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IFA International 2019 DAY 1 Edition

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EXCLUSIVE INTERVIEW<br />

THE KEY TRENDS<br />

CURRENTLY ARE AROUND<br />

SCALE, SOUND AND SMART<br />

HOME.<br />

Rod White<br />

Head of Design TPV Group<br />

BEHIND THE SCREEN<br />

Philips designer Rod White explains how his company<br />

is “reimagining” TVs<br />

Ambilight is unique to Philips, adding another dimension…<br />

just one of the brand’s key selling points today. Rod White,<br />

Head of Design for the TPV group, shares with us his first<br />

memories of what sets Philips TV design apart.<br />

I first encountered Philips TV in<br />

1994 at a design exhibition called<br />

“TV at the Crossroads” in Tokyo,<br />

where I was working at the time.<br />

Philips Design had reimagined how<br />

TV’s could use unique materials and<br />

forms to better fit the needs of users.<br />

This ranged from almost handcraft<br />

to high tech translucent mouldings<br />

and the first hint of ambient lighting.<br />

It was an inspiration and what led to<br />

me applying to join Philips Design.<br />

What do you see as being the key<br />

trends in global TV design today,<br />

and how does Philips fit into this?<br />

The key trends currently are around<br />

scale, sound and smart home.<br />

Scale is being pushed by larger OLED<br />

panels, to allow amazing quality<br />

while taking up less space on the<br />

wall. We are very much about finding<br />

solutions to bring larger screen sizes<br />

in meaningful product solutions.<br />

Due to the challenge of available<br />

space in OLED for sound, we have<br />

been exploring visible and separate<br />

sound volumes with Bowers &<br />

Wilkins, the best Audio brand<br />

in the world. This year at <strong>IFA</strong> we<br />

are revealing our new extended<br />

OLED range with the 934 and floor<br />

standing flagship 984.<br />

Smart home isn’t new. We have had<br />

a voice recognition button on our<br />

remote controls for a few years now<br />

and this will continue as it brings<br />

our consumers the reassurance they<br />

want from smart devices to know<br />

when they are active and when not.<br />

What design elements would you<br />

say you are most proud of in all the<br />

designs you’ve done over the years?<br />

The idea of adding a rear light onto<br />

a TV to add ambient light appeared<br />

from that concept touring show<br />

I saw in Tokyo. A few years after<br />

joining Philips Design I worked on a<br />

project called New Vision. The final<br />

design had two small translucent<br />

feet which had lighting inside as<br />

both ambient lighting and a wakeup<br />

function linked to the Junghans<br />

analogue clock.<br />

How does OLED technology<br />

facilitate design?<br />

From a pure design standpoint, the<br />

benefit is in dimensions. OLED gives<br />

basically a frontal edgeless frame to<br />

the screen content and a thickness<br />

of a few millimetres, so the design<br />

opportunities are very much about<br />

floating that screen surface together<br />

with the visible sound above the<br />

table in a way that fits well into<br />

modern homes.<br />

What about integrating high-end<br />

audio? That must be challenging.<br />

Working with Bowers & Wilkins<br />

on our OLED+ products enabled<br />

us to bring in a custom fabric from<br />

Kvadrat for the speaker. This made<br />

a clear space for us to play in and<br />

allow the products to stand out. This<br />

can be clearly seen on the new OLED<br />

984 centre tweeter detail.<br />

What would you say are the three<br />

key selling points of Philips TVs in<br />

terms of design?<br />

I believe our three key points are<br />

to be meaningfully outstanding,<br />

superior material craftsmanship<br />

and always lead by our consumers’<br />

needs, never by technology push<br />

www.ifa-international.org <strong>IFA</strong> <strong>International</strong> • Friday 6 th September <strong>2019</strong><br />

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