Owner's Manual - Roland

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Creating a Patch fig.06-020 fig.06-021 fig.06-022 fig.06-023 102 TYPE 7 TONE 1 (3) TONE 2 (4) This type applies a filter to tone 1 (3) and ring-modulates it with tone 2 (4) to create new overtones. TYPE 8 TONE 1 (3) TONE 2 (4) This type sends the filtered tone 1 (3) and tone 2 (4) through a ring modulator, and then mixes in the sound of tone 2 (4) and applies a filter to the result. TYPE 9 TONE 1 (3) TONE 2 (4) WG TVF TVA WG TVF TVA This type passes the filtered sound of each tone through a ring modulator to create new overtones. The tone 1 (3) TVA will control the volume balance of the two tones, adjusting the depth of ring modulator. TYPE 10 TONE 1 (3) TONE 2 (4) WG TVF TVA WG TVF TVA WG TVF TVA WG TVF TVA WG TVF TVA WG TVF TVA This type passes the filtered sound of each tone through a ring modulator to create new overtones, and also mixes in the sound of tone 2 (4). Since the ring-modulated sound can be mixed with tone 2 (4), tone 1 (3) TVA can adjust the amount of the ring-modulated sound. R R R R • When TYPE 2–10 is selected and one tone of a pair is turned off, the other tone will be sounded as TYPE 1 regardless of the displayed setting. • If you limit the keyboard area in which a tone will sound (Keyboard Range p. 103) or limit the range of velocities for which it will sound (Velocity Range p. 104), the result in areas or ranges where the tone does not sound is just as if the tone had been turned off. This means that if TYPE 2–10 is selected and you create a keyboard area or velocity range in which one tone of a pair does not sound, notes played in that area or range will be sounded by the other tone as TYPE 1 regardless of the displayed setting. Booster 1&2, 3&4 (Booster Gain) When a Structure Type of TYPE 3 or TYPE 4 is selected, you can adjust the depth of the booster. The booster increases the input signal in order to distort the sound. This creates the distortion effect frequently used with electric guitars. Higher settings will produce more distortion. Value: 0, +6, +12, +18
Booster fig.06-024.e fig.06-025.e The Booster is used to distort the incoming signal. In addition to using this to create distortion, you can use the waveform (WG1) of one of the tones as an LFO which shifts the other waveform (WG2) upward or downward to create modulation similar to PWM (pulse width modulation). This parameter works best when you use it in conjunction with the Wave Gain parameter (p. 105). WG1 WG2 WG2 Booster level Uses WG1 as LFO Adjusts WG1 output TVA Adds to WG1 Booster Shift in waveform by WG1 Distorted area of the Waveform changes Ring Modulator fig.06-026 Creating a Patch A ring modulator multiplies the waveforms of two tones with each other, generating many new overtones (in harmonic partials) which were not present in either waveform. (Unless one of the waveforms is a sine wave, evenly-spaced frequency components will not usually be generated.) As the pitch difference between the two waveforms changes the harmonic structure, the result will be an unpitched metallic sound. This function is suitable for creating metallic sounds such as bells. Key Fade Lower (Keyboard Fade Width Lower) This determines what will happen to the tone’s level when a note that’s lower than the tone’s specified keyboard range is played. Higher settings produce a more gradual change in volume. If you don’t want the tone to sound at all when a note below the keyboard range is played, set this parameter to “0.” Value: 0–127 Key Range Lower (Keyboard Range Lower) Specifies the lowest note that the tone will sound for each tone. Value: C-1–UPPER Key Range Upper (Keyboard Range Upper) Specifies the highest note that the tone will sound for each tone. Value: LOWER–G9 If you attempt to raise the lower key higher than the upper key, or to lower the upper key below the lower key, the other value will be automatically modified to the same setting. 103 Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
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WARNING: To reduce the risk of fire
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USING THE UNIT SAFELY 013 • In ho
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6 IMPORTANT NOTES Power Supply 301
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8 Contents USING THE UNIT SAFELY...
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Contents 10 VS-700R I/O ...........
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Contents 12 Appendix ..............
