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A History of English Literature

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from eighteenth century tradition by greatly varying the number <strong>of</strong><br />

syllables in the lines, while keeping a regular number <strong>of</strong> stresses. Though<br />

this practice, as we have seen, was customary in Old <strong>English</strong> poetry and in<br />

the popular ballads, it was supposed by Coleridge and his contemporaries to<br />

be a new discovery, and it proved highly suggestive to other romantic<br />

poets. From hearing 'Christabel' read (from manuscript) Scott caught the<br />

idea for the free-and-easy meter <strong>of</strong> his poetical romances.<br />

With a better body and will Coleridge might have been one <strong>of</strong> the supreme<br />

<strong>English</strong> poets; as it is, he has left a small number <strong>of</strong> very great poems and<br />

has proved one <strong>of</strong> the most powerful influences on later <strong>English</strong> poetry.<br />

WILLIAM WORDSWORTH, 1770-1850. William Wordsworth [Footnote: The first<br />

syllable is pronounced like the common noun 'words'] was born in 1770 in<br />

Cumberland, in the 'Lake Region,' which, with its bold and varied mountains<br />

as well as its group <strong>of</strong> charming lakes, is the most picturesque part <strong>of</strong><br />

England proper. He had the benefit <strong>of</strong> all the available formal education,<br />

partly at home, partly at a 'grammar' school a few miles away, but his<br />

genius was formed chiefly by the influence <strong>of</strong> Nature, and, in a qualified<br />

degree, by that <strong>of</strong> the simple peasant people <strong>of</strong> the region. Already as a<br />

boy, though normal and active, he began to be sensitive to the Divine Power<br />

in Nature which in his mature years he was to express with deeper sympathy<br />

than any poet before him. Early left an orphan, at seventeen he was sent by<br />

his uncles to Cambridge University. Here also the things which most<br />

appealed to him were rather the new revelations <strong>of</strong> men and life than the<br />

formal studies, and indeed the torpid instruction <strong>of</strong> the time <strong>of</strong>fered<br />

little to any thoughtful student. On leaving Cambridge he was uncertain as<br />

to his life-work. He said that he did not feel himself 'good enough' for<br />

the Church, he was not drawn toward law, and though he fancied that he had<br />

capacity for a military career, he felt that 'if he were ordered to the<br />

West Indies his talents would not save him from the yellow fever.' At<br />

first, therefore, he spent nearly a year in London in apparent idleness, an<br />

intensely interested though detached spectator <strong>of</strong> the city life, but more<br />

especially absorbed in his mystical consciousness <strong>of</strong> its underlying current<br />

<strong>of</strong> spiritual being. After this he crossed to France to learn the language.<br />

The Revolution was then (1792) in its early stages, and in his 'Prelude'<br />

Wordsworth has left the finest existing statement <strong>of</strong> the exultant<br />

anticipations <strong>of</strong> a new world <strong>of</strong> social justice which the movement aroused<br />

in himself and other young <strong>English</strong> liberals. When the Revolution past into<br />

the period <strong>of</strong> violent bloodshed he determined, with more enthusiasm than<br />

judgment, to put himself forward as a leader <strong>of</strong> the moderate Girondins.<br />

From the wholesale slaughter <strong>of</strong> this party a few months later he was saved<br />

through the stopping <strong>of</strong> his allowance by his more cautious uncles, which<br />

compelled him, after a year's absence, to return to England.<br />

For several years longer Wordsworth lived uncertainly. When, soon after his<br />

return, England, in horror at the execution <strong>of</strong> the French king, joined the<br />

coalition <strong>of</strong> European powers against France, Wordsworth experienced a great<br />

shock--the first, he tells us, that his moral nature had ever suffered--at<br />

seeing his own country arrayed with corrupt despotisms against what seemed<br />

to him the cause <strong>of</strong> humanity. The complete degeneration <strong>of</strong> the Revolution<br />

into anarchy and tyranny further served to plunge him into a chaos <strong>of</strong> moral<br />

bewilderment, from which he was gradually rescued partly by renewed<br />

communion with Nature and partly by the influence <strong>of</strong> his sister Dorothy, a<br />

woman <strong>of</strong> the most sensitive nature but <strong>of</strong> strong character and admirable<br />

good sense. From this time for the rest <strong>of</strong> her life she continued to live<br />

with him, and by her unstinted and unselfish devotion contributed very<br />

largely to his poetic success. He had now begun to write poetry (though<br />

thus far rather stiffly and in the rimed couplet), and the receipt <strong>of</strong> a

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