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COMBAT AND COMPETITION.pdf - Lakes Gliding Club

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<strong>COMBAT</strong> <strong>AND</strong> <strong>COMPETITION</strong><br />

Godesberg, was part of the unfortunate saga of common specifications<br />

which SHAPE6 at Fontainebleau was trying to create for general<br />

procurement in Europe. NBMR3, for a light strike VSTOL7 fighter,<br />

against which VJ 101 had been tendered, underwent endless revisions<br />

and attracted more than a dozen designs from five nations. I spent<br />

weeks and months chasing the various contenders.<br />

That search included a number of visits to Italy and several to Fiat,<br />

one in company with Ron Howard, where we talked at length with<br />

Professor Gabrielli. The results were very fruitful in the long run.<br />

Leading to a joint venture between Fiat, Rolls Royce and Elliotts -<br />

and the construction of a VTOL hover rig for the G95/4 which<br />

performed over 300 hours of tethered flight tests and proved the<br />

performance and failure survivability of the control system design.<br />

The G95/4 was subsequently abandoned but much of the system<br />

development continued. The prototype quadruplex actuator, exhibited<br />

at a subsequent Hanover show, was further improved for a possible<br />

installation in the Dornier 31, and subsequently manufactured under<br />

licence by Fairey Hydraulics for the Tornado.<br />

Our trip to Fiat had an amusing sequel. On the way home we were<br />

scheduled to talk Concorde at Toulouse. This involved flying from<br />

Turin to Paris, then Paris-Toulouse, and we were wait-listed on the<br />

second leg. A little research revealed that we could catch a train from<br />

Turin to Milan, take in the opera at La Scala, and continue by rail<br />

overnight via Nice in time for our meeting at Toulouse the next day.<br />

It was too good an opportunity to miss. We cancelled our airline<br />

reservations and rushed to the station. At Milan there was even time<br />

to visit the cathedral and buy a couple of silk ties before the<br />

performance. And 'Carmen' was a very pleasant reward for our efforts.<br />

When we got home Pasley-Tyler refused to sign Ron's expenses,<br />

until he explained why it was necessary to go from Turin to Toulouse<br />

via Milan. After hearing the truth he took Ron and his wife to Covent<br />

Garden!<br />

The NBMR3 project office at SHAPE was another link in the<br />

chain, and I chased them too. In the end, with the help of Pete<br />

Brothers, then a Group Captain, who was the British representative,<br />

I managed to get him and his three colleagues to visit us at Rochester.<br />

We entertained them in suitable style and at some expense, but<br />

most properly, in London beforehand. Yet Jack Pateman insisted ever<br />

afterwards in referring to it as the 'Night of the four Colonels' - as if<br />

there was some dark secret!<br />

224

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