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The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...

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and Watson in defeating Lord Blackwood, only to betray them to a dark figure, whom<br />

to anyone knowledgeable <strong>of</strong> the canon will know to be the elusive Pr<strong>of</strong>essor Moriarty.<br />

Primary product: <strong>Sherlock</strong> <strong>Holmes</strong> (<strong>2009</strong>) images<br />

According to Duncan (2008), the commercial adaptation <strong>of</strong> <strong>Holmes</strong> is <strong>of</strong>ten readily<br />

remained and tampered with according to consumer trends:<br />

<strong>The</strong> problem with the <strong>Sherlock</strong> <strong>Holmes</strong> stories is that very few <strong>of</strong> them provide<br />

enough material to be suitable for the transformation into feature films. This is<br />

no doubt why the film industry has <strong>of</strong>ten changed existing stories or created new<br />

ones with which to entertain us. (p. 190)<br />

Being a general viewer during my first viewing, I was unsure as to whether <strong>Sherlock</strong><br />

<strong>Holmes</strong> (<strong>2009</strong>) was an original <strong>Holmes</strong> story. However, as with many general viewers,<br />

this piece <strong>of</strong> relatively crucial information, did not actually matter, as I was already<br />

responding to the accessible genre images <strong>of</strong> a buddy action-comedy. <strong>The</strong> choice <strong>of</strong><br />

Robert Downey Jr. as <strong>Holmes</strong> is in itself an indication <strong>of</strong> Guy Ritchie‟s reinterpretation.<br />

Downey Jr. having just come <strong>of</strong>f the recent success <strong>of</strong> Ironman (2008) brought with<br />

him an action audience that had rejuvenated his career and popularity. Downey Jr‟s<br />

popular image, coinciding with <strong>Holmes</strong>‟s experience as a boxer, identified in <strong>The</strong> Sign<br />

<strong>of</strong> Four (1890/2001), and Ritchie‟s history <strong>of</strong> directing action films, Lock Stock and<br />

Two Smoking Barrels (1998), Snatch (2000) and Rocknrolla (2008), results in the<br />

portrayal <strong>of</strong> <strong>Holmes</strong> as a literal fighter <strong>of</strong> crime. However, while this is a canonical<br />

reference, it is highly exaggerated in the film. <strong>The</strong> result is a <strong>Holmes</strong> whose intelligence<br />

is displayed while fighting. Redmond (<strong>2009</strong>) finds that this “new image [<strong>of</strong>] <strong>Holmes</strong>,<br />

[as] portrayed by Robert Downey Jr, is an indication that viewers continue to find his<br />

figure fascinating even if they are fuzzy about the details” (p. 304).<br />

Similar to the exaggerated Hollywood image <strong>of</strong> an action-orientated <strong>Holmes</strong>, Downey<br />

Jr. reinterprets <strong>Holmes</strong>‟s Bohemian characteristics as well. Watson first described<br />

<strong>Sherlock</strong> <strong>Holmes</strong> as “bohemian” in Doyle‟s first short story, A Scandal in Bohemia<br />

(1891/2001b): “<strong>Holmes</strong>, who loathed every form <strong>of</strong> society with his whole Bohemian<br />

soul, remained in our lodgings in Baker Street, buried among his old books, and<br />

alternating from week to week between cocaine and ambition” (p. 3-4). If we use this<br />

introductory piece as a indication <strong>of</strong> <strong>Holmes</strong>‟s personality and character, we find that<br />

43

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