A History of English Literature
A History of English Literature
A History of English Literature
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heraldry. He was himself an excellent musician. Indeed almost the only<br />
subject <strong>of</strong> contemporary knowledge in which he was not pr<strong>of</strong>icient was<br />
mathematics, for which he had an aversion, and which prevented him from<br />
taking a college degree.<br />
The bulk <strong>of</strong> Gray's poetry is very small, no larger, in fact, than that <strong>of</strong><br />
Collins. Matthew Arnold argued in a famous essay that his productivity was<br />
checked by the uncongenial pseudo-classic spirit <strong>of</strong> the age, which, says<br />
Arnold, was like a chill north wind benumbing his inspiration, so that 'he<br />
never spoke out.' The main reason, however, is really to be found in Gray's<br />
own over-painstaking and diffident disposition. In him, as in Hamlet,<br />
anxious and scrupulous striving for perfection went far to paralyze the<br />
power <strong>of</strong> creation; he was unwilling to write except at his best, or to<br />
publish until he had subjected his work to repeated revisions, which<br />
sometimes, as in the case <strong>of</strong> his 'Elegy Written in a Country Churchyard,'<br />
extended over many years. He is the extreme type <strong>of</strong> the academic poet. His<br />
work shows, however, considerable variety, including real appreciation for<br />
Nature, as in the 'Ode on the Spring,' delightful quiet humor, as in the<br />
'Ode on a Favorite Cat,' rather conventional moralizing, as in the 'Ode on<br />
a Distant Prospect <strong>of</strong> Eton College,' magnificent expression <strong>of</strong> the<br />
fundamental human emotions, as in the 'Elegy,' and warlike vigor in the<br />
'Norse Ode' translated from the 'Poetic Edda' in his later years. In the<br />
latter he manifests his interest in Scandinavian antiquity, which had then<br />
become a minor object <strong>of</strong> romantic enthusiasm. The student should consider<br />
for himself the mingling <strong>of</strong> the true classic, pseudo-classic, and romantic<br />
elements in the poems, not least in the 'Elegy,' and the precise sources <strong>of</strong><br />
their appeal and power. In form most <strong>of</strong> them are regular 'Horatian' odes,<br />
but 'The Bard' and 'The Progress <strong>of</strong> Poesy' are the best <strong>English</strong> examples <strong>of</strong><br />
the genuine Pindaric ode.<br />
OLIVER GOLDSMITH. Next in order among the romantic poets after Gray, and<br />
more thoroughly romantic than Gray, was Oliver Goldsmith, though, with<br />
characteristic lack <strong>of</strong> the power <strong>of</strong> self-criticism, he supposed himself to<br />
be a loyal follower <strong>of</strong> Johnson and therefore a member <strong>of</strong> the opposite camp.<br />
Goldsmith, as every one knows, is one <strong>of</strong> the most attractive and lovable<br />
figures in <strong>English</strong> literature. Like Burke, <strong>of</strong> mixed <strong>English</strong> and Irish<br />
ancestry, the son <strong>of</strong> a poor country curate <strong>of</strong> the <strong>English</strong> Church in<br />
Ireland, he was born in 1728. Awkward, sensitive, and tender-hearted, he<br />
suffered greatly in childhood from the unkindness <strong>of</strong> his fellows. As a poor<br />
student at the University <strong>of</strong> Dublin he was not more happy, and his lack <strong>of</strong><br />
application delayed the gaining <strong>of</strong> his degree until two years after the<br />
regular time. The same Celtic desultoriness characterized all the rest <strong>of</strong><br />
his life, though it could not thwart his genius. Rejected as a candidate<br />
for the ministry, he devoted three years to the nominal study <strong>of</strong> medicine<br />
at the Universities <strong>of</strong> Edinburgh and Leyden (in Holland). Next he spent a<br />
year on a tramping trip through Europe, making his way by playing the flute<br />
and begging. Then, gravitating naturally to London, he earned his living by<br />
working successively for a druggist, for the novelist-printer Samuel<br />
Richardson, as a teacher in a boys' school, and as a hack writer. At last<br />
at the age <strong>of</strong> thirty-two he achieved success with a series <strong>of</strong> periodical<br />
essays later entitled 'The Citizen <strong>of</strong> the World,' in which he criticized<br />
European politics and society with skill and insight. Bishop Percy now<br />
introduced him to Johnson, who from this time watched over him and saved<br />
him from the worst results <strong>of</strong> his irresponsibility. He was one <strong>of</strong> the<br />
original members <strong>of</strong> 'The Club.' In 1764 occurred the well-known and<br />
characteristic incident <strong>of</strong> the sale <strong>of</strong> 'The Vicar <strong>of</strong> Wakefield.' Arrested<br />
for debt at his landlady's instance, Goldsmith sent for Johnson and showed<br />
him the manuscript <strong>of</strong> the book. Johnson took it to a publisher, and though<br />
without much expectation <strong>of</strong> success asked and received L60 for it. It was