A History of English Literature
A History of English Literature
A History of English Literature
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permanent literature, but they were historically important, largely because<br />
they prepared the way for the novels <strong>of</strong> Walter Scott, which would hardly<br />
have come into being without them, and which show clear signs <strong>of</strong> the<br />
influence <strong>of</strong> even their most exaggerated features.<br />
NOVELS OF PURPOSE. Still another sort <strong>of</strong> novel was that which began to be<br />
written in the latter part <strong>of</strong> the century with the object <strong>of</strong> exposing some<br />
particular abuse in society. The first representatives <strong>of</strong> the class aimed,<br />
imitating the French sentimentalist Rousseau, to improve education, and in<br />
accordance with the sentimental Revolutionary misconception which held that<br />
all sin and sorrow result from the corruptions <strong>of</strong> civilization, <strong>of</strong>ten held<br />
up the primitive savage as a model <strong>of</strong> all the kindly virtues. The most<br />
important <strong>of</strong> the novels <strong>of</strong> purpose, however, were more thorough-going<br />
attacks on society composed by radical revolutionists, and the least<br />
forgotten is the 'Caleb Williams' <strong>of</strong> William Godwin (1794), which is<br />
intended to demonstrate that class-distinctions result in hopeless moral<br />
confusion and disaster.<br />
MISS BURNEY AND THE FEMININE NOVEL OF MANNERS. The most permanent results<br />
<strong>of</strong> the latter part <strong>of</strong> the century in fiction were attained by three women<br />
who introduced and successively continued the novel which depicts, from the<br />
woman's point <strong>of</strong> view, with delicate satire, and at first in the hope <strong>of</strong><br />
accomplishing some reform, or at least <strong>of</strong> showing the beauty <strong>of</strong> virtue and<br />
morality, the contemporary manners <strong>of</strong> well-to-do 'society.' The first <strong>of</strong><br />
these authoresses was Miss Frances Burney, who later became Madame<br />
D'Arblay, but is generally referred to familiarly as Fanny Burney.<br />
The unassuming daughter <strong>of</strong> a talented and much-esteemed musician,<br />
acquainted in her own home with many persons <strong>of</strong> distinction, such as<br />
Garrick and Sir Joshua Reynolds, and given from girlhood to the private<br />
writing <strong>of</strong> stories and <strong>of</strong> a since famous Diary, Miss Burney composed her<br />
'Evelina' in leisure intervals during a number <strong>of</strong> years, and published it<br />
when she was twenty-five, in 1778. It recounts, in the Richardsonian letter<br />
form, the experiences <strong>of</strong> a country girl <strong>of</strong> good breeding and ideally fine<br />
character who is introduced into the life <strong>of</strong> London high society, is<br />
incidentally brought into contact with disagreeable people <strong>of</strong> various<br />
types, and soon achieves a great triumph by being acknowledged as the<br />
daughter <strong>of</strong> a repentant and wealthy man <strong>of</strong> fashion and by marrying an<br />
impossibly perfect young gentleman, also <strong>of</strong> great wealth. Structure and<br />
substance in 'Evelina' are alike somewhat amateurish in comparison with the<br />
novels <strong>of</strong> the next century; but it does manifest, together with some lack<br />
<strong>of</strong> knowledge <strong>of</strong> the real world, genuine understanding <strong>of</strong> the core, at<br />
least, <strong>of</strong> many sorts <strong>of</strong> character; it presents artificial society life with<br />
a light and pleasing touch; and it brought into the novel a welcome<br />
atmosphere <strong>of</strong> womanly purity and delicacy. 'Evelina' was received with<br />
great applause and Miss Burney wrote other books, but they are without<br />
importance. Her success won her the friendship <strong>of</strong> Dr. Johnson and the<br />
position <strong>of</strong> one <strong>of</strong> the Queen's waiting women, a sort <strong>of</strong> gilded slavery<br />
which she endured for five years. She was married in middle-age to a French<br />
emigrant <strong>of</strong>ficer, Monsieur D'Arblay, and lived in France and England until<br />
the age <strong>of</strong> nearly ninety, latterly an inactive but much respected figure<br />
among the writers <strong>of</strong> a younger generation.<br />
MISS EDGEWORTH. Much more voluminous and varied was the work <strong>of</strong> Miss<br />
Burney's successor, Maria Edgeworth, who devoted a great part <strong>of</strong> her long<br />
life (1767-1849) to active benevolence and to attendance on her father, an<br />
eccentric and pedantic <strong>English</strong> gentleman who lived mostly on his estate in<br />
Ireland and who exercised the privilege <strong>of</strong> revising or otherwise meddling<br />
with most <strong>of</strong> her books. In the majority <strong>of</strong> her works Miss Edgeworth