Discord Consensus

Recommendations

Info

Fig. 4.6 Jan Breydel, Karel Biddeloo, De Leeuw van Vlaanderen, De Rode Ridder no. 109 (Antwerp/Amsterdam: Standaard Uitgeverij, 1984). © 2016 Standaard Uitgeverij / WPG Uitgevers België nv Fig. 4.7 Jan Breydel, De Leeuw van Vlaanderen (Hugo Claus, after the novel by Hendrik Conscience), Kunst & Kino/Vintage Films, 1984 A conflict in words and images 69
actresses: Galaxa on Senta Berger and Demoniah on Barbara Stock. It is interesting to note that this adaptation does not only bear intertextual references to certain comic genres (fantasy comic, adventure comic), but also refers to a previous adaptation of the same source text into another genre, namely film. This creates a certain relation to the present (it is easily recognisable for the contemporary reader). A different route to modernisation has been taken in the following example. Gejo This comic was first published in 1983 in the Vlaams Nationaal Weekblad Wij (the weekly magazine of the Volksunie). Gejo was one of the caricaturists of this journal. The strip was republished as an album with Soethoudt & Co., a publishing house which published many essayistic and historic books on Flanders and the Flemish movement. At first glance, this comic seems to tell quite a different story, without any relation to Conscience’s plot. Apart from the title and a short sequence in the frame narrative, there is no reference to The Lion of Flanders. However, the reader can find a subtle reference to the Battle of the Golden Spurs in the name ‘The Golden Spur’ written on the signboard of an inn. The story begins in the zoo (‘waar anders vind je nog leeuwen in Vlaanderen’/‘where else can we nowadays find lions in Flanders’). A poster on the wall reads: ‘Conscience 1983’ (it is the anniversary year). A father explains to his son that Conscience wrote The Lion of Flanders, a book about the battle of the Flemish people against the French oppressor (‘een boek over de strijd van het Vlaamse volk tegen de Franse onderdrukker’), mentioning that the Lion became the symbol of the Flemish rebellion. Behind the family, a lion is listening carefully. The lion falls asleep and begins to dream –a dream in which he himself will be the protagonist. And it is not before the last page that the reader actually sees that the whole story of the strip is the dream of the lion. But there is one indication: in his dream the lion speaks in rhyme. In the embedded narrative, this ‘Lion’ (called ‘our lion’ in some of the text blocks) re-enacts the myth of the Lion of Flanders, in his own very special way. In this dream, we see a tax collector (Figure 4.8), claiming ‘Iedereen is hier gelijk voor de wet’ (‘everybody is here equal before the law’), with an asterisk referring to a footnote in this panel, reading ‘Hahahaha’. 22 If we want to be malicious, we can see in the tax collector the Finance Minister of the time of the strip: Willy de Clercq (Figure 4.9). 23 70 DISCORD AND CONSENSUS IN THE LOW COUNTRIES, 1700–2000
Page 1 and 2:
Discord & Consensus in the Low Coun
Page 3 and 4:
GLOBAL DUTCH: STUDIES IN LOW COUNTR
Page 5 and 6:
First published in 2016 by UCL Pres
Page 7 and 8:
8. Reinstating a consensus of blame
Page 9 and 10:
Fig. 4.12 Magician, Gejo, De Leeuw
Page 11 and 12:
to twentieth centuries as well, as
Page 13 and 14:
The Twins (De tweeling), which cont
Page 15 and 16:
1 Pre-modern Dutch identity and
Page 17 and 18:
and literary reflections on war and
Page 19 and 20:
fighting continued, and in April 17
Page 21 and 22:
and 1747. In the eyes of Orangists,
Page 23 and 24:
Dissident voices In these writings
Page 25 and 26:
One of the authors directed his cri
Page 27 and 28: In the play by Smit, the god of war
Page 29 and 30: 2 Gnawing worms and rolling thunder
Page 31 and 32: Fig. 2.1 Frontispiece of Lambert Bi
Page 33 and 34: Fig. 2.3 The Panpoëticon cabinet a
Page 35 and 36: still suggest a certain development
Page 37 and 38: sides of the natural order: the tin
Page 39 and 40: But at that fateful time, God’s c
Page 41 and 42: the safe bourgeois allotments, behi
Page 43 and 44: the most famous statesmen of the Re
Page 45 and 46: ut still renewed their rampage, the
Page 47 and 48: 3 A twice-told tale of a (dis)un
Page 49 and 50: will leave it to its readers to dra
Page 51 and 52: dominions were one of the closest B
Page 53 and 54: centuries, dwelling on the revolt a
Page 55 and 56: access to local sources with a wide
Page 57 and 58: of reconciling each party in the il
Page 59 and 60: the higher station to which he was
Page 61 and 62: describe how Joseph II’s attempte
