Discord Consensus

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In a comic, in the same way as in film, the camera position determines the perspective of the viewer. Both the selection of the objects and the angle of view under which they are presented, are determined by the visual narrator. As Will Eisner argues in his Comics & Sequential Art, ‘the viewer’s response to a given scene is influenced by his position as a spectator’. 18 This ‘position’ is frequently very near to the Flemish (Figure 4.1). In a film, we would call this a point-of-view shot. The reader sees what the focalisator sees, even a small piece of his own sword, and thereby gets mentally involved in the action. The perspective strikes us particularly when looking at the battle scenes. In the panel in Figure 4.2, the French knights are approaching. Because of the low angle of the camera (a so-called worm’s-eye view), they look even more threatening. In the next panel (Figure 4.3), the Flemish hit back –and the viewer stands close to them. As a common feature it can be noted that we see the Frenchmen very frequently from the front and the Flemish from behind (we accompany them, we stand Fig. 4.1 Focalisation, Bob de Moor, De Leeuw van Vlaanderen (Antwerp: De Dageraad, Magnumcolor No. 1, 1984). © Bob De Moor 2015 A conflict in words and images 63
Fig. 4.2 Worm’s-eye view, Bob de Moor, De Leeuw van Vlaanderen (Antwerp: De Dageraad, Magnumcolor No. 1, 1984). © Bob De Moor 2015 Fig. 4.3 Positioning alongside the Flemings, Bob de Moor, De Leeuw van Vlaanderen (Antwerp: De Dageraad, Magnumcolor No. 1, 1984). © Bob De Moor 2015 64 DISCORD AND CONSENSUS IN THE LOW COUNTRIES, 1700–2000
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Discord & Consensus in the Low Coun
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GLOBAL DUTCH: STUDIES IN LOW COUNTR
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First published in 2016 by UCL Pres
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8. Reinstating a consensus of blame
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Fig. 4.12 Magician, Gejo, De Leeuw
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to twentieth centuries as well, as
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The Twins (De tweeling), which cont
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1 Pre-modern Dutch identity and
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and literary reflections on war and
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fighting continued, and in April 17
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Page 23 and 24: Dissident voices In these writings
Page 25 and 26: One of the authors directed his cri
Page 27 and 28: In the play by Smit, the god of war
Page 29 and 30: 2 Gnawing worms and rolling thunder
Page 31 and 32: Fig. 2.1 Frontispiece of Lambert Bi
Page 33 and 34: Fig. 2.3 The Panpoëticon cabinet a
Page 35 and 36: still suggest a certain development
Page 37 and 38: sides of the natural order: the tin
Page 39 and 40: But at that fateful time, God’s c
Page 41 and 42: the safe bourgeois allotments, behi
Page 43 and 44: the most famous statesmen of the Re
Page 45 and 46: ut still renewed their rampage, the
Page 47 and 48: 3 A twice-told tale of a (dis)un
Page 49 and 50: will leave it to its readers to dra
Page 51 and 52: dominions were one of the closest B
Page 53 and 54: centuries, dwelling on the revolt a
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Page 57 and 58: of reconciling each party in the il
Page 59 and 60: the higher station to which he was
Page 61 and 62: describe how Joseph II’s attempte
Page 63 and 64: allow us to record the shifts withi
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Page 67 and 68: Introduction: the conflict in histo
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Page 75 and 76: was published by Walter Lehning Ver
Page 77 and 78: Fig. 4.5 Violence, Karel Biddeloo,
Page 79 and 80: actresses: Galaxa on Senta Berger a
Page 81 and 82: A poor man explains the situation t
Page 83 and 84: The Flemish readers -who recogni
Page 85 and 86: Fig. 4.13 Urinating boy, Gejo, De L
Page 87 and 88: Fig. 4.15 Monolingualism, Gejo, De
Page 89 and 90: The story is told again, but differ
Page 91 and 92: Introduction In his survey of the D
Page 93 and 94: The chapter is divided into three s
Page 95 and 96: community’s need for news in its
Page 97 and 98: to do with his newspaper, he replie
Page 99 and 100: [. . .] I am appealing to your love
Page 101 and 102: soft drinks), Christmas giften (ada
Page 103 and 104: HOUSEMAIDS NEEDED For a family of t
Page 105 and 106: When then equality - only if we uni
Page 107 and 108: It is sad that they do not realise
Page 109 and 110: States: the Germans, of course, but
Page 111 and 112: 6 ‘Beyond A Bridge Too Far’: th
Page 113 and 114: some 180,000 people in all, were su
Page 115 and 116: etrayal, 14 Boeree’s first priori
Page 117 and 118: lightly. And so, having obtained th
Page 119 and 120: To cover up their robbery, the Germ
Page 121 and 122: The following two decades, from 194
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Arnhem as a garrison town would hav
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ecognition of their help to the Jew
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7 ‘A sort of wishful dream’: ch
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Netherlands in response to the orig
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The author indicates she has tried
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the political setting of the novel.
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two insecure lines about the narrat
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Nieuwenhuys wrote an impressive ant
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once a bed of red and orange cannas
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friendship between the Dutch Herma
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Introduction Ben Sombogaart’s fam
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appeared to have been realised. 8 R
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Third Reich. The conflict between s
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which are of especial interest in t
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these productions, then the coveted
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him from Buchenwald juxtaposed with
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film and the novel is undoubtedly t
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that her life had ended following M
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over the past two decades. It is a
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This is one of the insights offered
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which flows through the length of t
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partly on pre-war ideas. From a
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development areas. 24 Their recomme
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Prussian state encouraged the ‘in
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the ‘northern part of the country
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within a country as rich as Germany
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The enthusiasm for industrial enter
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spatial development in Germany was
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Introduction Multilingual text prod
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In 2008 the former Director-Gene
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some form of individual voice in th
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from the European Council’s Stock
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situation to function (i.e. the sit
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‘The protection of Europe and its
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Example 3 STAGE A Commission Propos
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other languages, which state that s
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Example 5 STAGE B Council Programme
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CITIZENS/PEOPLE/EUROPEANS STAGE B C
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Notes Introduction 1 ALCS 2014 [la
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192 NOTES 24 ‘Zo lang de Oranje S
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11 Th. van der Meer, Sodoms zaad in
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23 On De Smet’s latent hostility
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Rocco Versaci, This Book Contains G
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Flamine en Waelken liepen zoo hard
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Te Brussel vergaderden de Flamingan
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11 Cf. Feit en Fictie, , and After
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3 Other Dutch online resources such
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9 Thijs, ‘Holland and the German
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10 N. Crafts and G. Toniolo, ‘Pos
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60 Judt, Postwar, 453. 61 Exemplary
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Notes on contributors Tanja Collet
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Postbus 9103, NL-6500 HD Nijmege
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Jenny Watson is a PhD candidate at
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Elsaesser, Thomas (literary scholar
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Van der Does, Dr (Red Cross physici
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investment project 159 Emslandplan
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226 SUBJECT INDEX
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