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Due opere di Fortunato Depero<br />
realizzate durante il soggiorno caprese.<br />
Sopra, “La grande selvaggia”<br />
e, a sinistra, “Paese di tarantelle”.<br />
Two works by Fortunato Depero painted during<br />
his stay on <strong>Capri</strong>: (above) “La grande selvaggia”<br />
and (left) “Paese di tarantelle”.<br />
100 YEARS OF FUTURISM<br />
by Camilla Contini<br />
The first Italian avant-garde<br />
movement is a hundred years<br />
old. Founded by Marinetti in<br />
1909, its popularity spread<br />
rapidly, enthusing <strong>Capri</strong>, too,<br />
with exhibitions, conferences and<br />
themed evenings<br />
The Futurist Manifesto, written by Filippo<br />
Tommaso Marinetti, was published in<br />
Le Figaro on 20 February 1909. It was<br />
the start of an artistic movement that was to<br />
revolutionize literature, architecture, the figurative<br />
arts, music and even the art of cooking.<br />
At the end of the second decade of the<br />
twentieth century, the rushing wind of avantgarde<br />
brought the futurist storm to <strong>Capri</strong>, after<br />
sweeping through not only Milan and Rome,<br />
but also Naples and the South.<br />
It was Fortunato Depero and Enrico Prampolini,<br />
above all, who lit the fuse of futurism on <strong>Capri</strong>,<br />
but the island would also play host to Filippo<br />
Tommaso Marinetti and the poet Cangiullo.<br />
Depero first came to <strong>Capri</strong> in 1917, invited by<br />
his friend, the poet Gilbert Clavel. The artist’s<br />
eyes opened onto a new world. “The red of<br />
the geraniums is on the walls of the houses;<br />
the blue of the sky is inlaid in the floors; the<br />
daisy blooms are as big as mulberry trees; the<br />
cacti have a hundred sides: look at them, but<br />
don’t touch. From morning to night you feel<br />
intoxicated with enchantment and you dream<br />
with your eyes open.” It was a dream that<br />
produced extraordinary results: fascinated by<br />
the colours and Mediterranean light, Depero<br />
set to work with renewed intensity, producing<br />
not only famous paintings such as Clavel sulla<br />
funicolare but also new cloth tapestries which<br />
soon became his own particular brand of work.<br />
The inspirations from that “iridescent palette”<br />
soon bore fruit, and the first results were brought<br />
together in a personal exhibition mounted in<br />
September 1917 at the Sala Morgano.<br />
The island again became part of the futurist<br />
scene in 1922 with the arrival of Marinetti<br />
and Cangiullo. They, together with Enrico<br />
Prampolini, Alfredo Casella and Benedetta<br />
Cappa (Marinetti’s wife), were the protagonists<br />
of the second season of <strong>Capri</strong> futurism.<br />
The small group fell in love with this<br />
“seductive rock”, to which Cangiullo dedicated<br />
vibrant and passionate verses such as this<br />
one: “You dream of her at night, <strong>Capri</strong> in<br />
your marine blue dreams, evanescent as<br />
the expression flitting across the face of an<br />
exotic blonde …”. Marinetti, for his part,<br />
<br />
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