- Page 1 and 2: The Case Study of Sherlock Holmes (
- Page 3 and 4: Table of Contents Attestation of Au
- Page 5: List of Figures Figure 1. Abercromb
- Page 9 and 10: Abstract This study investigates a
- Page 11 and 12: Abercrombie and Longhurst‟s audie
- Page 13 and 14: and Morgan‟s (1990) and Shanahan
- Page 15 and 16: two and turn them into action” (G
- Page 17 and 18: Jenkins (1992), however, would disa
- Page 19 and 20: that to be a secondary phase, a res
- Page 21 and 22: they designed their continuum, were
- Page 23 and 24: economistic theory, alongside Aberc
- Page 25 and 26: informs us that we take our communi
- Page 27 and 28: Methodology This chapter explains t
- Page 29 and 30: albeit in Sherlock Holmes for Dummi
- Page 31 and 32: Figure 2. Original model from Maste
- Page 33 and 34: and like many, have a stereotypical
- Page 35 and 36: Drawing from Shanahan and Morgan (1
- Page 37 and 38: Model My research advocates the the
- Page 39 and 40: Creative component Critiques Regard
- Page 41 and 42: ethnographic position is made on tw
- Page 43 and 44: Table 2. Ethnographic order of prod
- Page 45 and 46: Good Doctor to placate any qualms t
- Page 47 and 48: preconception was derived from its
- Page 49 and 50: and Watson in defeating Lord Blackw
- Page 51 and 52: The common picture of Holmes is of
- Page 53 and 54: “embrace of fiction” (p. 606) a
- Page 55 and 56: was lost. Therefore, Doyle‟s orig
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this was the only Holmes novel the
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9). While the tale and its quick pu
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his feet with a cry of pleasure.
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Cultivation analysis: Official seco
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their flaws and their frailties, in
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may suggest, this film is not a dir
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Holmes in the role of supporting ac
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have endeavoured to intertwine and
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Official secondary products: The Pr
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245). Redmond‟s (2009) statement,
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“shocking affair of the Dutch ste
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cited in Jenkins, 1992, p. 32). In
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The fan Sandvoss (2005) believes th
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emotional, or cognitive); they tres
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knowledgeable fans [who] may . . .
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negative connotation, for it no lon
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Figure 6, the consumer-to-fan culti
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Creative Component Introduction Fan
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esponsible, Lord Blackwood, played
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short and are exposed as fraudulent
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Conclusion We take our communicatio
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References Abercrombie, N., & Longh
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Davies, D. S. (2009). The further a
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Doyle, A. C. (2005k). The case-book
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Jenkins, H. (2007). Afterword: The
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Signorielli, N., & Morgan, M. (1990
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Bibliography Ackroyd, P. (2001). In
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Miller, P. V. (1994). Made-to-order