Vyacheslav Ivanov and C.M. Bowra: a ... - UCL Discovery

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e-creation undertaken on the highest level, Ivanov has only translated the ‘gold’ of his native poets into ‘bronze’ for foreign readers. This echo of the famous exchange of ‘gold for bronze’ armour described by Homer in the Iliad (6, 236) evidently refers to one of the offprints that Ivanov sent to Bowra, containing his German translations of two poems by Boratynskii and Tyutchev on the death of Goethe, followed by a short essay. Ivanov describes these translations, undertaken in a foreign tongue, as gold transmuted into bronze. It seems most likely that he inscribed the final version of his distichs to Bowra on this offprint. This hypothesis fits well with the fact that Ivanov referred to his accompanying Latin verses immediately after mentioning this particular offprint in his letter to Konovalov, quoted at the beginning of this section. The phrase cited in brackets after the title ‘Distichs’ - ‘commentariolo subscripta’ (appended to a short essay) – would accordingly refer to the contents of this offprint (the ‘short essay’), alluded to in the condensed message of the inscription. The addition of distichs to the offprint was an entirely appropriate echo of the Roman use of the epigram as a short personal message or dedication, often written to accompany gifts. Ivanov’s poetic address reveals his remarkable intuitive ability to grasp the essence of a person. Unlike Konovalov, he chose to highlight the ‘learned poet’ in Bowra and to establish their relationship on this basis. His emphasis on Bowra as a fellow poet with a special talent for mediating between different cultures went far beyond the purpose indicated by Konovalov and elicited a response well attuned to his opening address. When Bowra replied on 1 September 1946, he wrote in Latin, echoing Ivanov’s choice of language for the correspondence of two humanists. It is clear from his letter that Ivanov's witty and elegant Latin verses made a strong impression on him. He made no comment on the offprints, but picked up on the ‘poet to poet’ Proteem bud' Protei, vtor' kazhdoi maske maskoi!’ [With Proteus be a Proteus, echo each mask with a mask!]. Ivanov, Sobranie sochinenii, I, 788-9. 68
connection advanced by Ivanov and pursued the subject of publishing an edition of Ivanov's late verse in England. 24 In this way Bowra took up the lead advanced by Ivanov and established their correspondence on the basis of his response to Ivanov as a poet, expressed in the past through his translations of Ivanov and projected into the future in his plans for a new collection of Ivanov's verse. Literary exchanges At the same time as his first letter, Bowra also sent Ivanov his recent book, From Virgil to Milton (1945), a study of the literary epic in four of its chief examples (Virgil, Camões, Tasso and Milton). 25 Ivanov was most impressed; in a letter to Konovalov he described it as a ‘brilliant work’. 26 Bowra’s study was of particular interest to him for two reasons. In general, like many of his contemporaries, he was fascinated by the relation of Russian literature to the classical heritage and by the role of the literary epic in this context. In addition, on a more personal level, he was currently engaged in writing the fourth book of a medieval-style epic narrative, ‘Povest' o tsareviche Svetomire’ (The Tale of Tsarevich Svetomir), a highly unusual and original project begun in 1928 and still unfinished at the time of his death in 1949. 27 The arrival of Bowra's book was particularly timely in this respect and resonated with his own attempt to create a Russian epic narrative for the modern age. When he wrote to thank Bowra for his gift on 1 October 1946, he relinquished Latin in favour of English in order to 24 Letter 2 in Chapter 5. 25 This copy survives in Ivanov's library in Rome, RAI; it carries an undated inscription ‘To V. Ivanov from C.M. Bowra’. 26 After recommending to Konovalov that the planned edition of his work on Dostoevskii should be about the same size as Bowra's From Virgil to Milton, Ivanov added: ‘Etu blestyashchuyu rabotu on lyubezno prislal mne s latinskim pis'mom, na kotoroe ya otvetil angliiskim, chtoby pozabavit' ego, kak pishu emu, “moimi soletsizmami”.’ [He kindly sent me this brilliant work with a Latin letter, to which I replied in English so as to amuse him, as I wrote to him, ‘with my solecisms’]. Ivanov, Letter to Konovalov of 20 October 1946, draft manuscript, RAI, opis’ 3, 112. 69
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BIRMINGHAM SLAVONIC MONOGRAPHS No.
