A History of English Literature

the English Church might not have been wrought into so fine a harmony with
the pastoral form.
Milton's first period ends with an experience designed to complete his
preparation for his career, a fifteen months' tour in France and Italy,
where the highest literary circles received him cordially. From this trip
he returned in 1639, sooner than he had planned, because, he said, the
public troubles at home, foreshadowing the approaching war, seemed to him a
call to service; though in fact some time intervened before his entrance on
public life.
The twenty years which follow, the second period of Milton's career,
developed and modified his nature and ideas in an unusual degree and
fashion. Outwardly the occupations which they brought him appear chiefly as
an unfortunate waste of his great poetic powers. The sixteen sonnets which
belong here show how nobly this form could be adapted to the varied
expression of the most serious thought, but otherwise Milton abandoned
poetry, at least the publication of it, for prose, and for prose which was
mostly ephemeral. Taking up his residence in London, for some time he
carried on a small private school in his own house, where he much
overworked his boys in the mistaken effort to raise their intellectual
ambitions to the level of his own. Naturally unwilling to confine himself
to a private sphere, he soon engaged in a prose controversy supporting the
Puritan view against the Episcopal form of church government, that is
against the office of bishops. There shortly followed the most regrettable
incident in his whole career, which pathetically illustrates also the lack
of a sense of humor which was perhaps his greatest defect. At the age of
thirty-four, and apparently at first sight, he suddenly married Mary
Powell, the seventeen-year-old daughter of a royalist country gentleman
with whom his family had long maintained some business and social
relations. Evidently this daughter of the Cavaliers met a rude
disillusionment in Milton's Puritan household and in his Old Testament
theory of woman's inferiority and of a wife's duty of strict subjection to
her husband; a few weeks after the marriage she fled to her family and
refused to return. Thereupon, with characteristic egoism, Milton put forth
a series of pamphlets on divorce, arguing, contrary to English law, and
with great scandal to the public, that mere incompatibility of temper was
adequate ground for separation. He even proceeded so far as to make
proposals of marriage to another woman. But after two years and the ruin of
the royalist cause his wife made unconditional submission, which Milton
accepted, and he also received and supported her whole family in his house.
Meanwhile his divorce pamphlets had led to the best of his prose writings.
He had published the pamphlets without the license of Parliament, then
required for all books, and a suit was begun against him. He replied with
'Areopagitica,' an, eloquent and noble argument against the licensing
system and in favor of freedom of publication within the widest possible
limits. (The name is an allusion to the condemnation of the works of
Protagoras by the Athenian Areopagus.) In the stress of public affairs the
attack on him was dropped, but the book remains, a deathless plea for
individual liberty.
Now at last Milton was drawn into active public life. The execution of the
King by the extreme Puritan minority excited an outburst of indignation not
only in England but throughout Europe. Milton, rising to the occasion,
defended the act in a pamphlet, thereby beginning a paper controversy,
chiefly with the Dutch scholar Salmasius, which lasted for several years.
By 1652 it had resulted in the loss of Milton's eyesight, previously
over-strained by his studies--a sacrifice in which he gloried but which
lovers of poetry must always regret, especially since the controversy