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A History of English Literature

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lived in London with her mother in the greatest seclusion, occupied with an<br />

ascetic devotion to the <strong>English</strong> Church, with her poetry, and with the<br />

composition, secondarily, <strong>of</strong> prose articles and short stories. Her poetry<br />

is limited almost entirely to the lyrical expression <strong>of</strong> her spiritual<br />

experiences, much <strong>of</strong> it is explicitly religious, and all <strong>of</strong> it is religious<br />

in feeling. It is tinged with the Pre-Raphaelite mystic medievalism; and a<br />

quiet and most affecting sadness is its dominant trait; but the power and<br />

beauty <strong>of</strong> a certain small part <strong>of</strong> it perhaps entitle her to be called the<br />

chief <strong>of</strong> <strong>English</strong> poetesses.<br />

THE NOVEL. THE EARLIER SECONDARY NOVELISTS. To Scott's position <strong>of</strong><br />

unquestioned supremacy among romancers and novelists Charles Dickens<br />

succeeded almost immediately on Scott's death, but certain secondary early<br />

Victorian novelists may be considered before him. In the lives <strong>of</strong> two <strong>of</strong><br />

these, Bulwer-Lytton and Benjamin Disraeli, there are interesting<br />

parallels. Both were prominent in politics, both began writing as young men<br />

before the commencement <strong>of</strong> the Victorian period, and both ended their<br />

literary work only fifty years later. Edward Bulwer, later created Sir<br />

Edward Bulwer-Lytton, and finally raised to the peerage as Lord Lytton<br />

(1803-1873), was almost incredibly fluent and versatile. Much <strong>of</strong> his life a<br />

member <strong>of</strong> Parliament and for a while <strong>of</strong> the government, he was a vigorous<br />

pamphleteer. His sixty or more really literary works are <strong>of</strong> great variety;<br />

perhaps the best known <strong>of</strong> them are his second novel, the trifling 'Pelham'<br />

(1828), which inaugurated a class <strong>of</strong> so-called 'dandy' novels, giving<br />

sympathetic presentation to the more frivolous social life <strong>of</strong> the 'upper'<br />

class, and the historical romances 'The Last Days <strong>of</strong> Pompeii' (1834) and<br />

'Harold' (1843). In spite <strong>of</strong> his real ability, Bulwer was a poser and<br />

sentimentalist, characteristics for which he was vigorously ridiculed by<br />

Thackeray. Benjamin Disraeli, [Footnote: The second syllable is pronounced<br />

like the word 'rail' and has the accent, so that the whole name is<br />

Disraily.] later Earl <strong>of</strong> Beaconsfield (1804-1881), a much less prolific<br />

writer, was by birth a Jew. His immature earliest novel, 'Vivian Grey'<br />

(1826), deals, somewhat more sensibly, with the same social class as<br />

Bulwer's 'Pelham.' In his novels <strong>of</strong> this period, as in his dress and<br />

manner, he deliberately attitudinized, a fact which in part reflected a<br />

certain shallowness <strong>of</strong> character, in part was a device to attract attention<br />

for the sake <strong>of</strong> his political ambition. After winning his way into<br />

Parliament he wrote in 1844-7 three political novels,' Coningsby,' 'Sybil,'<br />

and 'Tancred,' which set forth his Tory creed <strong>of</strong> opposition to the<br />

dominance <strong>of</strong> middle-class Liberalism. For twenty-five years after this he<br />

was absorbed in the leadership <strong>of</strong> his party, and he at last became Prime<br />

Minister. In later life he so far returned to literature as to write two<br />

additional novels.<br />

Vastly different was the life and work <strong>of</strong> Charlotte Bronte (1816-1855).<br />

Miss Bronte, a product and embodiment <strong>of</strong> the strictest religious sense <strong>of</strong><br />

duty, somewhat tempered by the liberalizing tendency <strong>of</strong> the time, was the<br />

daughter <strong>of</strong> the rector <strong>of</strong> a small and bleak Yorkshire village, Haworth,<br />

where she was brought up in poverty. The two <strong>of</strong> her sisters who reached<br />

maturity, Emily and Anne, both still more short-lived than she, also wrote<br />

novels, and Emily produced some lyrics which strikingly express the stern,<br />

defiant will that characterized all the children <strong>of</strong> the family. Their lives<br />

were pitifully bare, hard, and morbid, scarcely varied or enlivened except<br />

by a year which Charlotte and Emily spent when Charlotte was twenty-six in<br />

a private school in Brussels, followed on Charlotte's part by a return to<br />

the same school for a year as teacher. In 1847 Charlotte's novel 'Jane<br />

Eyre' (pronounced like the word 'air') won a great success. Her three later<br />

novels are less significant. In 1854 she was married to one <strong>of</strong> her father's<br />

curates, a Mr. Nicholls, a sincere but narrow-minded man. She was happy in

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