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Scarica il pdf del TSL Informa Aprile - Maggio 2009 - Premio ...
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P R E M I O P R E S T I G I O - T O R S A N L O R E N Z O P E R L’ A M B I E N T E<br />
13<br />
On the basis of the experience acquired through the bird-garden project, in addition to the garden’s historical<br />
and aesthetic heritage he introduced a third element, “the natural garden”, promoting the natural reintroduction<br />
of new ornithological and entomological species by means of specifically conceived stratagems. He is especially<br />
committed to the study of the compatibility between historic monument and garden heritage, the results<br />
of which have been absorbed and used in similar cases by the University of Rome La Sapienza, faculty of architecture<br />
and restoration, and by other institutions.<br />
In 1999 on behalf of the Caetani Foundation he supervised the monumental and botanic restoration of the Ninfa<br />
Renaissance Garden, next to the one in the romantic style, abandoned for centuries and created in 1621 by Duke<br />
Francesco Caetani. Now it is open to the public.<br />
He is in contact with British, American and French botanical institutes and has frequently been a judge in various<br />
international gardening events: at Courson, Cologne and, in Italy, Masino (Piedmont), Colorno (Emilia), Le Corti<br />
(Florence), Salsomaggiore, La Landriana (Rome).<br />
For years he was a judge at the International Rose Prize held in the Aventino rose garden by the Cioty of Rome.<br />
He has held conferences on gardens in Paris, Cologne, the University of Florence, Turin, Genoa, Naples, the British<br />
Institute in Rome, the Abruzzo National Park, the Circeo National Park, the American Academy and the Botanical<br />
Gardens in Rome for the faculty of Botany, especially on the subject of the romantic garden.<br />
Invited by the Dean, for the last eight years he has been working with the faculty of architecture and the environment<br />
of Aachen, where he has also held lessons on the conservation of protected areas. He has promoted postgraduate<br />
courses at the Castle of Sermoneta organised by the German university.<br />
He is often invited to speak about environmental issues at training courses organised by the regional authorities<br />
and to address students of various schools with regard to the conservation of the natural heritage.<br />
In the context of the management of protected areas, his specialisation is the best way to combine public fruition<br />
and protection of the natural heritage and the environment through methodologies adopted for the first time<br />
in Italy (1966) and later followed by the principal national parks and gardens.<br />
From 1991 to 1996 he personally supervised the restoration of the medieval village of Torrecchia vecchia, between<br />
Cisterna and Cori, and has helped to create a garden in the romantic style within the village, introducing 12,000<br />
plants on behalf of Torrecchia s.r.l.<br />
From 1991 to 1993 he was director of the gardens of the American Academy in Rome. D<br />
He is a voluntary advisor for various new parks and botanical gardens. He supervised the restoration of the coastal<br />
gardens of Messina for the WWF.<br />
He has collaborated with the Abruzzo National Park on various conservation and promotional initiatives, including<br />
the “Il parco in fiore” event.<br />
He has collaborated with RAITV for several programmes on the protection of the environment: Geo and Geo, Made<br />
in Italy, Sereno variabile, Uno Mattina etc.<br />
He has written many articles on the subject of nature conservation and promotion for newspapers and specialised<br />
reviews.<br />
He is the author of a book published in New York by Vendome Press titled “Ninfa, a Roman enchantment” and of<br />
introductions for catalogues of exhibitions on environmental and literary subjects.<br />
He has participated in the compilation and research of Italy’s monumental trees registered in the Official Italian<br />
Botanical List drawn up by the Ministry of the Environment.<br />
A member of the WWF since it was founded in 1967, he continues to be active at a local, regional and national<br />
level. He is a member of Italia Nostra and FAI (Italian Environmental Foundation).<br />
In 1998 he received the honorary title of Cavaliere from the Italian President for his work in favour of the environment.<br />
For the last eighteen years he has made regular trips to Africa, where he is helping to draw up an ornithological<br />
and endemic plant check-list of the biggest African park, the Selous Game Reserve (50,000 km2) near Dar Es<br />
Saalam in Tanzania. His great wish is to take part in the foundation of the Lepini Mountains Regional Park, to bridge<br />
the area between the Abruzzo parks and the Circeo and Pontine Islands National Park<br />
From “Giardini Italiani” by Marella Agnelli:<br />
“……and the Garden of Ninfa completely expresses the balance between history and nature, medieval architecture<br />
and marvellous vegetation – a perfect union. A multitude of old roses, irises and magnolias was planted<br />
amongst the ruins, around the towers and along the embattled walls, a choice marked by the same poetic intuition<br />
we find in the romantic tales by twentieth-century authors who came to Ninfa in search of inspiration. Ninfa<br />
is protected by the Lepini mountains and the pure, clear waters of the stream that run through it ensure maximum<br />
fertility: the trees, cypresses, oaks and maples above all, are young but seem centuries old, while the roses<br />
cover the ruins like garments, their flowering boughs falling to the transparent waters of the stream, banksiae<br />
roses cover the ruins of the great churches, others envelop the cypresses in an embrace and flower among the<br />
branches, colourful patches of aquilegias and peonies create an impressionistic background for the ancient<br />
towers covered in moss and clematis.<br />
From the evocative past to the enchanted present. At Ninfa it is not a question of restoring what time has<br />
destroyed, but of preserving what it has left. The ruins are often unrecognisable, hardly historic remains anymore,<br />
but signs and indications of time that gardening, discovering a new vocation, protects and defends, transforming<br />
the desolate silence of ruins into the golden calm of a magic garden that brings us without hesitation<br />
back to Eden”.<br />
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