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MIT Encyclopedia of the Cognitive Sciences - Cryptome

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events in <strong>the</strong> environment are associated with appropriate<br />

schema variables.<br />

A number <strong>of</strong> words—buy, sell, pay, cost, worth, value,<br />

spend, and charge—activate <strong>the</strong> [Commercial Event]<br />

schema. Each <strong>of</strong> <strong>the</strong>se words selects particular aspects <strong>of</strong><br />

<strong>the</strong> schema for highlighting or foregrounding, while leaving<br />

o<strong>the</strong>rs in <strong>the</strong> background unexpressed. Buy focuses on <strong>the</strong><br />

exchange from <strong>the</strong> buyer’s perspective, and sell from <strong>the</strong><br />

seller’s perspective. Cost focuses on <strong>the</strong> money part <strong>of</strong><br />

<strong>the</strong> money-goods relationship, and value and worth focus on<br />

<strong>the</strong> goods part <strong>of</strong> <strong>the</strong> relationship. Pay and spend focus<br />

on <strong>the</strong> buyer and <strong>the</strong> money part <strong>of</strong> <strong>the</strong> money-goods<br />

relationship, and charge focuses on <strong>the</strong> seller and <strong>the</strong> goods<br />

part <strong>of</strong> <strong>the</strong> money-goods relationship (Fillmore 1977).<br />

Classification systems are complex cultural models<br />

structured by hierarchical embedding. Entities—objects,<br />

acts, and events—that are in fact different are grouped<br />

toge<strong>the</strong>r in conceptual categories and regarded as equivalent.<br />

Semantic relationships among <strong>the</strong> categories define<br />

cognitive systems. Taxonomic hierarchies, or taxonomies,<br />

are classifications structured on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> inclusion, or<br />

“kind <strong>of</strong>,” relationship. Some categories included in <strong>the</strong> tree<br />

category, for example, are oak, pine, elm, spruce, poplar,<br />

walnut, and fir. Oak in turn includes white oak, post oak, pin<br />

oak, and many o<strong>the</strong>r kinds <strong>of</strong> oak.<br />

Nontaxonomic classifications <strong>of</strong> various types are also<br />

hierarchically structured. Partonomic classifications are<br />

organized in terms <strong>of</strong> part-whole relationships. The family<br />

category, for example, has among its members (or parts)<br />

mo<strong>the</strong>r, son, and sister. Functional classifications are constructed<br />

on <strong>the</strong> basis <strong>of</strong> <strong>the</strong> instrumental, or “used for”, relationship—a<br />

vehicle is any object that can be used for<br />

transportation, for example, car, bus, moped, or unicycle<br />

(Wierzbicka 1985).<br />

Event scenarios are complex cultural models structured<br />

by horizontal linkages. Scenes in event schemata are linked<br />

in ordered sequences by way <strong>of</strong> causal relationships. The<br />

Yakan, a Philippine agricultural society living on Basilan<br />

Island in houses elevated on piles, have an event schemata<br />

specifying “how to enter a Yakan house.” Social encounters<br />

are defined by <strong>the</strong> degree to which outsiders are able to<br />

negotiate penetration into households. An outsider<br />

progresses from “in <strong>the</strong> vicinity” <strong>of</strong> <strong>the</strong> house to “at” <strong>the</strong><br />

house, from “below” <strong>the</strong> house to “on” <strong>the</strong> porch, from<br />

“outside” on <strong>the</strong> porch to “inside” <strong>the</strong> main room, and from<br />

<strong>the</strong> “foot zone” at <strong>the</strong> entrance door to <strong>the</strong> “head zone”<br />

opposite <strong>the</strong> door, which is <strong>the</strong> most private setting in <strong>the</strong><br />

house (Frake 1975: 26–33).<br />

Metaphorical cultural models are structured by conceptual<br />

METAPHORS. Abstract concepts that are not clearly<br />

delineated in experience, such as time, love, and ideas, are<br />

metaphorically structured, understood, and discussed in<br />

terms <strong>of</strong> o<strong>the</strong>r concepts that are more concrete in experience,<br />

such as money, travel, and foods (Lak<strong>of</strong>f and Johnson<br />

1980). The metaphorical concept “embarrassment is exposure”<br />

is an example. The embarrassment schema is structured<br />

in terms <strong>of</strong> <strong>the</strong> exposure schema. The systematicity <strong>of</strong><br />

