Owner's Manual - Roland

More documents

Recommendations

Info

96 Creating a Patch With the Fantom VS, you have total control over a wide variety of settings. Each item that can be set is known as a parameter. This chapter explains the procedures used in creating patches, and the functions of the patch parameters. How to Make Patch Settings Start with an existing patch and edit it to create a new patch. Since a patch is a combination of up to any four tones, you should listen to how the individual tones sound before you edit. Four Tips for Editing Patches ● Select a patch that is similar to the sound you wish to create. It’s hard to create a new sound that’s exactly what you want if you just select a patch and modify its parameters at random. It makes sense to start with a patch whose sound is related to what you have in mind. ● Decide which tones will sound. When creating a patch, it is important to decide which tones you are going to use. Set Tone Switch 1–4 to specify whether each tone will sound (on), or not (off). It is also important to turn off unused tones to avoid wasting voices, unnecessarily reducing the number of simultaneous notes you can play. ● Check the Structure setting. The important Structure parameter determines how the four tones combine. Before you select new tones, make sure you understand how the currently selected tones are affecting each other. ● Turn Effects off. Since the Fantom VS effects have such a profound impact on its sounds, turn them off to listen to the sound itself so you can better evaluate the changes you’re making. Since you will hear the original sound of the patch itself when the effects are turned off, the results of your modifications will be easier to hear. Actually, sometimes just changing effects settings can give you the sound you want. Functions of Patch Parameters This section explains the functions the different patch parameters have, as well as the composition of these parameters. Parameters marked with a “★” can be controlled using specified MIDI messages (Matrix Control). Settings in the Control screen will determine how these parameters are controlled (p. 121). Settings Common to the Entire Patch (GENERAL) Patch General Patch Category Specifies the type (category) of the patch. Category Contents - - - No Assign No assign PNO AC.Piano Acoustic Piano EP EL.Piano Electric Piano KEY Keyboards Other Keyboards (Clav, Harpsichord etc.) BEL Bell Bell, Bell Pad MLT Mallet Mallet ORG Organ Electric and Church Organ ACD Accordion Accordion HRM Harmonica Harmonica, Blues Harp AGT AC.Guitar Acoustic Guitar EGT EL.Guitar Electric Guitar DGT DIST.Guitar Distortion Guitar BS Bass Acoustic & Electric Bass SBS Synth Bass Synth Bass STR Strings Strings
Category Contents ORC Orchestra Orchestra Ensemble HIT Hit&Stab Orchestra Hit, Hit WND Wind Winds (Oboe, Clarinet etc.) FLT Flute Flute, Piccolo BRS AC.Brass Acoustic Brass SBR Synth Brass Synth Brass SAX Sax Sax HLD Hard Lead Hard Synth Lead SLD Soft Lead Soft Synth Lead TEK Techno Synth Techno Synth PLS Pulsating Pulsating Synth FX Synth FX Synth FX (Noise etc.) SYN Other Synth Poly Synth BPD Bright Pad Bright Pad Synth SPD Soft Pad Soft Pad Synth VOX Vox Vox, Choir PLK Plucked Plucked (Harp etc.) ETH Ethnic Other Ethnic FRT Fretted Fretted Inst (Mandolin etc.) PRC Percussion Percussion SFX Sound FX Sound FX BTS Beat&Groove Beat and Groove DRM Drums Drum Set CMB Combination Other patches which use Split and Layer Patch Level Specifies the volume of the patch. Value: 0–127 Patch Pan Creating a Patch Specifies the pan of the patch. “L64” is far left, “0” is center, and “63R” is far right. Value: L64–0–63R Patch Priority This determines how notes will be managed when the maximum polyphony is exceeded (128 voices). Value LAST: The last-played voices will be given priority, and currently sounding notes will be turned off in order, beginning with the first-played note. LOUDEST: The voices with the loudest volume will be given priority, and currently sounding notes will be turned off, beginning with the lowest-volume voice. Octave Shift Adjusts the pitch of the patch’s sound up or down in units of an octave (+/-3 octaves). Value: -3– +3 Patch Coarse Tune ★ Adjusts the pitch of the patch’s sound up or down in semitone steps (+/-4 octaves). Value: -48– +48 Patch Fine Tune Adjusts the pitch of the patch’s sound up or down in 1-cent steps (+/-50 cents). Value: -50– +50 One cent is 1/100th of a semitone. 97 Overview Connections VS-700C Console VS-700R I/O Fantom VS Appendix
Page 2 and 3:
WARNING: To reduce the risk of fire
Page 4 and 5:
USING THE UNIT SAFELY 013 • In ho
Page 6 and 7:
6 IMPORTANT NOTES Power Supply 301
Page 8 and 9:
8 Contents USING THE UNIT SAFELY...
Page 10 and 11:
