A History of English Literature

intended to be acted in front, while the next background was being prepared
behind the balcony curtain. The lack of elaborate settings also facilitated
rapidity of action, and the plays, beginning at three in the afternoon,
were ordinarily over by the dinner-hour of five. Less satisfactory was the
entire absence of women-actors, who did not appear on the public stage
until after the Restoration of 1660. The inadequacy of the boys who took
the part of the women-characters is alluded to by Shakspere and must have
been a source of frequent irritation to any dramatist who was attempting to
present a subtle or complex heroine.
Lastly may be mentioned the picturesque but very objectionable custom of
the young dandies who insisted on carrying their chairs onto the sides of
the stage itself, where they not only made themselves conspicuous objects
of attention but seriously crowded the actors and rudely abused them if the
play was not to their liking. It should be added that from the latter part
of Elizabeth's reign there existed within the city itself certain 'private'
theaters, used by the boys' companies and others, whose structure was more
like that of the theaters of our own time and where plays were given by
artificial light.
SHAKESPEARE, 1564-1616. William Shakspere, by universal consent the
greatest author of England, if not of the world, occupies chronologically a
central position in the Elizabethan drama. He was born in 1564 in the
good-sized village of Stratford-on-Avon in Warwickshire, near the middle of
England, where the level but beautiful country furnished full external
stimulus for a poet's eye and heart. His father, John Shakspere, who was a
general dealer in agricultural products and other commodities, was one of
the chief citizens of the village, and during his son's childhood was
chosen an alderman and shortly after mayor, as we should call it. But by
1577 his prosperity declined, apparently through his own shiftlessness, and
for many years he was harassed with legal difficulties. In the village
'grammar' school William Shakspere had acquired the rudiments of
book-knowledge, consisting largely of Latin, but his chief education was
from Nature and experience. As his father's troubles thickened he was very
likely removed from school, but at the age of eighteen, under circumstances
not altogether creditable to himself, he married Anne Hathaway, a woman
eight years his senior, who lived in the neighboring village of Shottery.
The suggestion that the marriage proved positively unhappy is supported by
no real evidence, but what little is known of Shakspere's later life
implies that it was not exceptionally congenial. Two girls and a boy were
born from it.
In his early manhood, apparently between 1586 and 1588, Shakspere left
Stratford to seek his fortune in London. As to the circumstances, there is
reasonable plausibility in the later tradition that he had joined in
poaching raids on the deer-park of Sir Thomas Lucy, a neighboring country
gentleman, and found it desirable to get beyond the bounds of that
gentleman's authority. It is also likely enough that Shakspere had been
fascinated by the performances of traveling dramatic companies at Stratford
and by the Earl of Leicester's costly entertainment of Queen Elizabeth in
1575 at the castle of Kenilworth, not many miles away. At any rate, in
London he evidently soon secured mechanical employment in a theatrical
company, presumably the one then known as Lord Leicester's company, with
which, in that case, he was always thereafter connected. His energy and
interest must soon have won him the opportunity to show his skill as actor
and also reviser and collaborator in play-writing, then as independent
author; and after the first few years of slow progress his rise was rapid.
He became one of the leading members, later one of the chief shareholders,
of the company, and evidently enjoyed a substantial reputation as a