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Creative HEAD UK January 2019

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Anthony Joshua<br />

SEE<br />

SLIDERCUTS<br />

SPEAK AT<br />

25 MARCH AT THE PARK<br />

PLAZA, LONDON<br />

Tinie Tempah<br />

became better when I started doing that, as a way of<br />

understanding what I’m doing. Remember that you’re cutting<br />

hair, not skin. It’s not about pressing harder, you’re just bringing<br />

definition between the hairline and the skin, sculpting it out.”<br />

It’s testament to his skill, his personality and his Instagram<br />

success that he has featured in a campaign for Facebook and<br />

Nike’s ‘Nothing beats a Londoner.’ You might have spotted him in<br />

ads on the London Underground for payment system iZettle, too.<br />

“I do think my haircuts are something that set me apart.<br />

And my personality and character are also a big factor, as well as<br />

my professionalism.”<br />

And at a time when the industry is rightly concerned with the<br />

lack of good quality apprentices, Mark’s apprenticeship scheme<br />

is something of an inspiration. For Mark, it’s about being early<br />

rather than just on time (“To be on time is to be late!” he argues)<br />

and focusing on the personalised aspect of each cut. “I think<br />

people have been looking for a barber they can rely on for a long<br />

time,” he explains. “It’s not just that clients like their haircuts –<br />

it’s that they trust me.”<br />

When the time finally came for Mark to open his own<br />

SliderCuts shop, his dedication to his craft and client base was<br />

front-and-centre to its carefully considered design. Opening last<br />

summer in Hoxton, his celebrity clients – including Stormzy,<br />

Tinie Tempah and Anthony Joshua – mingle right in there with<br />

the rest, able to be just another regular customer. Everything<br />

from the no-nonsense decor to the layout of the chairs (placed on<br />

either side of the space to allow conversation between barbers<br />

and clients to flow) feeds into the SliderCuts atmosphere. “I<br />

want people to come in and feel like they could spill their drink<br />

on the floor, not like they were in a museum. I want them to feel<br />

comfortable – it’s one of the ethics of my business,” he explains.<br />

A lot of time was spent on the acoustics, making sure people<br />

could hear each other without excess noise. “Ultimately it’s a<br />

community. You have to remind yourself that hair is hair,” he<br />

adds. “It doesn’t matter if you’re Barack Obama or the guy who<br />

sweeps the streets… hair is hair.”<br />

Mister Quarterly 09

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