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Jocelyn E. Williams<br />

Framing participation in<br />

collaborative community<br />

media: The living community<br />

documentary series<br />

This paper positions the concepts of participation <strong>and</strong><br />

collaboration for media content creation in the context of<br />

a complex, commercialised media l<strong>and</strong>scape that is difficult<br />

for community <strong>and</strong> not-for-profit groups to break into, <strong>and</strong><br />

focuses on the case of a 2014-2015 community media project<br />

funded by Unitec Institute of Technology in New Zeal<strong>and</strong>. The<br />

project set out to produce a series of half-hour documentaries,<br />

The living community, for broadcast on Face TV, a pay TV<br />

channel with a public service/community commitment. Each<br />

of the seven programmes was intended to offer insights<br />

into a community group or organisation in the Auckl<strong>and</strong><br />

region. The paper explores potential issues in co-creating<br />

community stories for media visibility, with few resources.<br />

The paper proposes an inclusive co-creation model based<br />

on the experience of creating the final filmed piece in 2015,<br />

influenced by ‘a subset of planned, intentional participatory<br />

media engagements that rely upon professional facilitators<br />

to lead collaborative projects with explicit purposes <strong>and</strong> aims’<br />

(Spurgeon et al. 2009).<br />

Key words: participation, collaboration, community media,<br />

public service broadcasting<br />

Introduction<br />

In this paper, the challenges <strong>and</strong> outcomes of collaboration<br />

during 2014-2015 between an educational institute <strong>and</strong> several<br />

community groups to create a low-budget series for broadcast<br />

TV called The living community are presented. Seven communitybased<br />

filmed stories were produced, six of them screening as a<br />

series on Face TV in May 2015 <strong>and</strong> a further one being shown in a<br />

public screening at the Auckl<strong>and</strong> Museum, in October 2015. The<br />

project had multiple aims in terms of product <strong>and</strong> process while<br />

also bringing together multiple stakeholders. These included the<br />

seven Auckl<strong>and</strong> region communities who had a story to tell, each<br />

with leaders or key members representing a wider constituency;<br />

48 Copyright 2016-2/3. Ethical Space: The International Journal of Communication Ethics. All rights reserved. Vol 13, No 2/3 2016

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