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Nicolae BOTNARIUC - Editura Universitatii din Bucuresti ...

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Ileana BACIU<br />

ENGLISH MORPHOLOGY: WORD FORMATION<br />

Format 16/70x100, 272 pag., ISBN 973-575-393-6<br />

Ioana ZIRRA<br />

Knowledge of word structure is in many respects of a kind with knowledge of<br />

sound structure and sentence structure. It is part of what a language user has to know<br />

in order to be regarded as a speaker of the language and, for that reason, it is part of<br />

that knowledge of language which linguists regard as properly linguistic. Hence, it is<br />

something which linguistic theory has to account for, in the same way that it accounts<br />

for knowledge of phonological patterns or knowledge of syntactic structures.<br />

Traditionally, grammarians have distinguished between two types of complexity of<br />

word-structure: one type of complexity is due to the presence of inflections and another<br />

type is due to derivational elements. This distinction, though often overlooked by<br />

structuralists, is an important one.<br />

–132–<br />

Adresabilitate: studenţi, profesori, specialişti<br />

CONTRIBUTIONS OF THE BRITISH 19 TH CENTURY – THE VICTORIAN AGE – TO THE<br />

HISTORY OF LITERATURE AND IDEAS<br />

Format 16/70x100, 168 pag., ISBN 973-575-487-8<br />

The course has been organised into modules of three lectures, each dedicated to<br />

the survey of, first, the novel, then the poetry, then the essays, which could be obviously<br />

repeated three times, roughly, during the fifteen weeks of the first semester. There can<br />

be made allowance in this way for one or two general introductory lectures and,<br />

optionally, for one drama lecture. This rigid – and to a great extent artificial – sequence<br />

of the lectures has been considered to offer, firstly, the advantage of the generic<br />

approach to literature, which is otherwise lost in the survey format, namely, the<br />

advantage of comparing and repeating information when placed in clearcut modules<br />

that apparently differ in topic, when in effect they refer to and analyse the same real<br />

stream of cultural pehnomena; and, ostensibly, the comparison could work efficiently<br />

not only over the different generic repertoires, but also within one and the same genre –<br />

offering in this way, it is hoped, a more clearly didactic outline of the age as a historical<br />

whole repeatedly reviewed. Secondly, in splitting Victorian literature into the Victorian<br />

novel, then the poetry and the essay, the lecturer has tried to guard against the<br />

dilettante memories of unmotivated students who might either reduce the Victorian age<br />

to the age of the great novels and forget the poetry representatives or the essay-writers‟<br />

names, or even worse, who might get all of them „graciously‟ mixed up, not being sure<br />

either at the exam or a few years hence whether somebody wrote fiction, poetry or prose<br />

of ideas; this would be an extremly likely contingency given the literary prolixity of the<br />

Victorian age to which the 20th century readership‟s hurry can hardly measure up.<br />

Adresabilitate: studenţi, profesori, specialişti

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