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<strong>Teach<strong>in</strong>g</strong> with <strong>the</strong> <strong>Bra<strong>in</strong></strong> <strong>in</strong> M<strong>in</strong>d<br />
gists James Prescott and Robert Heath found that<br />
<strong>the</strong>re’s a direct l<strong>in</strong>k from <strong>the</strong> cerebellum to <strong>the</strong><br />
pleasure centers <strong>in</strong> <strong>the</strong> emotional system (Hooper<br />
and Teresi 1986). Kids who enjoy playground<br />
games do so for a good reason: Sensory-motor<br />
experiences feed directly <strong>in</strong>to <strong>the</strong>ir bra<strong>in</strong>s’ pleasure<br />
centers. This is not of trivial importance; enjoy<strong>in</strong>g<br />
school keeps students com<strong>in</strong>g back year after year.<br />
Practical Suggestions<br />
Today’s bra<strong>in</strong>, m<strong>in</strong>d, and body research establishes<br />
significant l<strong>in</strong>ks between movement and learn<strong>in</strong>g.<br />
Educators ought to be purposeful about <strong>in</strong>tegrat<strong>in</strong>g<br />
movement activities <strong>in</strong>to everyday learn<strong>in</strong>g. This<br />
<strong>in</strong>cludes much more than hands-on activities. It<br />
means daily stretch<strong>in</strong>g, walks, dance, <strong>the</strong>ater,<br />
drama, seat-chang<strong>in</strong>g, energizers, and physical education.<br />
The whole notion of us<strong>in</strong>g only logical<br />
th<strong>in</strong>k<strong>in</strong>g <strong>in</strong> a ma<strong>the</strong>matics class flies <strong>in</strong> <strong>the</strong> face of<br />
current bra<strong>in</strong> research. <strong>Bra<strong>in</strong></strong>-compatible learn<strong>in</strong>g<br />
means that educators should weave math, movement,<br />
geography, social skills, role play, science, and<br />
physical education toge<strong>the</strong>r. In fact, Larry Abraham<br />
<strong>in</strong> <strong>the</strong> Department of K<strong>in</strong>esiology at <strong>the</strong> University<br />
of Texas at Aust<strong>in</strong> says, “Classroom teachers should<br />
have kids move for <strong>the</strong> same reason that P.E. teachers<br />
have had kids count” (1997). Physical education,<br />
movement, drama, and <strong>the</strong> arts can all be one<br />
cont<strong>in</strong>ual <strong>the</strong>me. Don’t wait for a special event.<br />
Here are examples of easy-to-use strategies.<br />
Goal Sett<strong>in</strong>g on <strong>the</strong> Move<br />
Start class with an activity where everyone pairs up.<br />
Students can charade or mime <strong>the</strong>ir goals to a partner<br />
or go for a short walk while sett<strong>in</strong>g goals. Ask<br />
<strong>the</strong>m to answer three focus<strong>in</strong>g questions such as<br />
88<br />
What are my goals for today and this year?<br />
What do I need to do today and this week<br />
<strong>in</strong> this class to reach my goals?<br />
Why is it important for me to reach my<br />
goals today?<br />
You can <strong>in</strong>vent any questions you want or ask<br />
students to create some, too.<br />
Drama, Theater, and Role Plays<br />
Get your class used to daily or at least weekly role<br />
plays. Have students do charades to review ma<strong>in</strong><br />
ideas. Students can organize extemporaneous pantomime<br />
to dramatize a key po<strong>in</strong>t. Do one-m<strong>in</strong>ute<br />
commercials adapted from television to advertise<br />
upcom<strong>in</strong>g content or review past content.<br />
Energizers<br />
Use <strong>the</strong> body to measure th<strong>in</strong>gs around <strong>the</strong> room<br />
and report <strong>the</strong> results. For example, “This cab<strong>in</strong>et<br />
is 99 knuckles long.” Play a Simon-Says game with<br />
content built <strong>in</strong>to <strong>the</strong> game: “Simon says po<strong>in</strong>t to<br />
<strong>the</strong> South. Simon says po<strong>in</strong>t to five different<br />
sources of <strong>in</strong>formation <strong>in</strong> this room.” Do team jigsaw<br />
processes with huge, poster-sized m<strong>in</strong>d-maps.<br />
Get up and touch, around <strong>the</strong> room, seven colors<br />
<strong>in</strong> order on seven different objects. Teach a movearound<br />
system us<strong>in</strong>g memory cue words. For<br />
example, “Stand <strong>in</strong> <strong>the</strong> room where we first<br />
learned about. . . .”<br />
Ball toss games can be used for review, vocabulary<br />
build<strong>in</strong>g, storytell<strong>in</strong>g, or self-disclosure. Students<br />
can rewrite lyrics to familiar songs <strong>in</strong> pairs or<br />
on a team. The new words to <strong>the</strong> song are a content<br />
review; <strong>the</strong>n <strong>the</strong>y perform <strong>the</strong> song with<br />
choreography.<br />
Get physical <strong>in</strong> o<strong>the</strong>r ways, too. Play a tug-ofwar<br />
game where everyone chooses a partner and a