Contents 10 VS-700R I/O ...........
Page 12 and 13:
Contents 12 Appendix ..............
Page 14 and 15:
fig.panel-vs-700.eps 14 Main Featur
Page 16 and 17:
Panel Descriptions C. Time Display
Page 18 and 19:
Panel Descriptions Rear Panel fig.p
Page 20 and 21:
Panel Descriptions E. SAMPLE RATE K
Page 22 and 23:
Panel Descriptions E. DIGITAL 2 OUT
Page 24 and 25:
Panel Descriptions Side Panel fig.p
Page 26 and 27:
26 Connections Connecting the Power
Page 28 and 29:
941 945 28 Turning the Power On Onc
Page 30 and 31:
30 Overview of the VS-700C Console
Page 32 and 33:
CHANNEL STRIP Section Channel Fader
Page 34 and 35:
CHANNEL STRIP Section Rotary Encode
Page 36 and 37:
CHANNEL STRIP Section Strip Select
Page 38 and 39:
CHANNEL STRIP Section ASSIGN Button
Page 40 and 41:
CHANNEL STRIP Section Rude MUTE/Rud
Page 42 and 43:
CHANNEL STRIP Section FADER BANK Bu
Page 44 and 45:
CHANNEL STRIP Section I/O Control 4
Page 46 and 47: CHANNEL STRIP Section Locking a Cha
Page 48 and 49: fig.22.eps 48 Time Display The VS-7
Page 50 and 51: CHANNEL STRIP CONTROL Section (EQ,
Page 52 and 53: CHANNEL STRIP CONTROL Section (EQ,
Page 54 and 55: fig.28.eps 54 Transport Section The
Page 56 and 57: fig.29.eps 56 PROJECT Section The P
Page 58 and 59: JOG/SHUTTLE/CURSOR Section Transpor
Page 60 and 61: JOG/SHUTTLE/CURSOR Section Zoom Mod
Page 62 and 63: JOG/SHUTTLE/CURSOR Section Edit Mod
Page 64 and 65: fig.31.eps 64 ACCESS PANEL Section
Page 66 and 67: ACCESS PANEL Section (Assignable Bu
Page 68 and 69: fig.34.eps 68 SURROUND Section The
Page 70 and 71: fig.37.eps 70 AUDIO OUTPUT Section
Page 72 and 73: RECORD/EDIT Section To Specify the
Page 74 and 75: 74 Controlling Plug-ins from the VS
Page 76 and 77: Controlling Plug-ins from the VS-70
Page 78 and 79: 78 Connecting Recording Equipment C
Page 80 and 81: 80 Switching the Sampling Rate Use
Page 82 and 83: 82 Audio Clock Source You can choos
Page 84 and 85: 84 Preamp Parameters Preamps are bu
Page 86 and 87: 86 Direct Monitor Mixer Input Setti
Page 88 and 89: 88 Inserting the Fantom VS Plug-In
Page 90 and 91: 90 Fantom VS Editor (Editing a Soun
Page 92 and 93: Overview of the Fantom VS Patches f
Page 94 and 95: Overview of the Fantom VS Note Prio
Page 98 and 99: Creating a Patch Stretch Tune Depth
Page 100 and 101: Creating a Patch Portamento Switch
Page 102 and 103: Creating a Patch fig.06-020 fig.06-
Page 104 and 105: Creating a Patch Key Fade Upper (Ke
Page 106 and 107: Creating a Patch FXM Color 106 Spec
Page 108 and 109: Creating a Patch Pitch Keyfollow fi
Page 110 and 111: Creating a Patch Cutoff Frequency
Page 112 and 113: Creating a Patch F-Env T4 V-Sens (T
Page 114 and 115: Creating a Patch Bias Direction 114
Page 116 and 117: Creating a Patch Output Settings Pa
Page 118 and 119: Creating a Patch Delay Time (LFO1/L
Page 120 and 121: Creating a Patch ● Apply the LFO
Page 122 and 123: Creating a Patch Patch Mtrx Control
Page 124 and 125: Creating a Patch ● Changing the D
Page 126 and 127: Creating a Rhythm Set Tone Pitch Be
Page 128 and 129: Creating a Rhythm Set Wave Level 12
Page 130 and 131: Creating a Rhythm Set Rhythm Pitch
Page 132 and 133: Creating a Rhythm Set Cutoff V-Curv
Page 134 and 135: Creating a Rhythm Set Random Pan De
Page 136 and 137: 136 Creating a Performance With the
Page 138 and 139: Creating a Performance Reverb Send
Page 140 and 141: Creating a Performance Key Fade Low
Page 142 and 143: Creating a Performance Equal Temper
Page 144 and 145: 144 Adding Effects This section exp
Page 146 and 147:
Adding Effects Functions of Effect
Page 148 and 149:
Adding Effects Reverb Output 14 Rev
Page 150 and 151:
Adding Effects Chorus Source 150 Se
Page 152 and 153:
System Settings 152 System Control
Page 154 and 155:
fig.VS-700R-block.eps 154 VS-700R B
Page 156 and 157:
Installing the ARX Expansion Board
Page 158 and 159:
Installing the ARX Expansion Board
Page 160 and 161:
Installation de la carte d’expans
Page 162 and 163:
Installation de la carte d’expans
Page 164 and 165:
164 Using only the VS-700C Console
Page 166 and 167:
166 Connecting Two VS-700R I/O Unit
Page 168 and 169:
fig.38.eps 168 Connecting an EDIROL
Page 170 and 171:
About V-LINK Settings for SONAR 170
Page 172 and 173:
172 Specifications VS-700C, VS-700R
Page 174 and 175:
Specifications 962a 174 Dimensions
Page 176 and 177:
Index flag ........................
Page 178 and 179:
Index WORDCLOCK OUT Connector .....
Page 180 and 181:
Index (Fantom VS) Patch ...........
Page 182 and 183:
Index (Fantom VS) Receive Program C
Page 184 and 185:
MEMO 184
Page 186 and 187:
186 For EU Countries UK DE FR IT ES
Page 188:
* 5 1 0 0 0 0 2 2 4 6 - 0 1 *
show all

Owner's Manual - Roland

Create successful ePaper yourself

Delete template?

Save as template?