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Teaching With the Brain in Mind

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location (context) changes. To enhance recall and<br />

better codify or “mark” <strong>the</strong> learn<strong>in</strong>g, learn concepts<br />

<strong>in</strong> different places so each location is a key clue to<br />

<strong>the</strong> content. Take <strong>the</strong> class outside for an <strong>in</strong>troduction<br />

to someth<strong>in</strong>g new.<br />

Help students match learn<strong>in</strong>g and test<strong>in</strong>g<br />

states. Studies tell us that <strong>the</strong> only match<strong>in</strong>g states<br />

with low recall were neutral moods. Apparently<br />

learn-sad and test-sad or learn-happy and testhappy<br />

are far better than learn with no emotion,<br />

test with no emotion. The discrepancy between<br />

learn<strong>in</strong>g states and test<strong>in</strong>g states is widely known<br />

among researchers as a source of performance loss<br />

(Bower 1981 and Overton 1984). There are two<br />

ways to affect this phenomenon. First, teach students<br />

how to better manage <strong>the</strong>ir own states at test<br />

time (for example, through relaxation methods or<br />

positive self-talk). Second, rehearse <strong>the</strong> learn<strong>in</strong>g <strong>in</strong><br />

a variety of states to promote “recall resiliency.”<br />

This strategy means that students can recall learn<strong>in</strong>g<br />

dur<strong>in</strong>g a test because <strong>the</strong>y’ve learned <strong>in</strong> a variety<br />

of states.<br />

Many savvy teachers use reviews <strong>in</strong> a variety of<br />

states so that students can become acclimated to<br />

<strong>the</strong> range of emotions <strong>the</strong>y’ll likely feel at test time.<br />

That means use of timed quizzes, public quizzes,<br />

small group presentations, and structured practice<br />

tak<strong>in</strong>g timed mock tests. This will give students<br />

practice <strong>in</strong> many states, one of which may match<br />

<strong>the</strong> test<strong>in</strong>g one. Remember to test <strong>in</strong> <strong>the</strong> same<br />

room <strong>in</strong> which students learned <strong>the</strong> material. This<br />

will better simulate <strong>the</strong> assessment conditions, and<br />

studies suggest students are more likely to test<br />

“up” to <strong>the</strong>ir learn<strong>in</strong>g levels.<br />

Make stronger event-type memories by br<strong>in</strong>g<strong>in</strong>g<br />

<strong>in</strong> a guest speaker for special emphasis (maybe<br />

someone from your own school). Change where<br />

111<br />

<strong>the</strong> class is taught from one side of <strong>the</strong> room to<br />

ano<strong>the</strong>r. Create <strong>the</strong>me days (skeptical day, repeat<br />

day, bra<strong>in</strong> day, opposite day) or <strong>the</strong>me weeks (fall,<br />

orange, sports) to add color to learn<strong>in</strong>g. On “skeptical<br />

day,” students are asked to challenge <strong>the</strong>ir<br />

assumptions about nearly everyth<strong>in</strong>g <strong>the</strong>y know.<br />

Dur<strong>in</strong>g a <strong>the</strong>me week, <strong>the</strong>re is one more set of<br />

“hooks” or associations for <strong>the</strong> students. For example,<br />

if <strong>the</strong> class is study<strong>in</strong>g anatomy dur<strong>in</strong>g “sports<br />

week,” <strong>the</strong> extra connections of sports and <strong>the</strong><br />

human body br<strong>in</strong>g <strong>the</strong> topic to life. Real life studies<br />

of <strong>the</strong>matic classroom learn<strong>in</strong>g suggest it is<br />

common for <strong>the</strong> amount of learn<strong>in</strong>g to be doubled<br />

(Bower 1973).<br />

Procedural Strategies<br />

Memory and Recall<br />

Nearly everyth<strong>in</strong>g can be done with movement. If<br />

you have three po<strong>in</strong>ts to make, ask students to<br />

rise. Ask <strong>the</strong>m to take three steps <strong>in</strong> any direction.<br />

Introduce <strong>the</strong> first of <strong>the</strong> three po<strong>in</strong>ts briefly as a<br />

preview. Include an action to help l<strong>in</strong>k it with <strong>the</strong><br />

topic. Ask students to walk three more steps.<br />

Repeat this step. After you’ve <strong>in</strong>troduced all three<br />

po<strong>in</strong>ts, <strong>the</strong>y have a seat. That’s a simple example of<br />

body learn<strong>in</strong>g, as is <strong>the</strong> use of dance, sculpture,<br />

<strong>in</strong>dustrial arts, and total physical response for<br />

learn<strong>in</strong>g.<br />

Embed emotions <strong>in</strong> <strong>the</strong> learn<strong>in</strong>g. Add a small<br />

daily celebration to heighten emotions. Because <strong>the</strong><br />

first and last few m<strong>in</strong>utes of a class will make <strong>the</strong><br />

strongest impressions, <strong>in</strong>vest more time on affect<strong>in</strong>g<br />

emotions <strong>in</strong> <strong>the</strong> middle of class. Create role<br />

plays, improv <strong>the</strong>ater, or reenactments. Have students<br />

make presentations to <strong>the</strong> class. Let <strong>the</strong>m<br />

pair up or team up and debate what <strong>the</strong>y’ve<br />

learned. Create or redo a song. Rewrite <strong>the</strong> lyrics<br />

of an old favorite, mak<strong>in</strong>g a rap out of <strong>the</strong> key

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