Vyacheslav Ivanov and C.M. Bowra: a ... - UCL Discovery
Vyacheslav Ivanov and C.M. Bowra: a ... - UCL Discovery
Vyacheslav Ivanov and C.M. Bowra: a ... - UCL Discovery
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a matter of biographical circumstance. Apart from two essays on Byron (1906 <strong>and</strong> 1916)<br />
<strong>and</strong> one on Shakespeare (1916), his critical writings contain rather few references to<br />
English literature. This may well have been linked to the greater ‘resistance’ of English<br />
writers (with the notable exceptions of Milton <strong>and</strong> Byron) to interpretation or<br />
assimilation within the distinctive br<strong>and</strong> of religious <strong>and</strong> philosophical literary criticism<br />
practised by <strong>Ivanov</strong> as an integral part of his Symbolist aesthetics.<br />
It is therefore particularly intriguing to find <strong>Ivanov</strong> developing an unexpected<br />
friendship towards the very end of his life with a remarkable Englishman from Oxford,<br />
the classical scholar <strong>and</strong> literary critic, Cecil Maurice <strong>Bowra</strong> (1898-1971). In 1943, prior<br />
to their first contact, <strong>Bowra</strong> published his pioneering Book of Modern Russian Verse,<br />
including his own translations of three poems by <strong>Ivanov</strong>. Following the suggestion of<br />
Sergei Konovalov, Professor of Russian at Oxford, <strong>Ivanov</strong> sent <strong>Bowra</strong> some offprints in<br />
1946, accompanied by a poetic address in Latin distichs; this initial contact prompted<br />
their subsequent correspondence <strong>and</strong> led to two meetings in Rome in 1947 <strong>and</strong> 1948.<br />
The legacy of the relationship was substantial: as well as bringing examples of <strong>Ivanov</strong>'s<br />
early verse to an English audience, <strong>Bowra</strong> also wrote a foreword to the English<br />
translation of <strong>Ivanov</strong>'s highly influential study of Dostoevskii (1952) <strong>and</strong> was<br />
instrumental in facilitating the publication by the Clarendon Press of the poet's<br />
magnificent late collection of verse, Svet Vechernii (Vespertine Light, 1962), to which<br />
he contributed a fairly extensive introduction.<br />
The interest of this relationship, however, goes well beyond the considerable role<br />
that <strong>Bowra</strong> played in disseminating knowledge of <strong>Ivanov</strong>'s works in the West. As we<br />
shall see, their correspondence reflects the dialogue of two highly original minds,<br />
seeking to affirm from their different perspectives the continuing relevance of the<br />
cheta”: Londonskii epizod 1899 goda po pis'mam Vyach. <strong>Ivanov</strong>a i Lidii Zinov'evoi-Annibal’, in his<br />
10