<strong>the</strong> metaphor is reflected in everyday speech formulas,<br />

which are sources <strong>of</strong> insight into and evidence for <strong>the</strong> nature<br />

<strong>of</strong> <strong>the</strong> metaphor. Fixed-form expressions for “embarrass-<br />

<strong>Cognitive</strong> Anthropology 121<br />

ment is exposure” are evident in <strong>the</strong>se sentences: “You<br />

really exposed yourself,” “He felt <strong>the</strong> weight <strong>of</strong> everyone’s<br />

eyes,” “I felt naked,” “I was caught with my pants down,”<br />

and “I wanted to crawl under a rock” (Holland and Kipnis<br />

1994: 320–322).<br />

Cultural universals are systems <strong>of</strong> conceptual knowledge<br />

that occur in all societies. In studying cognitive<br />

commonalities, anthropologists assume a “limited relativist,”<br />

or universalist, position, adopting a relativist view in<br />

recognizing differences in cognitive and cultural systems<br />

and a universalist position in emphasizing fundamental<br />

concepts and uniformities in <strong>the</strong>se systems (Lounsbury<br />

1969: 10).<br />

Comparative color category research, for instance, has<br />

shown that basic color categories are organized around best<br />

examples, and that <strong>the</strong>se focal colors are <strong>the</strong> same across<br />

individuals and languages (Berlin and Kay 1969). It has also<br />

established that <strong>the</strong>re are exactly eleven <strong>of</strong> <strong>the</strong>se universal<br />

color categories—[black], [white], [red], [green], [yellow],<br />

[blue], [brown], [purple], [orange], [pink] and [gray]—that<br />

<strong>the</strong>y are encoded in a strict evolutionary sequence, and that<br />

<strong>the</strong>se universals are determined largely by neurophysiological<br />

processes in human color perception (Kay, Berlin, and<br />

Merrifield 1991; see COLOR CLASSIFICATION).<br />

Cultural consensus is concerned with individual variability<br />

in cultural knowledge and how <strong>the</strong> diversity <strong>of</strong> individual<br />

conceptual systems are organized in cultural systems. Consensus<br />

<strong>the</strong>ory examines <strong>the</strong> patterns <strong>of</strong> agreement among<br />

group members about particular domains <strong>of</strong> cultural knowledge<br />

in order to determine <strong>the</strong> organization <strong>of</strong> cognitive<br />

diversity. It establishes both a “correct” version <strong>of</strong> cultural<br />

knowledge and patterns <strong>of</strong> cognitive diversity (Romney,<br />

Weller, and Batchelder 1986: 316).<br />

The Aguaruna Jivaro, a forest tribe in nor<strong>the</strong>rn Peru, for<br />

example, derive <strong>the</strong> majority <strong>of</strong> <strong>the</strong>ir sustenance from manioc<br />

plants. A study <strong>of</strong> Aguaruna manioc gardens discovered<br />

that, although individual Aguaruna vary widely in <strong>the</strong>ir<br />

naming <strong>of</strong> manioc plants, <strong>the</strong>y none<strong>the</strong>less maintain a consensus<br />

model <strong>of</strong> manioc classification. Patterns <strong>of</strong> agreement<br />

reveal that individuals learn a single set <strong>of</strong> manioc<br />

categories with varying degrees <strong>of</strong> success: some individuals<br />

have greater cultural competence in manioc identification<br />

than o<strong>the</strong>rs (Boster 1985: 185).<br />

See also CATEGORIZATION; CULTURAL PSYCHOLOGY;<br />

CULTURAL RELATIVISM; CULTURAL VARIATION; HUMAN<br />

UNIVERSALS; LANGUAGE AND CULTURE; METAPHOR AND<br />

CULTURE; NATURAL KINDS<br />

—Ronald W. Casson<br />

References<br />

Berlin, B., and P. Kay. (1969). Basic Color Terms: Their Universality<br />

and Evolution. Berkeley: University <strong>of</strong> California Press.<br />

Boster, J. S. (1985). “Requiem for <strong>the</strong> Omniscient Informant”:<br />

There’s life in <strong>the</strong> old girl yet. In J. W. D. Dougherty, Ed.,<br />

Directions in <strong>Cognitive</strong> Anthropology. Urbana: University <strong>of</strong><br />

Illinois Press.<br />

Casson, R. W. (1994). <strong>Cognitive</strong> anthropology. In P. K. Bock, Ed.,<br />

Handbook <strong>of</strong> Psychological Anthropology. Westport, CT:<br />

Greenwood Press.

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