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136<br />

EXPLORING LISBON<br />

6<br />

MORE ATTRACTIONS<br />

18th-century life in a hyper-upscale home. A bookstore and coffee shop are on the premises,<br />

and a battalion of attentive guards protect the lavish art objects inside as if they were<br />

their own. Anyone interested in the decorative arts in general and the Portuguese Empire<br />

in particular will find this collection fascinating.<br />

Largo das Portas do Sol 2. & 21/881-46-00. Fax 21/881-46-37. www.fress.pt. Admission 4€ adults, 2€<br />

seniors, free for children under 12. Tues–Sun 10am–5pm. Tram: 12 or 28. Bus: 37.<br />

MUDE A cultural highlight of the Baixa district, this museum opened in 2009 in the<br />

Palácio Verride, a former palace at the Santa Catarina viewing point. Mude means change<br />

in Portuguese, and that is what this Museum of Design and Fashion is all about. The<br />

museum is the venue for ever-changing temporary exhibitions, but it also has a permanent<br />

collection, including some 1,200 couture pieces. Designs are by such luminaries as<br />

the famed architect Frank O. Gehry or else André Arbus. You never know what’s going<br />

to be on display. Are you old enough to remember the swimsuit by Rudi Gernreich?<br />

Perhaps the miniskirt by André Courrèges? From more recent times, perhaps couture by<br />

London’s Vivienne Westwood.<br />

Rua Augusta 24. & 21/888-61-17. Free admission (subject to change). Tues–Thurs and Sun 10am–8pm;<br />

Fri–sat 10am–8pm. Metro: Baixa/Chiado.<br />

Museu Archeologico do Carmo No other Lisbon museum so well conveys the<br />

sensation that you’ve wandered into a living relic and witness to history. Here, the ruined<br />

nave of a church, originally built in 1389, stands in a state of partial collapse—a victim<br />

of damages wrought during the great earthquake of 1755 when many parishioners died<br />

inside. Some back rooms contain a dusty collection of exhibits, such as historic azulejos<br />

(glazed tiles), but the star of the museum is the church itself. Unlike several nearby<br />

monuments, the church was not rebuilt but somehow survived despite further indignities<br />

inflicted upon it over the years, including vandalisms by French soldiers occupying Lisbon<br />

during the Napoleonic wars. To many Lisboans, it’s the most visible symbol of the<br />

1755 earthquake, the single monument that most aggressively piques their sense of history<br />

and sense of loss.<br />

Largo do Carmo. & 21/346-04-73. Admission 2.50€ adults; 1.50€ students, free for children under 14.<br />

Apr–Sept daily 10am–6pm; Oct–Mar daily 10am–5pm. Metro: Chiado.<br />

Museu da Farmácia Founded in 1996 in a former palace, this pharmacy museum<br />

covers more than 5,000 years of pharmaceutical history, from 3600 B.C. to techniques<br />

developed for upcoming voyages to Mars. Four pharmacies from 18th to the 20th centuries<br />

have been reconstructed. There are antique exhibits that go back to ancient Egypt<br />

or Mesopotamia. One of these exhibits is from a 19th-century Chinese drugstore from<br />

<strong>Portugal</strong>’s former territory of Macao, off the coast of China.<br />

Rua Maréchal Saldanha. & 21/340-06-80. Admission 5€ adults, 3.50€ students and seniors, free for<br />

children 2 and under. Mon–Fri 10am–6pm. Metro: Cais do Sodré.<br />

Museu de São Roque/Igreja de São Roque The Jesuits, who at one time were<br />

so powerful they virtually governed <strong>Portugal</strong>, founded St. Roque Church in the late 16th<br />

century. Beneath its painted wood ceiling, the church contains a celebrated chapel by<br />

Luigi Vanvitelli honoring John the Baptist. The chapel, ordered by the Bragança king<br />

João V in 1741, was assembled in Rome from such precious materials as alabaster<br />

and lapis lazuli, and then dismantled, shipped to Lisbon, and reassembled. The marble<br />

mosaics look like a painting. You can also visit the sacristy, rich in paintings illustrating<br />

scenes from the lives of saints pertaining to the Society of Jesus.

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