anymore,<br />

but signs and indications of time that gardening, discovering a new vocation, protects and defends, transforming<br />

the desolate silence of ruins into the golden calm of a magic garden that brings us without hesitation<br />

back to Eden”.<br />

P R E M I O I N T E R N A Z I O N A L E T O R S A N L O R E N Z O 2 0 0 9

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