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Teaching With the Brain in Mind

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<strong>Teach<strong>in</strong>g</strong> with <strong>the</strong> <strong>Bra<strong>in</strong></strong> <strong>in</strong> M<strong>in</strong>d<br />

110<br />

to create a weekly m<strong>in</strong>d-map for review. The m<strong>in</strong>dmap<br />

has a central organiz<strong>in</strong>g <strong>the</strong>me (like an<br />

author, a science topic, or a math concept). The<br />

outly<strong>in</strong>g branches provide <strong>the</strong> detail.<br />

We remember material best when it’s structured<br />

and mean<strong>in</strong>gful. Teachers might want to put<br />

<strong>the</strong> most important material first and last, so it’s<br />

recalled better. Open and close <strong>the</strong> class with <strong>the</strong><br />

three most important words or concepts for <strong>the</strong><br />

day. Use music, props, or costumes to <strong>in</strong>troduce<br />

<strong>the</strong>m. Or, use open<strong>in</strong>gs for personal or controversial<br />

discussions that engage students emotionally.<br />

At <strong>the</strong> close, ask students to share what <strong>the</strong>y have<br />

learned with <strong>the</strong>ir classmates.<br />

In addition, wholes taught before parts are<br />

recalled better. Whe<strong>the</strong>r <strong>the</strong> subject is a Shakespearean<br />

play or an assignment <strong>in</strong> anatomy, our<br />

m<strong>in</strong>d recalls best with context, a global understand<strong>in</strong>g,<br />

and complete pictures to remember. You<br />

might <strong>in</strong>troduce Shakespeare by show<strong>in</strong>g a modern<br />

video first or mak<strong>in</strong>g a pictorial overview map.<br />

Once students understand <strong>the</strong> relevance and overall<br />

<strong>the</strong>mes, <strong>the</strong> details and deeper study<strong>in</strong>g makes<br />

more sense. In anatomy, study<strong>in</strong>g <strong>the</strong> whole body<br />

first will yield a better grasp of <strong>the</strong> parts.<br />

Use poster-type peripherals to create more<br />

visually effective contexts. Have students draw out,<br />

organize, or symbolize key po<strong>in</strong>ts on poster paper.<br />

Make sure <strong>the</strong>y are easy to read, use illustrations,<br />

and feature strong colors. Put <strong>the</strong> overview up on<br />

<strong>the</strong> wall and leave it up weeks after <strong>the</strong> learn<strong>in</strong>g.<br />

Make and use storyboards (like oversized cartoonlike<br />

comic strip panels) of your key ideas. Better<br />

yet, ask students to make <strong>the</strong>m.<br />

Peer teach<strong>in</strong>g and shar<strong>in</strong>g works, too. Ask students<br />

to teach o<strong>the</strong>rs what <strong>the</strong>y’ve learned. They<br />

can pair up with o<strong>the</strong>rs <strong>in</strong> different grade levels or<br />

with an adult. Create opportunities for students to<br />

discuss <strong>the</strong>ir learn<strong>in</strong>g, to debrief it and teach small<br />

chunks of it. Students can summarize <strong>in</strong> <strong>the</strong>ir own<br />

words what <strong>the</strong>y have just learned. This is most<br />

effective when <strong>the</strong>y are asked to analyze or break<br />

down <strong>the</strong>ir learn<strong>in</strong>g <strong>in</strong>to smaller dist<strong>in</strong>ctions. Studies<br />

show (Mat<strong>the</strong>ws 1977) that it is <strong>the</strong> analysis of<br />

<strong>the</strong> material that aids <strong>in</strong> <strong>the</strong> recall of it.<br />

What else do we know about recall? You<br />

remember most any learn<strong>in</strong>g that was temporarily<br />

<strong>in</strong>terrupted. Cliffhangers do work! Introduce a<br />

press<strong>in</strong>g, relevant problem to solve, and leave<br />

bra<strong>in</strong>storm<strong>in</strong>g for solutions until <strong>the</strong> next day. We<br />

better recall material when we have reorganized it<br />

aga<strong>in</strong> and aga<strong>in</strong>. In a classroom, wea<strong>the</strong>r could be<br />

understood from <strong>the</strong> po<strong>in</strong>t of view of benefits or<br />

damage done, its geography, mythology, past meteorological<br />

history, or <strong>the</strong> impact of technology.<br />

Attitude is important. Tell students, “Yes, you<br />

can.” Start with a new attitude about memory and<br />

recall. Avoid say<strong>in</strong>g, “Oops, I have to go back. I<br />

forgot someth<strong>in</strong>g.” A more accurate statement is,<br />

“Hey, I just remembered someth<strong>in</strong>g; I’ve got to go<br />

back.” In o<strong>the</strong>r words, you never forget anyth<strong>in</strong>g;<br />

you just remembered it later than you wanted to!<br />

Episodic Strategies<br />

The movie Dead Poets Society showed examples of<br />

why students recalled so much of <strong>the</strong>ir learn<strong>in</strong>g.<br />

There were changes <strong>in</strong> location, circumstances, use<br />

of emotions, movement, and novel classroom positions.<br />

We know that learners remember much<br />

more when <strong>the</strong> learn<strong>in</strong>g is connected to a field<br />

trip, music, a disaster, a guest speaker, or a novel<br />

learn<strong>in</strong>g location. Follow up with a discussion,<br />

journal writ<strong>in</strong>g, a project, or peer teach<strong>in</strong>g. Use

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