A History of English Literature

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46. TENNYSON. Two days. Above, pages 325-329. Special attention may be given to any one, or more, of the statements or suggestions in the text, considering its application in the poems read, with citation of illustrative lines. Or consider some of the less simple poems carefully. E. g., is 'The Lady of Shalott' pure romance or allegory? If allegory, what is the meaning? Outline in detail the thought-development of 'The Two Voices.' Meaning of such poems as 'Ulysses' and 'Merlin and the Gleam'? 47. ELIZABETH BARRETT BROWNING AND ROBERT BROWNING. Two days. Above, pages 329-335. In general consider the application of the statements in the text; and in the case of Robert Browning consider emotional, dramatic, descriptive, and narrative power, poetic beauty, and adaptation of the verse-form to the substance. Interpret the poems as carefully as possible; discussions may consist, at least in part, of such interpretations. 48. ROSSETTI, MORRIS AND SWINBURNE. Above, pages 335-341. Students might compare and contrast the poetry of these three men, either on the basis of points suggested in the text or otherwise. From this point on, the time and methods available for the study are likely to vary so greatly in different classes that it seems not worth while to continue these suggestions. End of the Project Gutenberg EBook of A History of English Literature by Robert Huntington Fletcher *** END OF THE PROJECT GUTENBERG EBOOK A HISTORY OF ENGLISH LITERATURE *** This file should be named 7hist10.txt or 7hist10.zip Corrected EDITIONS of our eBooks get a new NUMBER, 7hist11.txt VERSIONS based on separate sources get new LETTER, 7hist10a.txt Produced by Branko Collin, David Moynihan, Charles Franks and the Online Distributed Proofreading Team. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition. We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date. Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. Most people start at our Web sites at: http://gutenberg.net or
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A History of English Literature Rob
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I. PERIOD I. THE BRITONS AND THE AN
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Sympathy of the author for his char
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story; (3) a Rising Action; (4) a M
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is no proper connection either in s
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THE NOVEL. 'Sir Roger de Coverly,'
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CHAPTER I PERIOD I. THE BRITONS AND
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points on the eastern and southern
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may be mostly performed all at once
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Northumbria (Yorkshire and Southern
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CHAPTER II PERIOD II. THE NORMAN-FR
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and Anglo-Saxon were spoken separat
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eality the men of the Middle Ages w
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now. The next is the first stanza o
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northern Scots and Picts, and how t
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artist, who lived a century and mor
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'MANDEVILLE'S VOYAGE.' One of the e
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of prose tales, 'The Decameron' (Te
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sometimes even with the minuteness
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cherished by the Protestants for it
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transmitted, portions, as it were,
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full health in a later book a knigh
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emote spots down almost to the pres
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guild (though sometimes two or thre
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man. It shows how he yields to temp
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applications. Scientific investigat
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Lollardism, which had nearly been c
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Tyndale, a zealous Protestant contr
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5. Still another, minor, innovation
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later Renaissance craze, then rampa
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Ireland, where in satirical poems h
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inharmonious element in the otherwi
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authors so marked; almost every wri
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verse as ruggedly condensed (often
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to be reabsorbed into tragedy, of w
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zest for the beautiful. It is rich
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just to the north of the 'city,' on
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playwright and a good, though not a
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sure, with an unconventionality, ma
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BEN JONSON. The second place among
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3. Jonson's self-satisfaction and h
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alone or to Fletcher and other coll
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his personal ambition was often str
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market-place, due to mistaken relia
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of somewhat artificial courtliness
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The life of Henry Vaughan [Footnote
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the English Church might not have b
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through the medium of the secular e
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higher ... but I dare not. God did
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the demonstrable. Hence the charact
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of the times. Aside from the fact t
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or at least the couplets, generally
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consists throughout partly in the c
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definiteness and significant meanin
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collection of moralizings, is today
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'lived a double life' between the t
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their interests; the superior skill
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The few remaining years of Addison'
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Rosicrucian sylphs. In its adaptati
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than Christian [Footnote: The name
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vain man's boast.' 'Wind the shrill
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in 1762, when the ministers, decidi
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lack of sympathy for the romantic r
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anywhere, before Gibbon, since clas
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which statesmen and orators deal ar
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warmth of sympathetic imagination w
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triumph of Pseudo-classicism, as a
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interpretation which characterizes
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published two years later. Meanwhil
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of Macpherson's native Highlands--v
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his life had combined 'the cheerles
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and some recognition of its educati
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would render impossible at the pres
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Allworthy, intended as an example o
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followed Miss Burney, writing of th
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Charles Lamb, where Coleridge appea
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from eighteenth century tradition b
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Nature, especially inanimate Nature
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and prose who from his friendship w
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and so nearly attained his object t
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and Tennyson were to be among his s
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no comment. Whatever allowances cha
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poetry, was of the highest value to
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over action makes of it also only a
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The music, yearning like a God in p
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Political and social progress, thou
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Page 197 and 198: the first two, 'A Christmas Carol'
Page 199 and 200: WILLIAM M. THACKERAY. Dickens' chie
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Page 203 and 204: very influential expressions of his
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Page 209 and 210: THOMSON'S SEASONS. Astor ed., Crowe
Page 211 and 212: 6. CHAUCER'S POEMS. Two or three da
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Page 215 and 216: the men of the royal family; but Pr
Page 217 and 218: 17. The Rest of the Dramatists to 1
Page 219 and 220: qualities. How far has the book a p
Page 221 and 222: that make Gray's 'Elegy' a great po
Page 223: written discussions, or may be assi
Page 227 and 228: http://www.gutenberg.net/donation.h
Page 229: [*] The eBook, when displayed, is c
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