A History of English Literature

artist, who lived a century and more later than Laghamon and probably a
little earlier than Chaucer. The story consists of two old folk-tales, here
finely united in the form of an Arthurian romance and so treated as to
bring out all the better side of knightly feeling, with which the author is
in charming sympathy. Like many other medieval writings, this one is
preserved by mere chance in a single manuscript, which contains also three
slightly shorter religious poems (of a thousand or two lines apiece), all
possibly by the same author as the romance. One of them in particular, 'The
Pearl,' is a narrative of much fine feeling, which may well have come from
so true a gentleman as he. The dialect is that of the Northwest Midland,
scarcely more intelligible to modern readers than Anglo-Saxon, but it
indicates that the author belonged to the same border region between
England and Wales from which came also Geoffrey of Monmouth and Laghamon, a
region where Saxon and Norman elements were mingled with Celtic fancy and
delicacy of temperament. The meter, also, is interesting--the Anglo-Saxon
unrimed alliterative verse, but divided into long stanzas of irregular
length, each ending in a 'bob' of five short riming lines.
'Sir Gawain and the Green Knight' may very fittingly bring to a close our
hasty survey of the entire Norman-French period, a period mainly of
formation, which has left no literary work of great and permanent fame, but
in which, after all, there were some sincere and talented writers, who have
fallen into forgetfulness rather through the untoward accidents of time
than from lack of genuine merit in themselves.
CHAPTER III
PERIOD III. THE END OF THE MIDDLE AGES. ABOUT 1350 TO ABOUT 1500
THE FIRST FIFTY YEARS. POLITICAL AND SOCIAL CONDITIONS. Of the century and
a half, from 1350 to 1500, which forms our third period, the most important
part for literature was the first fifty years, which constitutes the age of
Chaucer.
The middle of the fourteenth century was also the middle of the externally
brilliant fifty years' reign of Edward III. In 1337 Edward had begun the
terrible though often-interrupted series of campaigns in France which
historians group together as the Hundred Tears' War, and having won the
battle of Crecy against amazing odds, he had inaugurated at his court a
period of splendor and luxury. The country as a whole was really increasing
in prosperity; Edward was fostering trade, and the towns and some of the
town-merchants were becoming wealthy; but the oppressiveness of the feudal
system, now becoming outgrown, was apparent, abuses in society and state
and church were almost intolerable, and the spirit which was to create our
modern age, beginning already in Italy to move toward the Renaissance, was
felt in faint stirrings even so far to the North as England.
The towns, indeed, were achieving their freedom. Thanks to compact
organization, they were loosening the bonds of their dependence on the
lords or bishops to whom most of them paid taxes; and the alliance of their
representatives with the knights of the shire (country gentlemen) in the
House of Commons, now a separate division of Parliament, was laying the
foundation of the political power of the whole middle class. But the feudal
system continued to rest cruelly on the peasants. Still bound, most of
them, to the soil, as serfs of the land or tenants with definite and heavy