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fig.panel-vs-700.eps 14 Main Featur
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Panel Descriptions C. Time Display
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Panel Descriptions Rear Panel fig.p
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Panel Descriptions E. SAMPLE RATE K
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Panel Descriptions E. DIGITAL 2 OUT
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Panel Descriptions Side Panel fig.p
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26 Connections Connecting the Power
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941 945 28 Turning the Power On Onc
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30 Overview of the VS-700C Console
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CHANNEL STRIP Section Channel Fader
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CHANNEL STRIP Section Rotary Encode
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CHANNEL STRIP Section Strip Select
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CHANNEL STRIP Section ASSIGN Button
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CHANNEL STRIP Section Rude MUTE/Rud
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CHANNEL STRIP Section FADER BANK Bu
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CHANNEL STRIP Section I/O Control 4
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CHANNEL STRIP Section Locking a Cha
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fig.22.eps 48 Time Display The VS-7
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CHANNEL STRIP CONTROL Section (EQ,
Page 52 and 53: CHANNEL STRIP CONTROL Section (EQ,
Page 54 and 55: fig.28.eps 54 Transport Section The
Page 56 and 57: fig.29.eps 56 PROJECT Section The P
Page 58 and 59: JOG/SHUTTLE/CURSOR Section Transpor
Page 60 and 61: JOG/SHUTTLE/CURSOR Section Zoom Mod
Page 62 and 63: JOG/SHUTTLE/CURSOR Section Edit Mod
Page 64 and 65: fig.31.eps 64 ACCESS PANEL Section
Page 66 and 67: ACCESS PANEL Section (Assignable Bu
Page 68 and 69: fig.34.eps 68 SURROUND Section The
Page 70 and 71: fig.37.eps 70 AUDIO OUTPUT Section
Page 72 and 73: RECORD/EDIT Section To Specify the
Page 74 and 75: 74 Controlling Plug-ins from the VS
Page 76 and 77: Controlling Plug-ins from the VS-70
Page 78 and 79: 78 Connecting Recording Equipment C
Page 80 and 81: 80 Switching the Sampling Rate Use
Page 82 and 83: 82 Audio Clock Source You can choos
Page 84 and 85: 84 Preamp Parameters Preamps are bu
Page 86 and 87: 86 Direct Monitor Mixer Input Setti
Page 88 and 89: 88 Inserting the Fantom VS Plug-In
Page 90 and 91: 90 Fantom VS Editor (Editing a Soun
Page 92 and 93: Overview of the Fantom VS Patches f
Page 94 and 95: Overview of the Fantom VS Note Prio
Page 96 and 97: 96 Creating a Patch With the Fantom
Page 98 and 99: Creating a Patch Stretch Tune Depth
Page 100 and 101: Creating a Patch Portamento Switch
Page 104 and 105: Creating a Patch Key Fade Upper (Ke
Page 106 and 107: Creating a Patch FXM Color 106 Spec
Page 108 and 109: Creating a Patch Pitch Keyfollow fi
Page 110 and 111: Creating a Patch Cutoff Frequency
Page 112 and 113: Creating a Patch F-Env T4 V-Sens (T
Page 114 and 115: Creating a Patch Bias Direction 114
Page 116 and 117: Creating a Patch Output Settings Pa
Page 118 and 119: Creating a Patch Delay Time (LFO1/L
Page 120 and 121: Creating a Patch ● Apply the LFO
Page 122 and 123: Creating a Patch Patch Mtrx Control
Page 124 and 125: Creating a Patch ● Changing the D
Page 126 and 127: Creating a Rhythm Set Tone Pitch Be
Page 128 and 129: Creating a Rhythm Set Wave Level 12
Page 130 and 131: Creating a Rhythm Set Rhythm Pitch
Page 132 and 133: Creating a Rhythm Set Cutoff V-Curv
Page 134 and 135: Creating a Rhythm Set Random Pan De
Page 136 and 137: 136 Creating a Performance With the
Page 138 and 139: Creating a Performance Reverb Send
Page 140 and 141: Creating a Performance Key Fade Low
Page 142 and 143: Creating a Performance Equal Temper
Page 144 and 145: 144 Adding Effects This section exp
Page 146 and 147: Adding Effects Functions of Effect
Page 148 and 149: Adding Effects Reverb Output 14 Rev
Page 150 and 151: Adding Effects Chorus Source 150 Se
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System Settings 152 System Control
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fig.VS-700R-block.eps 154 VS-700R B
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Installing the ARX Expansion Board
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Installing the ARX Expansion Board
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Installation de la carte d’expans
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Installation de la carte d’expans
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164 Using only the VS-700C Console
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166 Connecting Two VS-700R I/O Unit
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fig.38.eps 168 Connecting an EDIROL
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About V-LINK Settings for SONAR 170
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172 Specifications VS-700C, VS-700R
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Specifications 962a 174 Dimensions
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Index flag ........................
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Index WORDCLOCK OUT Connector .....
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Index (Fantom VS) Patch ...........
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Index (Fantom VS) Receive Program C
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MEMO 184
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186 For EU Countries UK DE FR IT ES
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* 5 1 0 0 0 0 2 2 4 6 - 0 1 *
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