Rousseau and Revolution
Rousseau and Revolution
Rousseau and Revolution
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84 <strong>Rousseau</strong> <strong>and</strong> <strong>Revolution</strong><br />
Histoire de la Gr<strong>and</strong>eur et de la Décadence de César Birotteau (1837) <strong>and</strong> where<br />
Balzac makes use of the introduction of Birotteau’s character, a lower middle<br />
class perfumer during the Restauration, to criticize the Parisian bourgeois’<br />
superfi cial culture:<br />
When he fi rst came to Paris, Cesar had known how to read, write, <strong>and</strong><br />
cipher, but his education stopped there; his laborious life had kept him<br />
from acquiring ideas <strong>and</strong> knowledge outside the business of perfumery.<br />
Mixing wholly with people to whom science <strong>and</strong> letters were of no importance,<br />
<strong>and</strong> whose information did not go beyond their specialty, having no<br />
time to give to higher studies, the perfumer had become a merely practical<br />
man. He adopted necessarily the language, blunders, <strong>and</strong> opinions of<br />
the bourgeois of Paris, who admires Moliere, Voltaire, <strong>and</strong> <strong>Rousseau</strong> on<br />
faith, <strong>and</strong> buys their books without ever reading them. (Balzac, 2004, 29)<br />
Another character of Le Père Goriot, Vautrin, the criminal genius of Balzac’s<br />
Human Comedy, declares, only after disparaging the Social Contract, that<br />
Jean-Jacques <strong>Rousseau</strong> is his hero. Referring to himself by his real name,<br />
Jacques Collin, Vautrin says,<br />
A convict of Collin’s caliber, <strong>and</strong> here I am, is not such a coward as other<br />
men; he is protesting against the monstrous betrayals of the Social Contract,<br />
to use the words of Jean-Jacques, whose disciple I am proud to be. In a<br />
word, I st<strong>and</strong> alone against the government, with its pile of courts, policemen<br />
<strong>and</strong> civil budgets, <strong>and</strong> I get the better of them. (Balzac, 1991, 186)<br />
Against the deceptions of the Social Contract yet, <strong>Rousseau</strong>’s proud pupil<br />
Vautrin, in the span of two sentences, reveals or feigns a disconcerting<br />
lack of knowledge about his self-avowed hero. 1 The fi gure of <strong>Rousseau</strong> as a<br />
sort of rebel against the abuses of the powerful is here reduced to its basest<br />
cliché. As these Balzacian examples demonstrate, <strong>Rousseau</strong>’s legacy,<br />
after the French <strong>Revolution</strong>, seemed to be in the h<strong>and</strong>s of people who had<br />
never read him. Heralded as the father of the revolution, celebrated as the<br />
saviour of the masses, <strong>Rousseau</strong>’s name had become commonplace, but so<br />
was the risk of his misinterpretation.<br />
The <strong>Revolution</strong> Writes <strong>Rousseau</strong> Writes the <strong>Revolution</strong><br />
The generation following 1789 saw <strong>Rousseau</strong> in light of a revolution, which<br />
although posthumous, gradually came to be considered the philosopher’s