Beyond clickbait and commerce
v13n2-3
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Jocelyn E. Williams<br />
Framing participation in<br />
collaborative community<br />
media: The living community<br />
documentary series<br />
This paper positions the concepts of participation <strong>and</strong><br />
collaboration for media content creation in the context of<br />
a complex, commercialised media l<strong>and</strong>scape that is difficult<br />
for community <strong>and</strong> not-for-profit groups to break into, <strong>and</strong><br />
focuses on the case of a 2014-2015 community media project<br />
funded by Unitec Institute of Technology in New Zeal<strong>and</strong>. The<br />
project set out to produce a series of half-hour documentaries,<br />
The living community, for broadcast on Face TV, a pay TV<br />
channel with a public service/community commitment. Each<br />
of the seven programmes was intended to offer insights<br />
into a community group or organisation in the Auckl<strong>and</strong><br />
region. The paper explores potential issues in co-creating<br />
community stories for media visibility, with few resources.<br />
The paper proposes an inclusive co-creation model based<br />
on the experience of creating the final filmed piece in 2015,<br />
influenced by ‘a subset of planned, intentional participatory<br />
media engagements that rely upon professional facilitators<br />
to lead collaborative projects with explicit purposes <strong>and</strong> aims’<br />
(Spurgeon et al. 2009).<br />
Key words: participation, collaboration, community media,<br />
public service broadcasting<br />
Introduction<br />
In this paper, the challenges <strong>and</strong> outcomes of collaboration<br />
during 2014-2015 between an educational institute <strong>and</strong> several<br />
community groups to create a low-budget series for broadcast<br />
TV called The living community are presented. Seven communitybased<br />
filmed stories were produced, six of them screening as a<br />
series on Face TV in May 2015 <strong>and</strong> a further one being shown in a<br />
public screening at the Auckl<strong>and</strong> Museum, in October 2015. The<br />
project had multiple aims in terms of product <strong>and</strong> process while<br />
also bringing together multiple stakeholders. These included the<br />
seven Auckl<strong>and</strong> region communities who had a story to tell, each<br />
with leaders or key members representing a wider constituency;<br />
48 Copyright 2016-2/3. Ethical Space: The International Journal of Communication Ethics. All rights reserved. Vol 13, No 2/3 2016