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KAZI SONUÇLARI TOPLANTISI 1. CİLT - kulturvarliklari.gov.tr

KAZI SONUÇLARI TOPLANTISI 1. CİLT - kulturvarliklari.gov.tr

KAZI SONUÇLARI TOPLANTISI 1. CİLT - kulturvarliklari.gov.tr

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needed for the publication (edited with Alessandra Parrini) of the Attic redfigurepottery from Iasos: a significant assemblage which, in addition to theat<strong>tr</strong>ibutions and the iconographic reading, indicates the possibility of new andmore in-depth hypotheses on the commercial relationships between Athensand Caria (Iasos in particular) in a historic phase of great complexity.The black-glazed pottery of the fifth and fourth centuries B.C., Attic andnot, was studied by Silvia R. Amicone, notably the fragments belonging tothe “delicate class” of Athens and the “coral red”. Dr Amicone took samplesto analyse in the laboratories of University College London, ArchaeologyDepartment, where she holds a fellowship in Technology and Analysis ofArchaeological Materials.Giulia Lodi, as point of departure for a general study of amphora stamps,collected all the information useful for creating a computerized specific corpus.She also catalogued some <strong>tr</strong>ansport containers dating to the end of the sixth tothe fifth century B.C. found in the agora (archaic fountain) and in the so-calledeastern basilica.Flavia Giberti continued the work on the workshop complex of the Romanperiod brought to light in 1961-67 near the prehistoric necropolis, thus in thesuburban area. The many questions connected to the building (starting withwhat was produced there and for how long?) led her to isolate the diagnosticmaterials found in some specific sectors of the cons<strong>tr</strong>uction, namely the opencourtyard and some of the rooms giving onto it.In the study of the so called Caesareum, and for her own doctoral researchat the University of Genoa, Simona Contardi documented the excavationmaterials most significant s<strong>tr</strong>atigraphically and thus best suited to indicatethe phases of frequentation of the building. She had already analysed itsarchitectural characteristics and building techniques.The research of Daniela Baldoni, preliminary to publication, focused onthe materials from the necropolis brought to light in 1988 behind the Missionhouse, the cistern of the “Byzantine” tower of the port (excavated the same226

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