Owner's Manual - Roland

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Creating a Rhythm Set Tone Pitch Bend Range (Rhythm Tone Pitch Bend Range) 126 Specifies the amount of pitch change in semitones (4 octaves) that will occur when the Pitch Bend Lever is moved. The amount of change when the lever is tilted is set to the same value for both left and right sides. Value: 0–48 Tone Receive Expression (Rhythm Tone Receive Expression Switch) For each rhythm tone, specify whether MIDI Expression messages will be received (ON), or not (OFF). Value: OFF, ON Tone Receive Hold-1 (Rhythm Tone Receive Hold-1 Switch) For each rhythm tone, specify whether MIDI Hold-1 messages will be received (ON), or not (OFF). Value: OFF, ON If “NO SUS” is selected for Env Mode parameter (p. 125), this setting will have no effect. Tone Receive Pan Mode (Rhythm Tone Receive Pan Mode) For each rhythm tone, specify how pan messages will be received. Value CONTINUOUS: Whenever Pan messages are received, the stereo position of the tone will be changed. KEY-ON: The pan of the tone will be changed only when the next note is played. If a pan message is received while a note is sounding, the panning will not change until the next key is pressed. The channels cannot be set so as not to receive Pan messages. One Shot Mode The sound will play back until the end of the waveform (or the end of the envelope, whichever comes first). The result will be the same as when the envelope’s Tone Env Mode parameter (p. 125) is set to NO-SUS. Value: OFF, ON Relative Level Corrects for the volume of the rhythm tone. This parameter is set by the key-based controller system exclusive message. Normally, you should leave it set to 0. Value: -64-+63 If the rhythm tone level is set to 127, the volume will not increase beyond that point.
Modifying Waveforms (WG) With rhythm tones, sounds are created by combining up to four Waves (eight for stereo). Tips on Creating a Rhythm Tone The Waves for the bass drum, snare, hi-hat, toms, and other percussion instruments are each assigned to one rhythm tone. When adding 3D effects to the sound, make the Pan settings for each rhythm tone individually. Rhythm Wave Wave No. L (Mono) (Wave Number L (Mono)) Wave No. R (Wave Number R) This selects the Waves comprising the rhythm tone. Along with the Wave number, the Wave name will appear at the lower part of the display. When in monaural mode, only the left side (L) is specified. When in stereo, the right side (R) is also specified. Value: ----, 1–1240 * When using a multisample in stereo, you must specify the same number for L and R. Wave Gain Sets the gain (amplification) of the waveform. The value changes in 6 dB (decibel) steps—an increase of 6 dB doubles the waveform’s gain. Value: -6, 0, +6, +12 FXM Switch This sets whether FXM will be used (ON) or not (OFF). Value: OFF, ON FXM Color Creating a Rhythm Set FXM FXM (Frequency Cross Modulation) uses a specified waveform to apply frequency modulation to the currently selected waveform, creating complex overtones. This is useful for creating dramatic sounds or sound effects. Specifies how FXM will perform frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound. Value: 1–4 FXM Depth Specifies the depth of the modulation produced by FXM. Value: 0–16 Wave Coarse Tune Adjusts the pitch of the waveform’s sound up or down in semitone steps (+/-4 octaves). Value: -48– +48 The Coarse Tune of the entire rhythm tone is set by the Tone Coarse parameter (p. 129). Wave Fine Tune Adjusts the pitch of the waveform’s sound up or down in 1cent steps (+/-50 cents). Value: -50– +50 One cent is 1/100th of a semitone. The Fine Tune of the entire rhythm tone is set by the Tone Fine Tune parameter (p. 129). 127 Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
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WARNING: To reduce the risk of fire
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USING THE UNIT SAFELY 013 • In ho
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6 IMPORTANT NOTES Power Supply 301
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8 Contents USING THE UNIT SAFELY...
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Contents 10 VS-700R I/O ...........
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Contents 12 Appendix ..............
