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The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...

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<strong>of</strong> his success, shunning Watson‟s tales and ignorant audience: “What do the public, the<br />

great unobservant public . . . care about the finer shades <strong>of</strong> analysis and deduction”<br />

(Doyle, 1892/2005b, p. 353). In a way, both <strong>Holmes</strong> and Doyle are questioning our<br />

taste:<br />

To the man who loves art for its own sake . . . it is frequently in its least<br />

important and lowliest manifestations that the keenest pleasure is to be derived<br />

. . . It is pleasant for me to observe, Watson, that you have so far grasped this<br />

truth. (Doyle, 1892/2005b, p. 351)<br />

Cultivation analysis: Original product: Novels<br />

After viewing <strong>Sherlock</strong> <strong>Holmes</strong> (<strong>2009</strong>), popular opinion directed me towards purchasing<br />

<strong>The</strong> Hound <strong>of</strong> the Baskervilles (1902/2003). This small investment sparked my<br />

commitment to read all <strong>of</strong> Doyle‟s original <strong>Holmes</strong> works. As I read the short stories, I<br />

simultaneously worked through <strong>The</strong> Sign <strong>of</strong> Four (1890/2001), A <strong>Study</strong> in Scarlet<br />

(1887/2006a) and <strong>The</strong> Valley <strong>of</strong> Fear (1927/2006b). <strong>The</strong>se four novels, as mentioned<br />

above, were not read in order. <strong>The</strong>refore, my cultivation analysis <strong>of</strong> these works follows<br />

suit and is examined in ethnographic order. <strong>The</strong> consistent imagery portrayed in <strong>The</strong><br />

Hound <strong>of</strong> the Baskervilles (1902/2003) is centred on the novel‟s gothic genre, while the<br />

novels literary and contextual ideology speaks <strong>of</strong> modern myths and legends. <strong>The</strong> Sign<br />

<strong>of</strong> Four (1890/2001) bears relatively un-stereotypical images <strong>of</strong> <strong>Holmes</strong>‟s drug abuse<br />

and within stark contradiction, bears the ideologies <strong>of</strong> prevailing justice and logic over<br />

emotion. A <strong>Study</strong> in Scarlet (1887/2006a) <strong>of</strong>fers a rare glimpse into <strong>Holmes</strong> at the<br />

beginning <strong>of</strong> his career, an image defying all stereotypes, and ideologically suggests<br />

that man himself is the mystery. Lastly, with <strong>The</strong> Valley <strong>of</strong> Fear (1927/2006b), the<br />

image and ideology <strong>of</strong> violence, and <strong>Holmes</strong>‟s reaction to it, coincide with one another,<br />

cultivating controversy and modern commercialism.<br />

Original product: <strong>The</strong> Hound <strong>of</strong> the Baskervilles images<br />

Redmond (<strong>2009</strong>) believes “the best-known case <strong>of</strong> <strong>Sherlock</strong> <strong>Holmes</strong> is certainly <strong>The</strong><br />

Hound <strong>of</strong> the Baskervilles, which is also the most <strong>of</strong>ten mentioned by non-<strong>Sherlock</strong>ian<br />

authors” (p. 306). Due to Western culture‟s widespread acknowledgement <strong>of</strong> <strong>The</strong><br />

Hound <strong>of</strong> the Baskervilles (1902/2003) being the classic <strong>Holmes</strong> story, it was the first<br />

book I chose to read from the canon, irrespective <strong>of</strong> the order in which the canon was<br />

published. Reflexively, what also contributed to my choice was the book‟s accessibility;<br />

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