The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...
The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...
The Case Study of Sherlock Holmes (2009) - Scholarly Commons ...
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Un<strong>of</strong>ficial secondary products: Fan fiction images and ideologies<br />
Good, bad, or indifferent, one wishes that there were stories yet to come.<br />
And why not one hope? (Starrett, 2008, p. 55)<br />
While reading the original products and viewing Granada‟s television adaptation, I<br />
realised early on that there were some aspects <strong>of</strong> <strong>Holmes</strong>‟s character that I was never<br />
going to be allowed to see. Official secondary products serve a wide audience and<br />
commercial popularity dictates that authors, producers and actors provide their audience<br />
with genre based images and ideologies, as seen in <strong>Sherlock</strong> <strong>Holmes</strong> (<strong>2009</strong>). Moments<br />
<strong>of</strong> quiet domesticity and everyday life, as portrayed in the original stories, fall by the<br />
wayside. I was positive, however, that I could not be the only fan experiencing this kind<br />
<strong>of</strong> dissatisfaction; I therefore turned to <strong>Sherlock</strong> <strong>Holmes</strong> fan fiction.<br />
<strong>The</strong> <strong>Sherlock</strong> <strong>Holmes</strong> pastiche and parody works pioneered the modern<br />
phenomenon known as “fan fiction,” which, in the 21 st century, is a thriving<br />
genre most commonly associated with (but certainly not limited to) science<br />
fiction and fantasy. Even with this broader genre, <strong>Holmes</strong> is one <strong>of</strong> the most<br />
popular characters. (Doyle & Crowder, 2010, p. 236)<br />
Fan fiction is an umbrella term for any piece <strong>of</strong> literary work produced by a fan for the<br />
fandom <strong>of</strong> their choice; whether it be a short story, a novel, a poem, or the lyrics to a<br />
song. Fan fiction <strong>of</strong>ten bears the enamoured traces <strong>of</strong> both the writer and their readers.<br />
<strong>The</strong> images and ideologies that I encountered when reading <strong>Sherlock</strong> <strong>Holmes</strong> fan fiction<br />
<strong>of</strong>ten reflected the relevant theme, namely angst and hurt/comfort. In narrowing my<br />
search to those written in collaboration by authors KCS (2010a) and Protector <strong>of</strong> the<br />
Gray Fortress (2010b), fan fiction authors <strong>of</strong>ten recommended on Youtube, I read,<br />
amongst others, Sick Day (2008a), Broken and Buried (2008) and Vows Made in Storms<br />
(2008b). In each story, the choice <strong>of</strong> genre enabled the author to place <strong>Holmes</strong> and<br />
Watson in an uncharacteristic scenario. By focusing on hurt or angst-ridden situations,<br />
<strong>Holmes</strong> and Watson‟s friendship is constantly tested and therefore the characters are<br />
open to examination and exploration. Fan fiction <strong>of</strong>ten expands on the canon. This<br />
allows the author to feign legitimacy and attempt to direct a reader‟s original cultivation<br />
towards their story. Vows Made in Storms (2008b) was based on a lost <strong>Holmes</strong> tale, the<br />
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