A History of English Literature

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http://www.gutenberg.net/donation.html *** If you can't reach Project Gutenberg, you can always email directly to: Michael S. Hart Prof. Hart will answer or forward your message. We would prefer to send you information by email. **The Legal Small Print** (Three Pages) ***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** Why is this "Small Print!" statement here? You know: lawyers. They tell us you might sue us if there is something wrong with your copy of this eBook, even if you got it for free from someone other than us, and even if what's wrong is not our fault. So, among other things, this "Small Print!" statement disclaims most of our liability to you. It also tells you how you may distribute copies of this eBook if you want to. *BEFORE!* YOU USE OR READ THIS EBOOK By using or reading any part of this PROJECT GUTENBERG-tm eBook, you indicate that you understand, agree to and accept this "Small Print!" statement. If you do not, you can receive a refund of the money (if any) you paid for this eBook by sending a request within 30 days of receiving it to the person you got it from. If you received this eBook on a physical medium (such as a disk), you must return it with your request. ABOUT PROJECT GUTENBERG-TM EBOOKS This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, is a "public domain" work distributed by Professor Michael S. Hart through the Project Gutenberg Association (the "Project"). Among other things, this means that no one owns a United States copyright on or for this work, so the Project (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth below, apply if you wish to copy and distribute this eBook under the "PROJECT GUTENBERG" trademark. Please do not use the "PROJECT GUTENBERG" trademark to market any commercial products without permission. To create these eBooks, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project's eBooks and any medium they may be on may contain "Defects". Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged
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A History of English Literature Rob
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I. PERIOD I. THE BRITONS AND THE AN
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Sympathy of the author for his char
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story; (3) a Rising Action; (4) a M
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is no proper connection either in s
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THE NOVEL. 'Sir Roger de Coverly,'
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CHAPTER I PERIOD I. THE BRITONS AND
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points on the eastern and southern
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may be mostly performed all at once
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Northumbria (Yorkshire and Southern
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CHAPTER II PERIOD II. THE NORMAN-FR
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and Anglo-Saxon were spoken separat
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eality the men of the Middle Ages w
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now. The next is the first stanza o
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northern Scots and Picts, and how t
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artist, who lived a century and mor
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'MANDEVILLE'S VOYAGE.' One of the e
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of prose tales, 'The Decameron' (Te
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sometimes even with the minuteness
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cherished by the Protestants for it
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transmitted, portions, as it were,
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full health in a later book a knigh
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emote spots down almost to the pres
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guild (though sometimes two or thre
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man. It shows how he yields to temp
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applications. Scientific investigat
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Lollardism, which had nearly been c
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Tyndale, a zealous Protestant contr
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5. Still another, minor, innovation
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later Renaissance craze, then rampa
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Ireland, where in satirical poems h
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inharmonious element in the otherwi
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authors so marked; almost every wri
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verse as ruggedly condensed (often
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to be reabsorbed into tragedy, of w
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zest for the beautiful. It is rich
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just to the north of the 'city,' on
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playwright and a good, though not a
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sure, with an unconventionality, ma
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BEN JONSON. The second place among
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3. Jonson's self-satisfaction and h
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alone or to Fletcher and other coll
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his personal ambition was often str
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market-place, due to mistaken relia
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of somewhat artificial courtliness
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The life of Henry Vaughan [Footnote
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the English Church might not have b
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through the medium of the secular e
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higher ... but I dare not. God did
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the demonstrable. Hence the charact
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of the times. Aside from the fact t
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or at least the couplets, generally
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consists throughout partly in the c
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definiteness and significant meanin
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collection of moralizings, is today
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'lived a double life' between the t
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their interests; the superior skill
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The few remaining years of Addison'
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Rosicrucian sylphs. In its adaptati
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than Christian [Footnote: The name
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vain man's boast.' 'Wind the shrill
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in 1762, when the ministers, decidi
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lack of sympathy for the romantic r
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anywhere, before Gibbon, since clas
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which statesmen and orators deal ar
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warmth of sympathetic imagination w
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triumph of Pseudo-classicism, as a
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interpretation which characterizes
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published two years later. Meanwhil
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of Macpherson's native Highlands--v
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his life had combined 'the cheerles
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and some recognition of its educati
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would render impossible at the pres
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Allworthy, intended as an example o
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followed Miss Burney, writing of th
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Charles Lamb, where Coleridge appea
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from eighteenth century tradition b
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Nature, especially inanimate Nature
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and prose who from his friendship w
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and so nearly attained his object t
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and Tennyson were to be among his s
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no comment. Whatever allowances cha
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poetry, was of the highest value to
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over action makes of it also only a
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The music, yearning like a God in p
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Political and social progress, thou
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man, though he was aggressive and s
Page 175 and 176: oratorical balance of clauses and s
Page 177 and 178: for which, in 1833-4, he finally se
Page 179 and 180: Macaulay, he was exasperatingly bli
Page 181 and 182: a state of intellectual, social, an
Page 183 and 184: disproved the whole dogmatic and do
Page 185 and 186: Arnold's doctrine, of course, was n
Page 187 and 188: even only doubtfully poetic. The in
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Page 191 and 192: the full all its possibilities. Evi
Page 193 and 194: and a delicate genius in sound-modu
Page 195 and 196: lived in London with her mother in
Page 197 and 198: the first two, 'A Christmas Carol'
Page 199 and 200: WILLIAM M. THACKERAY. Dickens' chie
Page 201 and 202: Maggie in 'The Mill on the Floss.'
Page 203 and 204: very influential expressions of his
Page 205 and 206: STEVENSON. Robert Louis Stevenson (
Page 207 and 208: Froude too this results in exaggera
Page 209 and 210: THOMSON'S SEASONS. Astor ed., Crowe
Page 211 and 212: 6. CHAUCER'S POEMS. Two or three da
Page 213 and 214: _For the third day,_ finish the pla
Page 215 and 216: the men of the royal family; but Pr
Page 217 and 218: 17. The Rest of the Dramatists to 1
Page 219 and 220: qualities. How far has the book a p
Page 221 and 222: that make Gray's 'Elegy' a great po
Page 223 and 224: written discussions, or may be assi
Page 225: http://promo.net/pg These Web sites
Page 229: [*] The eBook, when displayed, is c
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