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26<br />

PORTUGAL IN DEPTH<br />

2<br />

PORTUGAL IN POPULAR CULTURE: BOOKS, MUSIC, & FILM<br />

History<br />

A Concise History of <strong>Portugal</strong>, by David<br />

Birmingham is far too short at 209 pages<br />

to capture the full sweep of Portuguese<br />

history, but it is nonetheless a very readable<br />

history for those who like at least a<br />

brief preview of a country’s past before<br />

landing there.<br />

Another version of the same subject is<br />

<strong>Portugal</strong>: A Companion History, by José<br />

H. Saraiva. It will give you a sweeping saga<br />

of the land you’re about to visit.<br />

<strong>Portugal</strong>’s role abroad is best presented<br />

in Charles Ralph Boxer’s Portuguese Seaborne<br />

Empire. Since its initial publication<br />

in 1969, this frequently reprinted book<br />

has been the best volume for explaining<br />

how an unimportant kingdom in western<br />

Europe managed to build an empire<br />

stretching from China to Brazil.<br />

Fiction & Biography<br />

The epic poem of <strong>Portugal</strong>, Os Lusíadas,<br />

written in 1572 by the premier Portuguese<br />

poet Luís Vaz de Camóes, celebrates the<br />

Portuguese Age of Discovery. In 1987,<br />

Penguin rereleased this timeless classic.<br />

The best biography on Camóes himself<br />

remains Aubrey Bell’s Luis de Camóes.<br />

One of <strong>Portugal</strong>’s most beloved writers,<br />

Eça de Queirós, wrote in the late 19th century.<br />

Several of his best-known narratives<br />

have been translated into English, notably<br />

The Maias, The Illustrious House of<br />

Ramires (New Directions Publishing,<br />

1994), The Mandarin and Other Stories,<br />

The City and the Mountains, The Relic,<br />

The Sin of Father Amaro, and Dragon’s<br />

Teeth. Queirós (1845–1900) was the most<br />

realistic Portuguese novelist of his time, and<br />

his works were much admired by Emile<br />

Zola in France. The Maias is the best<br />

known and the best of his works.<br />

The great poet Fernando Pessoa (1888–<br />

1935) is second only to Camóes in the<br />

list of illustrious Portuguese writers. Some<br />

of his works have been translated into<br />

English. Pessoa is still beloved by the<br />

Portuguese, and for decades he appeared<br />

on the 100-escudo note before it went out<br />

of circulation in 2002.<br />

The Return of the Caravels, by<br />

António Lobo Antunes, is an unusual<br />

novel set in 1974. It brings back <strong>Portugal</strong>’s<br />

history as an imperial power by “collective<br />

memory,” as Vasco da Gama, Cabral, and<br />

other explorers return to Lisbon, anchoring<br />

their small but significant vessels<br />

alongside the giant tankers of today.<br />

José Saramago, winner of the Nobel<br />

Prize for Literature (see “General,” above),<br />

remains one of the best novelists of modern-day<br />

<strong>Portugal</strong>. His Baltasar and Blimunda<br />

is a magical account of a flying<br />

machine and the construction of Mafra<br />

Palace—it’s a delightful read.<br />

The work New Portuguese Letters by<br />

the “Three Marias” (Maria Isabel Barreno,<br />

Maria Teresa Horta, and Maria Fátima<br />

Velho da Costa), first published in <strong>Portugal</strong><br />

in 1972, is available in English. The<br />

Portuguese government banned and confiscated<br />

all copies and arrested its authors<br />

on a charge of “outrage to public decency.”<br />

They were acquitted 2 years later, and the<br />

case became a cause célèbre for feminist<br />

organizations around the world.<br />

Wines<br />

The finest book on the most famous of<br />

Portuguese fortified wines, port, is Richard<br />

Mayson’s Port and the Douro. This is<br />

a comprehensive, articulate, and intriguing<br />

work. You learn the history of port<br />

from the 4th century up through modern<br />

methods of bottling the wine today.<br />

MUSIC<br />

Arguably the oldest urban folk music in<br />

the world, fado remains the soul music of<br />

<strong>Portugal</strong>. From the 1940s until her death<br />

in 1999, Amália Rodrigues was the top<br />

diva fadista in <strong>Portugal</strong>. No one in the<br />

post-millennium has dethroned her.<br />

A current sensation, Ana Laíns, takes a<br />

much more contemporary approach to

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