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N. 29 - Capri

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Due opere di Fortunato Depero<br />

realizzate durante il soggiorno caprese.<br />

Sopra, “La grande selvaggia”<br />

e, a sinistra, “Paese di tarantelle”.<br />

Two works by Fortunato Depero painted during<br />

his stay on <strong>Capri</strong>: (above) “La grande selvaggia”<br />

and (left) “Paese di tarantelle”.<br />

100 YEARS OF FUTURISM<br />

by Camilla Contini<br />

The first Italian avant-garde<br />

movement is a hundred years<br />

old. Founded by Marinetti in<br />

1909, its popularity spread<br />

rapidly, enthusing <strong>Capri</strong>, too,<br />

with exhibitions, conferences and<br />

themed evenings<br />

The Futurist Manifesto, written by Filippo<br />

Tommaso Marinetti, was published in<br />

Le Figaro on 20 February 1909. It was<br />

the start of an artistic movement that was to<br />

revolutionize literature, architecture, the figurative<br />

arts, music and even the art of cooking.<br />

At the end of the second decade of the<br />

twentieth century, the rushing wind of avantgarde<br />

brought the futurist storm to <strong>Capri</strong>, after<br />

sweeping through not only Milan and Rome,<br />

but also Naples and the South.<br />

It was Fortunato Depero and Enrico Prampolini,<br />

above all, who lit the fuse of futurism on <strong>Capri</strong>,<br />

but the island would also play host to Filippo<br />

Tommaso Marinetti and the poet Cangiullo.<br />

Depero first came to <strong>Capri</strong> in 1917, invited by<br />

his friend, the poet Gilbert Clavel. The artist’s<br />

eyes opened onto a new world. “The red of<br />

the geraniums is on the walls of the houses;<br />

the blue of the sky is inlaid in the floors; the<br />

daisy blooms are as big as mulberry trees; the<br />

cacti have a hundred sides: look at them, but<br />

don’t touch. From morning to night you feel<br />

intoxicated with enchantment and you dream<br />

with your eyes open.” It was a dream that<br />

produced extraordinary results: fascinated by<br />

the colours and Mediterranean light, Depero<br />

set to work with renewed intensity, producing<br />

not only famous paintings such as Clavel sulla<br />

funicolare but also new cloth tapestries which<br />

soon became his own particular brand of work.<br />

The inspirations from that “iridescent palette”<br />

soon bore fruit, and the first results were brought<br />

together in a personal exhibition mounted in<br />

September 1917 at the Sala Morgano.<br />

The island again became part of the futurist<br />

scene in 1922 with the arrival of Marinetti<br />

and Cangiullo. They, together with Enrico<br />

Prampolini, Alfredo Casella and Benedetta<br />

Cappa (Marinetti’s wife), were the protagonists<br />

of the second season of <strong>Capri</strong> futurism.<br />

The small group fell in love with this<br />

“seductive rock”, to which Cangiullo dedicated<br />

vibrant and passionate verses such as this<br />

one: “You dream of her at night, <strong>Capri</strong> in<br />

your marine blue dreams, evanescent as<br />

the expression flitting across the face of an<br />

exotic blonde …”. Marinetti, for his part,<br />

<br />

37

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