Page 63 and 64: allow us to record the shifts withi
Page 65 and 66: seen as one of the ‘cheering sign
Page 67 and 68: Introduction: the conflict in histo
Page 69 and 70: appears to require and to perpetuat
Page 71 and 72: In my study, special attention will
Page 73 and 74: Fig. 4.2 Worm’s-eye view, Bob
Page 75 and 76: was published by Walter Lehning Ver
Page 77: Fig. 4.5 Violence, Karel Biddeloo,
Page 81 and 82: A poor man explains the situation t
Page 83 and 84: The Flemish readers -who recogni
Page 85 and 86: Fig. 4.13 Urinating boy, Gejo, De L
Page 87 and 88: Fig. 4.15 Monolingualism, Gejo, De
Page 89 and 90: The story is told again, but differ
Page 91 and 92: Introduction In his survey of the D
Page 93 and 94: The chapter is divided into three s
Page 95 and 96: community’s need for news in its
Page 97 and 98: to do with his newspaper, he replie
Page 99 and 100: [. . .] I am appealing to your love
Page 101 and 102: soft drinks), Christmas giften (ada
Page 103 and 104: HOUSEMAIDS NEEDED For a family of t
Page 105 and 106: When then equality - only if we uni
Page 107 and 108: It is sad that they do not realise
Page 109 and 110: States: the Germans, of course, but
Page 111 and 112: 6 ‘Beyond A Bridge Too Far’: th
Page 113 and 114: some 180,000 people in all, were su
Page 115 and 116: etrayal, 14 Boeree’s first priori
Page 117 and 118: lightly. And so, having obtained th
Page 119 and 120: To cover up their robbery, the Germ
Page 121 and 122: The following two decades, from 194
Page 123 and 124: Arnhem as a garrison town would hav
Page 125 and 126: ecognition of their help to the Jew
Page 127 and 128: 7 ‘A sort of wishful dream’: ch
Page 129 and 130:
Netherlands in response to the orig
Page 131 and 132:
The author indicates she has tried
Page 133 and 134:
the political setting of the novel.
Page 135 and 136:
two insecure lines about the narrat
Page 137 and 138:
Nieuwenhuys wrote an impressive ant
Page 139 and 140:
once a bed of red and orange cannas
Page 141 and 142:
friendship between the Dutch Herma
Page 143 and 144:
Introduction Ben Sombogaart’s fam
Page 145 and 146:
appeared to have been realised. 8 R
Page 147 and 148:
Third Reich. The conflict between s
Page 149 and 150:
which are of especial interest in t
Page 151 and 152:
these productions, then the coveted
Page 153 and 154:
him from Buchenwald juxtaposed with
Page 155 and 156:
film and the novel is undoubtedly t
Page 157 and 158:
that her life had ended following M
Page 159 and 160:
over the past two decades. It is a
Page 161 and 162:
This is one of the insights offered
Page 163 and 164:
which flows through the length of t
Page 165 and 166:
partly on pre-war ideas. From a
Page 167 and 168:
development areas. 24 Their recomme
Page 169 and 170:
Prussian state encouraged the ‘in
Page 171 and 172:
the ‘northern part of the country
Page 173 and 174:
within a country as rich as Germany
Page 175 and 176:
The enthusiasm for industrial enter
Page 177 and 178:
spatial development in Germany was
Page 179 and 180:
Introduction Multilingual text prod
Page 181 and 182:
In 2008 the former Director-Gene
Page 183 and 184:
some form of individual voice in th
Page 185 and 186:
from the European Council’s Stock
Page 187 and 188:
situation to function (i.e. the sit
Page 189 and 190:
‘The protection of Europe and its
Page 191 and 192:
Example 3 STAGE A Commission Propos
Page 193 and 194:
other languages, which state that s
Page 195 and 196:
Example 5 STAGE B Council Programme
Page 197 and 198:
CITIZENS/PEOPLE/EUROPEANS STAGE B C
Page 199 and 200:
Notes Introduction 1 ALCS 2014 [la
Page 201 and 202:
192 NOTES 24 ‘Zo lang de Oranje S
Page 203 and 204:
11 Th. van der Meer, Sodoms zaad in
Page 205 and 206:
23 On De Smet’s latent hostility
Page 207 and 208:
Rocco Versaci, This Book Contains G
Page 209 and 210:
Flamine en Waelken liepen zoo hard
Page 211 and 212:
Te Brussel vergaderden de Flamingan
Page 213 and 214:
11 Cf. Feit en Fictie, , and After
Page 215 and 216:
3 Other Dutch online resources such
Page 217 and 218:
9 Thijs, ‘Holland and the German
Page 219 and 220:
10 N. Crafts and G. Toniolo, ‘Pos
Page 221 and 222:
60 Judt, Postwar, 453. 61 Exemplary
Page 223 and 224:
Notes on contributors Tanja Collet
Page 225 and 226:
Postbus 9103, NL-6500 HD Nijmege
Page 227 and 228:
Jenny Watson is a PhD candidate at
Page 229 and 230:
Elsaesser, Thomas (literary scholar
Page 231 and 232:
Van der Does, Dr (Red Cross physici
Page 233 and 234:
investment project 159 Emslandplan
Page 235 and 236:
226 SUBJECT INDEX
show all

Discord Consensus

Create successful ePaper yourself

Delete template?

Save as template?