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fig.panel-vs-700.eps 14 Main Featur
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Panel Descriptions C. Time Display
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Panel Descriptions Rear Panel fig.p
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Panel Descriptions E. SAMPLE RATE K
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Panel Descriptions E. DIGITAL 2 OUT
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Panel Descriptions Side Panel fig.p
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26 Connections Connecting the Power
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941 945 28 Turning the Power On Onc
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30 Overview of the VS-700C Console
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CHANNEL STRIP Section Channel Fader
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CHANNEL STRIP Section Rotary Encode
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CHANNEL STRIP Section Strip Select
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CHANNEL STRIP Section ASSIGN Button
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CHANNEL STRIP Section Rude MUTE/Rud
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CHANNEL STRIP Section FADER BANK Bu
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CHANNEL STRIP Section I/O Control 4
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CHANNEL STRIP Section Locking a Cha
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fig.22.eps 48 Time Display The VS-7
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CHANNEL STRIP CONTROL Section (EQ,
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CHANNEL STRIP CONTROL Section (EQ,
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fig.28.eps 54 Transport Section The
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fig.29.eps 56 PROJECT Section The P
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JOG/SHUTTLE/CURSOR Section Transpor
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JOG/SHUTTLE/CURSOR Section Zoom Mod
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JOG/SHUTTLE/CURSOR Section Edit Mod
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fig.31.eps 64 ACCESS PANEL Section
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ACCESS PANEL Section (Assignable Bu
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fig.34.eps 68 SURROUND Section The
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fig.37.eps 70 AUDIO OUTPUT Section
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RECORD/EDIT Section To Specify the
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74 Controlling Plug-ins from the VS
Page 76 and 77: Controlling Plug-ins from the VS-70
Page 78 and 79: 78 Connecting Recording Equipment C
Page 80 and 81: 80 Switching the Sampling Rate Use
Page 82 and 83: 82 Audio Clock Source You can choos
Page 84 and 85: 84 Preamp Parameters Preamps are bu
Page 86 and 87: 86 Direct Monitor Mixer Input Setti
Page 88 and 89: 88 Inserting the Fantom VS Plug-In
Page 90 and 91: 90 Fantom VS Editor (Editing a Soun
Page 92 and 93: Overview of the Fantom VS Patches f
Page 94 and 95: Overview of the Fantom VS Note Prio
Page 96 and 97: 96 Creating a Patch With the Fantom
Page 98 and 99: Creating a Patch Stretch Tune Depth
Page 100 and 101: Creating a Patch Portamento Switch
Page 102 and 103: Creating a Patch fig.06-020 fig.06-
Page 104 and 105: Creating a Patch Key Fade Upper (Ke
Page 106 and 107: Creating a Patch FXM Color 106 Spec
Page 108 and 109: Creating a Patch Pitch Keyfollow fi
Page 110 and 111: Creating a Patch Cutoff Frequency
Page 112 and 113: Creating a Patch F-Env T4 V-Sens (T
Page 114 and 115: Creating a Patch Bias Direction 114
Page 116 and 117: Creating a Patch Output Settings Pa
Page 118 and 119: Creating a Patch Delay Time (LFO1/L
Page 120 and 121: Creating a Patch ● Apply the LFO
Page 122 and 123: Creating a Patch Patch Mtrx Control
Page 124 and 125: Creating a Patch ● Changing the D
Page 128 and 129: Creating a Rhythm Set Wave Level 12
Page 130 and 131: Creating a Rhythm Set Rhythm Pitch
Page 132 and 133: Creating a Rhythm Set Cutoff V-Curv
Page 134 and 135: Creating a Rhythm Set Random Pan De
Page 136 and 137: 136 Creating a Performance With the
Page 138 and 139: Creating a Performance Reverb Send
Page 140 and 141: Creating a Performance Key Fade Low
Page 142 and 143: Creating a Performance Equal Temper
Page 144 and 145: 144 Adding Effects This section exp
Page 146 and 147: Adding Effects Functions of Effect
Page 148 and 149: Adding Effects Reverb Output 14 Rev
Page 150 and 151: Adding Effects Chorus Source 150 Se
Page 152 and 153: System Settings 152 System Control
Page 154 and 155: fig.VS-700R-block.eps 154 VS-700R B
Page 156 and 157: Installing the ARX Expansion Board
Page 158 and 159: Installing the ARX Expansion Board
Page 160 and 161: Installation de la carte d’expans
Page 162 and 163: Installation de la carte d’expans
Page 164 and 165: 164 Using only the VS-700C Console
Page 166 and 167: 166 Connecting Two VS-700R I/O Unit
Page 168 and 169: fig.38.eps 168 Connecting an EDIROL
Page 170 and 171: About V-LINK Settings for SONAR 170
Page 172 and 173: 172 Specifications VS-700C, VS-700R
Page 174 and 175: Specifications 962a 174 Dimensions
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Index flag ........................
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Index WORDCLOCK OUT Connector .....
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Index (Fantom VS) Patch ...........
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Index (Fantom VS) Receive Program C
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MEMO 184
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186 For EU Countries UK DE FR IT ES
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* 5 1 0 0 0 0 2 2 4 6 - 0 1 *
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Owner's Manual - Roland

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