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The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...

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survival remained unknown to readers, and to Doyle himself, when <strong>The</strong> Hound <strong>of</strong><br />

Baskervilles (1902/2003) was originally published. <strong>The</strong>refore “readers [who] had been<br />

lost in the aftermath <strong>of</strong> <strong>Holmes</strong>‟s death flooded back to read the latest adventure”<br />

(Duncan, 2008, p. 106). Doyle, having a loyal and well-established fan base, chose not<br />

to publish the book as a complete novel; instead, he released his new <strong>Sherlock</strong> <strong>Holmes</strong><br />

tale as he did every other, in instalments. By publishing a few chapters at a time, Doyle<br />

replicated the short story format and extended the commitment and cultivation <strong>of</strong> his<br />

readers:<br />

<strong>The</strong> Hound was first published as a serial in the Strand, between August 1901<br />

and April 1902 (in the American edition, September through May). Chapters I-II<br />

appeared together; Chapters III-VI; Chapters V-VI; Chapters VII-VIII; Chapter<br />

IX alone; Chapters X-XI; Chapter XII alone; Chapter XIII; and part <strong>of</strong> XIV; the<br />

remainder <strong>of</strong> XIV with XV. As soon as the final instalment had appeared, book<br />

editions were ready. (Redmond, <strong>2009</strong>, p. 25)<br />

In addition to <strong>The</strong> Hound <strong>of</strong> the Baskervilles’ (1902/2003) timely publication,<br />

“<strong>Holmes</strong>‟s pr<strong>of</strong>ile was further raised thanks to William Gillette who was starring as<br />

<strong>Holmes</strong> in <strong>Sherlock</strong> <strong>Holmes</strong> – A Drama in Four Acts” (Duncan, 2008, p. 106). <strong>The</strong> fact<br />

that these two different mediums coincided, making each other more pr<strong>of</strong>itable,<br />

provides evidence <strong>of</strong> early mass media integration. It also implies that the audience<br />

wished to experience <strong>Holmes</strong> through various mediums, and that the different mediums,<br />

or the variety <strong>of</strong> media, contributed towards the experience and cultivation <strong>of</strong> the<br />

fandom.<br />

Original Product: <strong>The</strong> Sign <strong>of</strong> Four images<br />

I originally read <strong>The</strong> Sign <strong>of</strong> Four (1890/2001) after <strong>The</strong> Hound <strong>of</strong> the Baskervilles<br />

(1902/2003); having not been very impressed with the gothic novel, I sought what was<br />

to me at the time a lesser-known text. <strong>The</strong> Sign <strong>of</strong> Four (1890/2001) is a complete<br />

<strong>Holmes</strong> tale. <strong>The</strong>re is a man murdered in a locked room, a one legged sailor and his<br />

pigmy sidekick hunting down a treasure chest, a boat chase along the river Thames, and<br />

to top it all <strong>of</strong>f, a damsel in distress whom Watson eventually marries. <strong>The</strong> novel,<br />

following the success <strong>of</strong> A <strong>Study</strong> in Scarlet (1887/2006a), the first <strong>Holmes</strong> adventure,<br />

was commissioned by “the American based Lippincott‟s Magazine . . . in 1890<br />

[whereby Doyle] produced <strong>The</strong> Sign <strong>of</strong> Four in less than six weeks” (Davies, 2007, p.<br />

52

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