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<strong>Teach<strong>in</strong>g</strong> with <strong>the</strong> <strong>Bra<strong>in</strong></strong> <strong>in</strong> M<strong>in</strong>d<br />
110<br />
to create a weekly m<strong>in</strong>d-map for review. The m<strong>in</strong>dmap<br />
has a central organiz<strong>in</strong>g <strong>the</strong>me (like an<br />
author, a science topic, or a math concept). The<br />
outly<strong>in</strong>g branches provide <strong>the</strong> detail.<br />
We remember material best when it’s structured<br />
and mean<strong>in</strong>gful. Teachers might want to put<br />
<strong>the</strong> most important material first and last, so it’s<br />
recalled better. Open and close <strong>the</strong> class with <strong>the</strong><br />
three most important words or concepts for <strong>the</strong><br />
day. Use music, props, or costumes to <strong>in</strong>troduce<br />
<strong>the</strong>m. Or, use open<strong>in</strong>gs for personal or controversial<br />
discussions that engage students emotionally.<br />
At <strong>the</strong> close, ask students to share what <strong>the</strong>y have<br />
learned with <strong>the</strong>ir classmates.<br />
In addition, wholes taught before parts are<br />
recalled better. Whe<strong>the</strong>r <strong>the</strong> subject is a Shakespearean<br />
play or an assignment <strong>in</strong> anatomy, our<br />
m<strong>in</strong>d recalls best with context, a global understand<strong>in</strong>g,<br />
and complete pictures to remember. You<br />
might <strong>in</strong>troduce Shakespeare by show<strong>in</strong>g a modern<br />
video first or mak<strong>in</strong>g a pictorial overview map.<br />
Once students understand <strong>the</strong> relevance and overall<br />
<strong>the</strong>mes, <strong>the</strong> details and deeper study<strong>in</strong>g makes<br />
more sense. In anatomy, study<strong>in</strong>g <strong>the</strong> whole body<br />
first will yield a better grasp of <strong>the</strong> parts.<br />
Use poster-type peripherals to create more<br />
visually effective contexts. Have students draw out,<br />
organize, or symbolize key po<strong>in</strong>ts on poster paper.<br />
Make sure <strong>the</strong>y are easy to read, use illustrations,<br />
and feature strong colors. Put <strong>the</strong> overview up on<br />
<strong>the</strong> wall and leave it up weeks after <strong>the</strong> learn<strong>in</strong>g.<br />
Make and use storyboards (like oversized cartoonlike<br />
comic strip panels) of your key ideas. Better<br />
yet, ask students to make <strong>the</strong>m.<br />
Peer teach<strong>in</strong>g and shar<strong>in</strong>g works, too. Ask students<br />
to teach o<strong>the</strong>rs what <strong>the</strong>y’ve learned. They<br />
can pair up with o<strong>the</strong>rs <strong>in</strong> different grade levels or<br />
with an adult. Create opportunities for students to<br />
discuss <strong>the</strong>ir learn<strong>in</strong>g, to debrief it and teach small<br />
chunks of it. Students can summarize <strong>in</strong> <strong>the</strong>ir own<br />
words what <strong>the</strong>y have just learned. This is most<br />
effective when <strong>the</strong>y are asked to analyze or break<br />
down <strong>the</strong>ir learn<strong>in</strong>g <strong>in</strong>to smaller dist<strong>in</strong>ctions. Studies<br />
show (Mat<strong>the</strong>ws 1977) that it is <strong>the</strong> analysis of<br />
<strong>the</strong> material that aids <strong>in</strong> <strong>the</strong> recall of it.<br />
What else do we know about recall? You<br />
remember most any learn<strong>in</strong>g that was temporarily<br />
<strong>in</strong>terrupted. Cliffhangers do work! Introduce a<br />
press<strong>in</strong>g, relevant problem to solve, and leave<br />
bra<strong>in</strong>storm<strong>in</strong>g for solutions until <strong>the</strong> next day. We<br />
better recall material when we have reorganized it<br />
aga<strong>in</strong> and aga<strong>in</strong>. In a classroom, wea<strong>the</strong>r could be<br />
understood from <strong>the</strong> po<strong>in</strong>t of view of benefits or<br />
damage done, its geography, mythology, past meteorological<br />
history, or <strong>the</strong> impact of technology.<br />
Attitude is important. Tell students, “Yes, you<br />
can.” Start with a new attitude about memory and<br />
recall. Avoid say<strong>in</strong>g, “Oops, I have to go back. I<br />
forgot someth<strong>in</strong>g.” A more accurate statement is,<br />
“Hey, I just remembered someth<strong>in</strong>g; I’ve got to go<br />
back.” In o<strong>the</strong>r words, you never forget anyth<strong>in</strong>g;<br />
you just remembered it later than you wanted to!<br />
Episodic Strategies<br />
The movie Dead Poets Society showed examples of<br />
why students recalled so much of <strong>the</strong>ir learn<strong>in</strong>g.<br />
There were changes <strong>in</strong> location, circumstances, use<br />
of emotions, movement, and novel classroom positions.<br />
We know that learners remember much<br />
more when <strong>the</strong> learn<strong>in</strong>g is connected to a field<br />
trip, music, a disaster, a guest speaker, or a novel<br />
learn<strong>in</strong>g location. Follow up with a discussion,<br />
journal writ<strong>in</strong>g, a project, or peer teach<strong>in</strong>g. Use