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Discord Consensus

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will leave it to its readers to draw any contemporary lessons, it will map<br />

the ideological complexities, discursive twists and publishing ironies<br />

that made it possible for Grattan to write two seemingly contradictory<br />

accounts of the Low Countries within years of each other, and for those<br />

accounts to influence the understanding of Low Countries history in the<br />

wider world until the mid-​twentieth century. It will more specifically<br />

shed new light on British (and Irish) perceptions of the ‘Netherlands’<br />

during the transformative period around 1830, complementing recent<br />

studies that, ignoring Grattan’s work, have focused on British views<br />

of Belgium after the revolution. 3 Through its focus on a blind spot in<br />

debates on Low Countries historiography, it will also seek to open those<br />

debates onto other questions than those which traditionally arise from<br />

tensions between Dutch and Belgian/​Flemish schools of thought regarding<br />

‘Great Netherlandic’ history. 4<br />

Background to Grattan’s History<br />

Born around 1791 5 into an Irish Protestant family that boasted connections<br />

to the Irish parliamentary leader Henry Grattan and to the<br />

future duke of Wellington, Thomas Colley Grattan was educated for the<br />

bar. He was, however, drawn first to a military career before becoming<br />

a literary adventurer on the European mainland. Although he was<br />

dismissed as an ‘arrant literary tradesman’ 6 by some of the prominent<br />

authors whose company he sought, and was also criticised for stylistic<br />

or narrative infelicities by some reviewers, Grattan managed to become<br />

one of the bestselling authors of travel tales of the 1820s with his<br />

High-​ways and By-​ways, or Tales of the Road-​Side, Picked Up in the French<br />

Provinces. Financial success was short-​lived: after the spectacular failure<br />

of his debut as a playwright on the London stage in 1827, Grattan<br />

repaired with his wife and children to Brussels. Following a volume<br />

of Traits of Travel (1829) which drew on his experiences in France and<br />

the Low Countries, Grattan set out to reinvent himself as a disciple<br />

of Walter Scott. Immersing himself in ‘local’ sources and archives, he<br />

would eventually produce two historical novels set in the Low Countries<br />

(The Heiress of Bruges in 1830 and Jacqueline of Holland in 1831), a<br />

History of the Netherlands (1830, 1833) and a volume of Legends of the<br />

Rhine and of the Low Countries (1832). The first of his historical romances<br />

was hailed by a reviewer as the work of ‘the Flemish Sir Walter’. 7<br />

Grattan left Brussels after his house was sacked during the 1830<br />

revolution and first settled in The Hague, but he came back to Belgium<br />

40<br />

DISCORD AND CONSENSUS IN THE LOW COUNTRIES, 1700–​2000

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