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The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...

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Ethnography<br />

Definition<br />

representation and mediation, and from which they create meaning in the<br />

process <strong>of</strong> reading. (Sandvoss, 2007, p. 22)<br />

According to Brewer (2000) there are two definitions <strong>of</strong> ethnography; “one uses<br />

„ethnography‟ as a synonym for qualitative research as a whole . . . Others define<br />

ethnography to mean the same as „field research‟ or „fieldwork‟” (pp. 17-18). In this<br />

instance, ethnography refers to field research and particularly my participation in it. I<br />

have chosen the method <strong>of</strong> ethnography because it allows me as a researcher to witness<br />

and experience the cultivating process as a fan. Brewer (2000), however, does not<br />

necessarily label ethnography as a method; rather he interprets ethnography as “a style<br />

<strong>of</strong> research that is distinguished by its objectives, which are to understand the social<br />

meanings and activities <strong>of</strong> people in a given „field‟ or setting” (p. 11). This places high<br />

priority on the importance <strong>of</strong> the ethnographic approach, “which involves close<br />

association with, and <strong>of</strong>ten participation in, [the field]” (Brewer, 2000, p. 11).<br />

Ethnographic beginning: Abercrombie and Longhurst continuum and draft model<br />

Before I could begin my ethnographic journey as a fan, I referred back to a model I<br />

originally drafted in the early stages <strong>of</strong> my proposal (see Figure 2). <strong>The</strong> model‟s<br />

continuum was rather limited and had only four possible cultivated states; firstly,<br />

according to this model one begins as a general viewer and is then cultivated during<br />

ongoing interaction with the product towards becoming a fan. From this position,<br />

depending upon sources and information, the fan becomes either an educated fan or an<br />

enamoured one. Educated fans are enthusiastic about their fan object but retain a critical<br />

eye and require in-depth analysis. Enamoured fans, on the other hand, are seeking<br />

emotional fulfilment and are therefore not particularly discerning towards their fan<br />

object. This model therefore suggested that fandom was a system <strong>of</strong> degrees based on<br />

sources and the knowledge they transmitted. At this early stage, I had not become<br />

acquainted with Abercrombie and Longhurst‟s continuum (1998), and am purely<br />

fortunate if it resembles their theory in anyway. <strong>The</strong>refore, my draft model ultimately<br />

represented the scholarly perspective I began with and the ethnographic direction I<br />

originally predicted I would head in.<br />

24

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