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EXCLUSIVE INTERVIEW<br />
THE KEY TRENDS<br />
CURRENTLY ARE AROUND<br />
SCALE, SOUND AND SMART<br />
HOME.<br />
Rod White<br />
Head of Design TPV Group<br />
BEHIND THE SCREEN<br />
Philips designer Rod White explains how his company<br />
is “reimagining” TVs<br />
Ambilight is unique to Philips, adding another dimension…<br />
just one of the brand’s key selling points today. Rod White,<br />
Head of Design for the TPV group, shares with us his first<br />
memories of what sets Philips TV design apart.<br />
I first encountered Philips TV in<br />
1994 at a design exhibition called<br />
“TV at the Crossroads” in Tokyo,<br />
where I was working at the time.<br />
Philips Design had reimagined how<br />
TV’s could use unique materials and<br />
forms to better fit the needs of users.<br />
This ranged from almost handcraft<br />
to high tech translucent mouldings<br />
and the first hint of ambient lighting.<br />
It was an inspiration and what led to<br />
me applying to join Philips Design.<br />
What do you see as being the key<br />
trends in global TV design today,<br />
and how does Philips fit into this?<br />
The key trends currently are around<br />
scale, sound and smart home.<br />
Scale is being pushed by larger OLED<br />
panels, to allow amazing quality<br />
while taking up less space on the<br />
wall. We are very much about finding<br />
solutions to bring larger screen sizes<br />
in meaningful product solutions.<br />
Due to the challenge of available<br />
space in OLED for sound, we have<br />
been exploring visible and separate<br />
sound volumes with Bowers &<br />
Wilkins, the best Audio brand<br />
in the world. This year at <strong>IFA</strong> we<br />
are revealing our new extended<br />
OLED range with the 934 and floor<br />
standing flagship 984.<br />
Smart home isn’t new. We have had<br />
a voice recognition button on our<br />
remote controls for a few years now<br />
and this will continue as it brings<br />
our consumers the reassurance they<br />
want from smart devices to know<br />
when they are active and when not.<br />
What design elements would you<br />
say you are most proud of in all the<br />
designs you’ve done over the years?<br />
The idea of adding a rear light onto<br />
a TV to add ambient light appeared<br />
from that concept touring show<br />
I saw in Tokyo. A few years after<br />
joining Philips Design I worked on a<br />
project called New Vision. The final<br />
design had two small translucent<br />
feet which had lighting inside as<br />
both ambient lighting and a wakeup<br />
function linked to the Junghans<br />
analogue clock.<br />
How does OLED technology<br />
facilitate design?<br />
From a pure design standpoint, the<br />
benefit is in dimensions. OLED gives<br />
basically a frontal edgeless frame to<br />
the screen content and a thickness<br />
of a few millimetres, so the design<br />
opportunities are very much about<br />
floating that screen surface together<br />
with the visible sound above the<br />
table in a way that fits well into<br />
modern homes.<br />
What about integrating high-end<br />
audio? That must be challenging.<br />
Working with Bowers & Wilkins<br />
on our OLED+ products enabled<br />
us to bring in a custom fabric from<br />
Kvadrat for the speaker. This made<br />
a clear space for us to play in and<br />
allow the products to stand out. This<br />
can be clearly seen on the new OLED<br />
984 centre tweeter detail.<br />
What would you say are the three<br />
key selling points of Philips TVs in<br />
terms of design?<br />
I believe our three key points are<br />
to be meaningfully outstanding,<br />
superior material craftsmanship<br />
and always lead by our consumers’<br />
needs, never by technology push<br />
www.ifa-international.org <strong>IFA</strong> <strong>International</strong> • Friday 6 th September <strong>2019</strong><br />
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