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Rousseau and Revolution

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84 <strong>Rousseau</strong> <strong>and</strong> <strong>Revolution</strong><br />

Histoire de la Gr<strong>and</strong>eur et de la Décadence de César Birotteau (1837) <strong>and</strong> where<br />

Balzac makes use of the introduction of Birotteau’s character, a lower middle<br />

class perfumer during the Restauration, to criticize the Parisian bourgeois’<br />

superfi cial culture:<br />

When he fi rst came to Paris, Cesar had known how to read, write, <strong>and</strong><br />

cipher, but his education stopped there; his laborious life had kept him<br />

from acquiring ideas <strong>and</strong> knowledge outside the business of perfumery.<br />

Mixing wholly with people to whom science <strong>and</strong> letters were of no importance,<br />

<strong>and</strong> whose information did not go beyond their specialty, having no<br />

time to give to higher studies, the perfumer had become a merely practical<br />

man. He adopted necessarily the language, blunders, <strong>and</strong> opinions of<br />

the bourgeois of Paris, who admires Moliere, Voltaire, <strong>and</strong> <strong>Rousseau</strong> on<br />

faith, <strong>and</strong> buys their books without ever reading them. (Balzac, 2004, 29)<br />

Another character of Le Père Goriot, Vautrin, the criminal genius of Balzac’s<br />

Human Comedy, declares, only after disparaging the Social Contract, that<br />

Jean-Jacques <strong>Rousseau</strong> is his hero. Referring to himself by his real name,<br />

Jacques Collin, Vautrin says,<br />

A convict of Collin’s caliber, <strong>and</strong> here I am, is not such a coward as other<br />

men; he is protesting against the monstrous betrayals of the Social Contract,<br />

to use the words of Jean-Jacques, whose disciple I am proud to be. In a<br />

word, I st<strong>and</strong> alone against the government, with its pile of courts, policemen<br />

<strong>and</strong> civil budgets, <strong>and</strong> I get the better of them. (Balzac, 1991, 186)<br />

Against the deceptions of the Social Contract yet, <strong>Rousseau</strong>’s proud pupil<br />

Vautrin, in the span of two sentences, reveals or feigns a disconcerting<br />

lack of knowledge about his self-avowed hero. 1 The fi gure of <strong>Rousseau</strong> as a<br />

sort of rebel against the abuses of the powerful is here reduced to its basest<br />

cliché. As these Balzacian examples demonstrate, <strong>Rousseau</strong>’s legacy,<br />

after the French <strong>Revolution</strong>, seemed to be in the h<strong>and</strong>s of people who had<br />

never read him. Heralded as the father of the revolution, celebrated as the<br />

saviour of the masses, <strong>Rousseau</strong>’s name had become commonplace, but so<br />

was the risk of his misinterpretation.<br />

The <strong>Revolution</strong> Writes <strong>Rousseau</strong> Writes the <strong>Revolution</strong><br />

The generation following 1789 saw <strong>Rousseau</strong> in light of a revolution, which<br />

although posthumous, gradually came to be considered the philosopher’s

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