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location (context) changes. To enhance recall and<br />
better codify or “mark” <strong>the</strong> learn<strong>in</strong>g, learn concepts<br />
<strong>in</strong> different places so each location is a key clue to<br />
<strong>the</strong> content. Take <strong>the</strong> class outside for an <strong>in</strong>troduction<br />
to someth<strong>in</strong>g new.<br />
Help students match learn<strong>in</strong>g and test<strong>in</strong>g<br />
states. Studies tell us that <strong>the</strong> only match<strong>in</strong>g states<br />
with low recall were neutral moods. Apparently<br />
learn-sad and test-sad or learn-happy and testhappy<br />
are far better than learn with no emotion,<br />
test with no emotion. The discrepancy between<br />
learn<strong>in</strong>g states and test<strong>in</strong>g states is widely known<br />
among researchers as a source of performance loss<br />
(Bower 1981 and Overton 1984). There are two<br />
ways to affect this phenomenon. First, teach students<br />
how to better manage <strong>the</strong>ir own states at test<br />
time (for example, through relaxation methods or<br />
positive self-talk). Second, rehearse <strong>the</strong> learn<strong>in</strong>g <strong>in</strong><br />
a variety of states to promote “recall resiliency.”<br />
This strategy means that students can recall learn<strong>in</strong>g<br />
dur<strong>in</strong>g a test because <strong>the</strong>y’ve learned <strong>in</strong> a variety<br />
of states.<br />
Many savvy teachers use reviews <strong>in</strong> a variety of<br />
states so that students can become acclimated to<br />
<strong>the</strong> range of emotions <strong>the</strong>y’ll likely feel at test time.<br />
That means use of timed quizzes, public quizzes,<br />
small group presentations, and structured practice<br />
tak<strong>in</strong>g timed mock tests. This will give students<br />
practice <strong>in</strong> many states, one of which may match<br />
<strong>the</strong> test<strong>in</strong>g one. Remember to test <strong>in</strong> <strong>the</strong> same<br />
room <strong>in</strong> which students learned <strong>the</strong> material. This<br />
will better simulate <strong>the</strong> assessment conditions, and<br />
studies suggest students are more likely to test<br />
“up” to <strong>the</strong>ir learn<strong>in</strong>g levels.<br />
Make stronger event-type memories by br<strong>in</strong>g<strong>in</strong>g<br />
<strong>in</strong> a guest speaker for special emphasis (maybe<br />
someone from your own school). Change where<br />
111<br />
<strong>the</strong> class is taught from one side of <strong>the</strong> room to<br />
ano<strong>the</strong>r. Create <strong>the</strong>me days (skeptical day, repeat<br />
day, bra<strong>in</strong> day, opposite day) or <strong>the</strong>me weeks (fall,<br />
orange, sports) to add color to learn<strong>in</strong>g. On “skeptical<br />
day,” students are asked to challenge <strong>the</strong>ir<br />
assumptions about nearly everyth<strong>in</strong>g <strong>the</strong>y know.<br />
Dur<strong>in</strong>g a <strong>the</strong>me week, <strong>the</strong>re is one more set of<br />
“hooks” or associations for <strong>the</strong> students. For example,<br />
if <strong>the</strong> class is study<strong>in</strong>g anatomy dur<strong>in</strong>g “sports<br />
week,” <strong>the</strong> extra connections of sports and <strong>the</strong><br />
human body br<strong>in</strong>g <strong>the</strong> topic to life. Real life studies<br />
of <strong>the</strong>matic classroom learn<strong>in</strong>g suggest it is<br />
common for <strong>the</strong> amount of learn<strong>in</strong>g to be doubled<br />
(Bower 1973).<br />
Procedural Strategies<br />
Memory and Recall<br />
Nearly everyth<strong>in</strong>g can be done with movement. If<br />
you have three po<strong>in</strong>ts to make, ask students to<br />
rise. Ask <strong>the</strong>m to take three steps <strong>in</strong> any direction.<br />
Introduce <strong>the</strong> first of <strong>the</strong> three po<strong>in</strong>ts briefly as a<br />
preview. Include an action to help l<strong>in</strong>k it with <strong>the</strong><br />
topic. Ask students to walk three more steps.<br />
Repeat this step. After you’ve <strong>in</strong>troduced all three<br />
po<strong>in</strong>ts, <strong>the</strong>y have a seat. That’s a simple example of<br />
body learn<strong>in</strong>g, as is <strong>the</strong> use of dance, sculpture,<br />
<strong>in</strong>dustrial arts, and total physical response for<br />
learn<strong>in</strong>g.<br />
Embed emotions <strong>in</strong> <strong>the</strong> learn<strong>in</strong>g. Add a small<br />
daily celebration to heighten emotions. Because <strong>the</strong><br />
first and last few m<strong>in</strong>utes of a class will make <strong>the</strong><br />
strongest impressions, <strong>in</strong>vest more time on affect<strong>in</strong>g<br />
emotions <strong>in</strong> <strong>the</strong> middle of class. Create role<br />
plays, improv <strong>the</strong>ater, or reenactments. Have students<br />
make presentations to <strong>the</strong> class. Let <strong>the</strong>m<br />
pair up or team up and debate what <strong>the</strong>y’ve<br />
learned. Create or redo a song. Rewrite <strong>the</strong> lyrics<br />
of an old favorite, mak<strong>in</strong>g a rap out of <strong>the</strong> key