ARTIFICIAL HELLS

illustration credits
Chapter 3
p. 76 Atelier Populaire, Je participe, tu participes, il participe…, 1968.
Poster screenprint on paper. Courtesy International Institute
of Social History, Amsterdam.
p. 85 Guy Debord, Psychogeographical Guide to Paris, 1957. Courtesy
Bibliothèque Kandinsky.
p. 90 Groupe Recherche d’Art Visuel, A Day in the Street, Paris,
1966. View showing participants in Montparnasse. Courtesy
the artists and DACS.
p. 92 Groupe Recherche d’Art Visuel, itinerary for A Day in the
Street, Paris, 1966. Courtesy the artists.
p. 96 Jean- Jacques Lebel, Pour conjurer l’espirit de catastrophe,
1962. Courtesy A.D.G.A.P., Jean- Jacques Lebel Archive,
Paris.
p. 97 (left) Jean- Jacques Lebel, 120 minutes dédiées au Divin marquis, 1965.
Shirley Goldfarb descending from the balcony. Courtesy
A.D.G.A.P., Jean- Jacques Lebel Archive, Paris.
p. 97 (right) Jean- Jacques Lebel, 120 minutes dédiées au Divin marquis, 1965.
The spanked rendition of ‘La Marseillaise’. Courtesy
A.D.G.A.P., Jean- Jacques Lebel Archive, Paris.
p. 98 Jean- Jacques Lebel, 120 minutes dédiées au Divin marquis, 1965.
Cynthia washing herself. Courtesy A.D.G.A.P., Jean- Jacques
Lebel Archive, Paris.
Chapter 4
p. 107 El Grupo de los Artes de los Medios Masivos, Total Participation,
1966. Courtesy Roberto Jacoby.
p. 110 Oscar Masotta, To Induce the Spirit of the Image, Buenos Aires,
1966. View of participants. Courtesy Susana Lijtmaer.
p. 112 Marta Minujín, Suceso Plástico, Montevideo, 1965. Installation
shot. Courtesy the artist.
p. 114 Oscar Bony, La familia obrera (The Worker’s Family), 1968,
and audience during ‘Experiencias 68’, Instituto Torcuato Di
Tella, Buenos Aires. Courtesy Oscar Bony Archive.
p. 115 Pi Lind, Living Sculptures, Stockholm, 1968. Courtesy the
artist and Moderna Museet, Stockholm.
p. 120 Grupo de Artistas de Vanguardia, Cycle of Experimental Art,
Rosario, 1968: action by Graciela Carnevale. Image: Carlos
Militello. Courtesy Graciela Carnevale.
Chapter 5
p. 133 Milan Knížák, A Demonstration for All the Senses, Prague, 1964.
Courtesy the artist.
p. 134 Milan Knížák, A Demonstration for All the Senses, Prague, 1964.
Courtesy the artist.
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