Creative HEAD UK January 2019
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Anthony Joshua<br />
SEE<br />
SLIDERCUTS<br />
SPEAK AT<br />
25 MARCH AT THE PARK<br />
PLAZA, LONDON<br />
Tinie Tempah<br />
became better when I started doing that, as a way of<br />
understanding what I’m doing. Remember that you’re cutting<br />
hair, not skin. It’s not about pressing harder, you’re just bringing<br />
definition between the hairline and the skin, sculpting it out.”<br />
It’s testament to his skill, his personality and his Instagram<br />
success that he has featured in a campaign for Facebook and<br />
Nike’s ‘Nothing beats a Londoner.’ You might have spotted him in<br />
ads on the London Underground for payment system iZettle, too.<br />
“I do think my haircuts are something that set me apart.<br />
And my personality and character are also a big factor, as well as<br />
my professionalism.”<br />
And at a time when the industry is rightly concerned with the<br />
lack of good quality apprentices, Mark’s apprenticeship scheme<br />
is something of an inspiration. For Mark, it’s about being early<br />
rather than just on time (“To be on time is to be late!” he argues)<br />
and focusing on the personalised aspect of each cut. “I think<br />
people have been looking for a barber they can rely on for a long<br />
time,” he explains. “It’s not just that clients like their haircuts –<br />
it’s that they trust me.”<br />
When the time finally came for Mark to open his own<br />
SliderCuts shop, his dedication to his craft and client base was<br />
front-and-centre to its carefully considered design. Opening last<br />
summer in Hoxton, his celebrity clients – including Stormzy,<br />
Tinie Tempah and Anthony Joshua – mingle right in there with<br />
the rest, able to be just another regular customer. Everything<br />
from the no-nonsense decor to the layout of the chairs (placed on<br />
either side of the space to allow conversation between barbers<br />
and clients to flow) feeds into the SliderCuts atmosphere. “I<br />
want people to come in and feel like they could spill their drink<br />
on the floor, not like they were in a museum. I want them to feel<br />
comfortable – it’s one of the ethics of my business,” he explains.<br />
A lot of time was spent on the acoustics, making sure people<br />
could hear each other without excess noise. “Ultimately it’s a<br />
community. You have to remind yourself that hair is hair,” he<br />
adds. “It doesn’t matter if you’re Barack Obama or the guy who<br />
sweeps the streets… hair is hair.”<br />
Mister Quarterly 09