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Дорогой друг мой, м
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Illustrations Photograph of V.I. Iv
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Transcription and Transliteration I
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INTRODUCTION Vyacheslav Ivanov (186
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classical tradition of humanism to
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tradition’. 1 Although Ivanov beg
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he overlooked them because of his h
Page 17 and 18: ‘zhiznetvorchestvo’ (creation o
Page 19 and 20: (Transparency, 1904), Eros (1907),
Page 21 and 22: humanism; as we shall see below, th
Page 23 and 24: his transformation of the Russian l
Page 25 and 26: The publication of these letters in
Page 27 and 28: edition then formed the basis of th
Page 29 and 30: Жил Диониса новый с
Page 31 and 32: CHAPTER TWO Bowra as a Classical Sc
Page 33 and 34: company of a Russian friend's siste
Page 35 and 36: who initiated him into the art of t
Page 37 and 38: made possible his election to the O
Page 39 and 40: the United States, that he discusse
Page 41 and 42: intuitions, was able to recognize i
Page 43 and 44: Moscow during the war years. 2 The
Page 45 and 46: (tiny little corner): 'это то
Page 47 and 48: of the existing anthologies of Russ
Page 49 and 50: (unchanged) in 1947 and then follow
Page 51 and 52: Pindar or Alcaeus.’ 21 In his bri
Page 53 and 54: Уединенная душа. 26 A
Page 55 and 56: К закатным пристан
Page 57 and 58: succeeds in conveying the power and
Page 59 and 60: Dimitrii, who also omit all referen
Page 61 and 62: all a great personality in contact
Page 63 and 64: ight now it’s impossible to deter
Page 65 and 66: covering several pages; 16 distichs
Page 67: to the task of translation. A key t
Page 71 and 72: you, poet, so much sympathy, compre
Page 73 and 74: mutans carmina in aes raucum’) in
Page 75 and 76: conventional morality. These aspect
Page 77 and 78: Bowra's interpretation and admired
Page 79 and 80: members of a common humanist tradit
Page 81 and 82: details of his meetings with Akhmat
Page 83 and 84: of Svet Vechernii back to Oxford, t
Page 85 and 86: he was clearly anxious to define in
Page 87 and 88: the way in which his generation of
Page 89 and 90: έστίν. 79 This Christian versi
Page 91 and 92: These are not just empty truisms. I
Page 93 and 94: Bowra were discovered in Wadham Col
Page 95 and 96: [To C. M. Bowra, Oxford high-priest
Page 97 and 98: prospere vigeant! 12 Iam ante quinq
Page 99 and 100: Dear Sir, 3 Ivanov - Bowra 1 Octobe
Page 101 and 102: Praestantissime poeta, 28 4 Bowra -
Page 103 and 104: 5 Ivanov - Bowra 9 December 1946 33
Page 105 and 106: survival. 38 I am glad that you hav
Page 107 and 108: implies. 47 How hard it is, for ins
Page 109 and 110: Dear Professor Ivanov, 7 Bowra - Iv
Page 111 and 112: With all good wishes to your family
Page 113 and 114: compatriotes non-initiés. 64 Vos t
Page 115 and 116: Dear Professor Ivanov, 10 Bowra - I
Page 117 and 118: your book. 81 I have also written t
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His subsequent support for the publ
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Works by V.I. Ivanov 1 SELECT BIBLI
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Ivanov, Vyacheslav, Dionis i pradio
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Berlin and Frankfurt: Suhrkamp Verl
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Bowra, C.M., Early Greek Elegists,
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London: Duckworth, 1974, 48-85. Aub
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Vena 1998, ed. Sergei Averintsev an
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Konovalov, S., ed., Vyacheslav I. I
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Swinburne, Algernon Charles, Atalan
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INDEX OF NAMES AND WORKS 137
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